A collection of essays which "describe developments in the game's past, assess their impact, and explain how they reflect the period in which they occurred; ... explore baseball's influences outside the field of play as well as the effect of external factors on the game; ... [and] discuss such key issues as demographics, communities, social mobility, race and ethnicity."--Cover.

Taking readers back in time to 1947, an award-winning journalist chronicles an integrated baseball team in Bismarck, North Dakota that rose above a segregated society to become champions, delving into the history of the players, the town and baseball itself.

The story of baseball in America begins not with the fabled Abner Doubleday but with a generation of mid-nineteenth-century Americans who moved from the countryside to the cities and brought a cherished but delightfully informal game with them. But Didn't We Have Fun? will make you rethink everything you thought you knew about baseball's origins. Peter Morris, author of the prizewinning A Game of Inches, takes a fresh look at the early amateur years of the game. Mr. Morris retrieves a lost eraand a lost way of life. Offering a challenging new perspective on baseball's earliest years, and conveying the sense of delight that once pervaded the game and its players, Mr. Morris supplants old myths with a story just as marvelous-but one that reallyhappened. With 25 rare photographs and drawings.

Although on the decline, the threat of gambling on games continued menacing baseball in the 1880s. One issue that certainly was not in decline, however, was the abuse of umpires. Arguments and rows between players, fans, and umpires ranks among the most important issues in the game in this decade. Several major fights broke out every season. Many times, umpires narrowly escaped with their life. At least twice, they killed fans in their own self-defense. How did the situation grow so serious? Equally regrettably, the 1880s was the decade in which baseball drew its color line, banning African Americans from the game. Even after that decision, however, racism showed its face in more subtle ways. Learn how prejudice continued to mar the game throughout the decade, especially when it came to baseball's treatment of mascots.

In 2007, the Mitchell Report shocked traditionalists who were appalled that drugs had corrupted the "pure" game of baseball. Nathan Corzine rescues the story of baseball's relationship with drugs from the sepia-toned tyranny of such myths. In Team Chemistry , he reveals a game splashed with spilled whiskey and tobacco stains from the day the first pitch was thrown. Indeed, throughout the game's history, stars and scrubs alike partook of a pharmacopeia that helped them stay on the field and cope off of it: In 1889, Pud Galvin tried a testosterone-derived "elixir" to help him pile up some of his 646 complete games. Sandy Koufax needed Codeine and an anti-inflammatory used on horses to pitch through his late-career elbow woes. Players returning from World War II mainstreamed the use of the amphetamines they had used as servicemen. Vida Blue invited teammates to cocaine parties, Tim Raines used it to stay awake on the bench, and Will McEnaney snorted it between innings. Corzine also ventures outside the lines to show how authorities handled--or failed to handle--drug and alcohol problems, and how those problems both shaped and scarred the game. The result is an eye-opening look at what baseball's relationship with substances legal and otherwise tells us about culture, society, and masculinity in America.

During the Civil War, Americans from homefront to battlefront played baseball as never before. While soldiers slaughtered each other over the country's fate, players and fans struggled over the form of the national pastime. George Kirsch gives us a color commentary of the growth and transformation of baseball during the Civil War. He shows that the game was a vital part of the lives of many a soldier and civilian--and that baseball's popularity had everything to do with surging American nationalism. By 1860, baseball was poised to emerge as the American sport. Clubs in northeastern and a few southern cities played various forms of the game. Newspapers published statistics, and governing bodies set rules. But the Civil War years proved crucial in securing the game's place in the American heart. Soldiers with bats in their rucksacks spread baseball to training camps, war prisons, and even front lines. As nationalist fervor heightened, baseball became patriotic. Fans honored it with the title of national pastime. War metaphors were commonplace in sports reporting, and charity games were scheduled. Decades later, Union general Abner Doubleday would be credited (wrongly) with baseball's invention. The Civil War period also saw key developments in the sport itself, including the spread of the New York-style of play, the advent of revised pitching rules, and the growth of commercialism. Kirsch recounts vivid stories of great players and describes soldiers playing ball to relieve boredom. He introduces entrepreneurs who preached the gospel of baseball, boosted female attendance, and found new ways to make money. We witness bitterly contested championships that enthralled whole cities. We watch African Americans embracing baseball despite official exclusion. And we see legends spring from the pens of early sportswriters. Rich with anecdotes and surprising facts, this narrative of baseball's coming-of-age reveals the remarkable extent to which America's national pastime is bound up with the country's defining event.

