Rafael Sabatini (1875 - 1950) was an Italian/British writer of novels of romance and adventure. At a young age, Rafael was exposed to many languages. By the time he was seventeen, he was the master of five languages. He quickly added a sixth language - English - to his linguistic collection. He wrote short stories in the 1890s, and his first novel came out in 1902. Sabatini was a prolific writer; he produced a new book approximately every year. He consciously chose to write in his adopted language, because, he said, "all the best stories are written in English. " In all, he produced thirty one novels, eight short story collections, six nonfiction books, numerous uncollected short stories, and a play. He is best known for his world-wide bestsellers: The Sea Hawk (1915), Scaramouche (1921), Captain Blood (1922) and Bellarion the Fortunate (1926). Other famous works by Sabatini are The Lion's Skin (1911), The Strolling Saint (1913) and The Snare (1917).

"Bellarion the Fortunate" by Rafael Sabatini. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

As today's preeminent doomsday investor Mark Spitznagel describes his Daoist and roundabout investment approach, “one gains by losing and loses by gaining.” This is Austrian Investing, an archetypal, counterintuitive, and proven approach, gleaned from the 150-year-old Austrian School of economics, that is both timeless and exceedingly timely. In The Dao of Capital, hedge fund manager and tail-hedging pioneer Mark Spitznagel—with one of the top returns on capital of the financial crisis, as well as over a career—takes us on a gripping, circuitous journey from the Chicago trading pits, over the coniferous boreal forests and canonical strategists from Warring States China to Napoleonic Europe to burgeoning industrial America, to the great economic thinkers of late 19th century Austria. We arrive at his central investment methodology of Austrian Investing, where victory comes not from waging the immediate decisive battle, but rather from the roundabout approach of seeking the intermediate positional advantage (what he calls shi), of aiming at the indirect means rather than directly at the ends. The monumental challenge is in seeing time differently, in a whole new intertemporal dimension, one that is so contrary to our wiring. Spitznagel is the first to condense the theories of Ludwig von Mises and his Austrian School of economics into a cohesive and—as Spitznagel has shown—highly effective investment methodology. From identifying the monetary distortions and non-randomness of stock market routs (Spitznagel's bread and butter) to scorned highly-productive assets, in Ron Paul's words from the foreword, Spitznagel “brings Austrian economics from the ivory tower to the investment portfolio.” The Dao of Capital provides a rare and accessible look through the lens of one of today's great investors to discover a profound harmony with the market process—a harmony that is so essential today.

A classic Blandings novel from P.G. Wodehouse, the great comic writer of the 20th century. Blandings is now a BBC One show starring Jennifer Saunders and Timothy Spall. Episode One, series two, 'Throwing Eggs', features scenes from 'Uncle Fred in the Springtime'. Uncle Fred believes he can achieve anything in the springtime. However, disguised as a loony-doctor and trying to prevent prize pig, the Empress of Blandings, from falling into the hands of the unscrupulous Duke of Dunstable, he is stretched to his limit... 'A cavalcade of perfect joy.' - Caitlin Moran 'Sunlit perfection... Bask in its warmth and splendour.' - Stephen Fry 'The best English comic novelist of the century.' - Sebastian Faulks 'The greatest chronicler of a certain kind of Englishness' - Julian Fellowes

"Psmith, Journalist" is a delightful comedic novel written by the renowned British Author P. G. Wodehouse. Set in the early 20th century, this story follows the adventures of the charming and also eccentric character, Rupert Psmith. With an amusing blend of wit and other one satire, Wodehouse takes readers on a lighthearted journey into the world of journalism. The plot unfolds as Psmith, bored with his current employment, decides to seek excitement and a fresh start by joining the editorial staff of the "Cosy Moments" magazine. His clever and other one unconventional approach to reporting quickly sets him apart, and he soon finds himself embroiled in a series of humorous escapades. From interviewing a cricket-playing bishop to investigating a scandalous slum landlord, Psmith's unorthodox methods lead to hilariously unpredictable situations. Wodehouse's trademark wit shines throughout the novel, and his keen observations of human nature create a colorful and also memorable cast of characters. Psmith's suave demeanor, combined with his uncanny ability to find himself at the center of peculiar circumstances, makes him a captivating protagonist.

“P.G. Wodehouse is still the funniest writer ever to have put words on paper.”—Hugh Laurie Uncle Fred’s nephew Pongo has just smashed the prized statue of his lady love’s father. His troubles multiply as the replacement bust is revealed to be a smuggling vessel filled with jewels. This bust busting gut buster has Uncle Fred and Wodehouse himself at the very height of their work.

A series of picaresque adventures set against the backdrop of a Japan still closed off from the rest of the world, Musui's Story recounts the escapades of samurai Katsu Kokichi. As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships. From childhood, Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of a feudal lord. He eventually married and had children but never obtained official preferment and was forced to supplement a meager stipend by dealing in swords, selling protection to shopkeepers, and generally using his muscle and wits. Katsu's descriptions of loyalty and kindness, greed and deception, vanity and superstition offer an intimate view of daily life in nineteenth-century Japan unavailable in standard history books. Musui's Story will delight not only students of Japan's past but also general readers who will be entranced by Katsu's candor and boundless zest for life.

"I'm an explorer, OK? I like to find out!" -- One of the towering figures of twentieth-century science, Richard Feynman possessed a curiosity that was the stuff of legend. Even before he won the Nobel Prize in 1965, his unorthodox and spellbinding lectures on physics secured his reputation amongst students and seekers around the world. It was his outsized love for life, however, that earned him the status of an American cultural icon-here was an extraordinary intellect devoted to the proposition that the thrill of discovery was matched only by the joy of communicating it to others. In this career-spanning collection of letters, many published here for the first time, we are able to see this side of Feynman like never before. Beginning with a short note home in his first days as a graduate student, and ending with a letter to a stranger seeking his advice decades later, Perfectly Reasonable Deviations from the Beaten Track covers a dazzling array of topics and themes, scientific developments and personal histories. With missives to and from scientific luminaries, as well as letters to and from fans, family, students, crackpots, as well as everyday people eager for Feynman's wisdom and counsel, the result is a wonderful de facto guide to life, and eloquent testimony to the human quest for knowledge at all levels. Feynman once mused that "people are entertained' enormously by being allowed to understand a little bit of something they never understood before." As edited and annotated by his daughter, Michelle, these letters not only allow us to better grasp the how and why of Feynman's enduring appeal, but also to see the virtues of an inquiring eye in spectacular fashion. Whether discussing the Manhattan Project or developments in quantum physics, the Challenger investigation or grade-school textbooks, the love of his wife or the best way to approach a problem, his dedication to clarity, grace, humor, and optimism is everywhere evident..