A young noblewoman flees to London and poses as a servant to evade a murderer in this richly detailed and “compelling” (Publishers Weekly) historical novel. A SECRET TREATY AND A SECRET LIFE LONDON, 1812: Giselle Barrington is living a double life, juggling the duties of chef with those of spy catcher. She must identify her father’s savage killer before the shadowy man finds her and uncovers the explosive political document her father entrusted to her safekeeping. Posing as a French cook in the home of Lord Aldridge, Giselle is surrounded by unlikely allies and vicious enemies. In the streets where she once walked freely among polite society, she now hides in plain sight, learning the hard lessons of class distinction and negotiating the delicate balance between servant and master. Lord Aldridge’s insatiable curiosity about his mysterious new chef blurs the line between civic duty and outright desire. Carefully watching Giselle’s every move, he undertakes a mission to figure out who she really is—and, in the process, plunges her straight into the heart of danger when her only hope for survival is to remain invisible.

Contemporary erotic fiction has a new notable book--where Islam meets sexual and cultural taboos.

"When factory worker Dan Dong accidentally discovers how easy it is to infiltrate state- and corporate-sponsored banquets by posing as a journalist, he quickly becomes addicted to the insane luxury of these meals. For the first time, he tastes crab-claw tips, exotic fungi, and a dish made from thousands of pigeon tongues arranged in the shape of a chrysanthemum. But when Dan's disguise enables him to become privy to a deep-rooted scandal, his conscience compels him to cross the line between subterfuge and reality by actually writing an expose. With the help of the witty, jaded reporter Happy Gao, Dan embarks on a journey that will take him from the highest rungs of society to its most sordid depths." "Throughout the book, food - from the spicy, oily fare Dan orders for a high-class prostitute at a restaurant called Pink Chamber, to the humble noodle dishes prepared by his long-suffering wife, Little Plum - is present on almost every page, described so vividly that you can almost smell and taste it. But by the final page of The Banquet Bug, it has become clear that the perils of consumption run parallel to its pleasures."--BOOK JACKET.

From a British mystery author known as “the master of the whodunnit,” an amateur detective delights in solving murders at an English boys’ school. Prof. Gervase Fen of Oxford University is honored to award the prizes at the Speech Day ceremonies at Castrevenford High School. As it turns out, the headmaster’s selection of the part-time sleuth as a presenter is most fortuitous indeed. For the night before the big event, two of the school’s staff members are murdered . . . Of course, Fen is happy to do some investigating, if only to get more fodder for the crime novel he’s writing. Between the kidnapping, the student romances, and the accidental discovery of a long-lost Shakespearian manuscript, the eccentric Oxford don certainly gets some food for thought. But that’s all in a day’s work for an amateur detective with a penchant for literary allusions and an uncanny knack for solving the unsolvable. Praise for the mysteries of Edmund Crispin “A marvellous comic sense.” —P. D. James, New York Times–bestselling author of the Inspector Adam Dalgliesh series “Master of fast-paced, tongue-in-cheek mystery novels, a blend of John Dickson Carr, Michael Innes, M.R. James, and the Marx Brothers.” —Anthony Boucher, author of the Fergus O’Breen series “An absolute must for devotees of cultivated crime fiction.” —Kirkus Reviews “One of the most literate mystery writers of the twentieth century.” —The Boston Globe “Beneath a formidable exterior he had unsuspected depths of frivolity.” —Philip Larkin, poet and author of A Girl in Winter “One of the last exponents of the classical English detective story.” —The Times (London)

Louie Giglio helps you find encouragement, hope, and strength in the midst of any valley as you reject the enemy voices of fear, rage, lust, insecurity, anxiety, despair, temptation, or defeat. Scripture is clear: the Enemy is a liar who will stop at nothing to tempt you into poor decisions and self-defeating mindsets, making you feel afraid, angry, anxious, or defeated. It is all too easy for Satan to weasel his way into a seat at the table intended for only you and your King. But you can fight back. Don't Give the Enemy a Seat at Your Table outlines the ways to overcome those lies so you can find peace and security in any challenging circumstance or situation. With the same bold, exciting approach to Scripture as employed in Goliath Must Fall and his other previous works, pastor Louie Giglio examines Psalm 23 in fresh ways, highlighting verse 5: "You prepare a table before me in the presence of my enemies." You can find freedom from insecurity, temptation, and defeat--if you allow Jesus, the Shepherd, to lead the battle for your mind and heart. This spiritual warfare book for those who are leery of spiritual warfare books will resonate with Louie's core Passion tribe as well as with Christians of all ages who want to live a triumphant life in God.

What could be more moving than a reunion of childhood friends making peace after long enmity and tragic misunderstanding? Lucius Murena and the Emperor emerge from their long-awaited meeting with rekindled trust and affection. But in Nero's Rome, such victories are always fleeting. When a brutal murder attempt leaves Murena on the brink of death, his memory is erased by a family of patricians plotting to assassinate Nero with the help of the Emperor's own dear advisor, Seneca. The series, a dive into the intricate and deadly world of ancient Rome, is back with this tenth volume.

What is the basic point of this book? Theology makes a difference. The basic theology for addictions is that the root problem goes deeper than our genetic makeup. Addictions are ultimately a disorder of worship. Will we worship ourselves and our own desires or will we worship the true God?

Being angry at God is full of pain, confusion, and loneliness. Where does a believer in Jesus Christ turn when they find themselves angry and suspicious of God? Where did the anger come from? When will the pain end? Can God be trusted? These are the questions those angry at God ask. Where can hope be found when a believer feels let down by God? There is path away from being angry at God that takes us from rage to peace and trust. It is a long journey that is both familiar and unknown.

All autobiographers are unreliable narrators. Yet what a writer chooses to misrepresent is as telling -- perhaps even more so -- as what really happened. Timothy Adams believes that autobiography is an attempt to reconcile one's life with one's self, and he argues in this book that autobiography should not be taken as historically accurate but as metaphorically authentic. Adams focuses on five modern American writers whose autobiographies are particularly complex because of apparent lies that permeate them. In examining their stories, Adams shows that lying in autobiography, especially literary autobiography, is not simply inevitable. Rather it is often a deliberate, highly strategic decision on the author's part. Throughout his analysis, Adams's standard is not literal accuracy but personal authenticity. He attempts to resolve some of the paradoxes of recent autobiographical theory by looking at the classic question of design and truth in autobiography from the underside -- with a focus on lying rather than truth. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.