The untold story of baseball’s nineteenth-century origins: “a delightful look at a young nation creating a pastime that was love from the first crack of the bat” (Paul Dickson, The Wall Street Journal). You may have heard that Abner Doubleday or Alexander Cartwright invented baseball. Neither did. You may have been told that a club called the Knickerbockers played the first baseball game in 1846. They didn’t. Perhaps you’ve read that baseball’s color line was first crossed by Jackie Robinson in 1947. Nope. Baseball’s true founders don’t have plaques in Cooperstown. They were hundreds of uncredited, ordinary people who played without gloves, facemasks, or performance incentives. Unlike today’s pro athletes, they lived full lives outside of sports. They worked, built businesses, and fought against the South in the Civil War. In this myth-busting history, Thomas W. Gilbert reveals the true beginnings of baseball. Through newspaper accounts, diaries, and other accounts, he explains how it evolved through the mid-nineteenth century into a modern sport of championships, media coverage, and famous stars—all before the first professional league was formed in 1871. Winner of the Casey Award: Best Baseball Book of the Year

When Major League Baseball first expanded in 1961 with the addition of the Los Angeles Angels and the Washington Senators, it started a trend that saw the number of franchises almost double, from sixteen to thirty, while baseball attendance grew by 44 percent. The story behind this staggering growth, told for the first time in Baseball’s New Frontier, is full of twists and unexpected turns, intrigue, and, in some instances, treachery. From the desertion of New York by the Brooklyn Dodgers and the New York Giants to the ever-present threat of antitrust legislation, from the backroom deals and the political posturing to the impact of the upstart Continental League, the book takes readers behind the scenes and into baseball’s decision-making process. Fran Zimniuch gives a lively team-by-team chronicle of how the franchises were awarded, how existing teams protected their players, and what the new teams’ winning (or losing) strategies were. With its account of great players, notable characters, and the changing fortunes of teams over the years, the book supplies a vital chapter in the history of Major League Baseball.

With Amusement for All is a sweeping interpretative history of American popular culture. Providing deep insights into various individuals, events, and movements, LeRoy Ashby explores the development and influence of popular culture -- from minstrel shows to hip-hop, from the penny press to pulp magazines, from the NBA to NASCAR, and much in between. By placing the evolution of popular amusement in historical context, Ashby illuminates the complex ways in which popular culture both reflects and transforms American society. He demonstrates a recurring pattern in democratic culture by showing how groups and individuals on the cultural and social periphery have profoundly altered the nature of mainstream entertainment. The mainstream has repeatedly co-opted and sanitized marginal trends in a process that continues to shift the limits of acceptability. Ashby describes how social control and notions of public morality often vie with the bold, erotic, and sensational as entrepreneurs finesse the vagaries of the market and shape public appetites. Ashby argues that popular culture is indeed a democratic art, as it entertains the masses, provides opportunities for powerless and disadvantaged individuals to succeed, and responds to changing public hopes, fears, and desires. However, it has also served to reinforce prejudices, leading to discrimination and violence. Accordingly, the study of popular culture reveals the often dubious contours of the American dream. With Amusement for All never loses sight of pop culture's primary goal: the buying and selling of fun. Ironically, although popular culture has drawn an enormous variety of amusements from grassroots origins, the biggest winners are most often sprawling corporations with little connection to a movement's original innovators.