The Bhagavadgita has lent itself to several readings to defend or contest various views on life, morality, and metaphysics. This book explores the the role of the Bhagavadgita in the formation of nationalist discourse. It examines the ways in which the Gita became the central terrain of nationalist contestation, and the diverse ethico-moral mappings of the Indian nation. Focusing on Bankimchandra Chatterjee, Balgangadhar Tilak, Swami Vivekananda, Aurobindo Ghose, Mahatma Gandhi, Vinoba Bhave, and B.R. Ambedkar as the representatives of different strands of nationalist discourse, this volume probes their reflections on the Gita. The author also discusses with issues such as the relation between the nation and the masses, renunciation and engagement with the world, the ideas of equality, freedom, and common good, in the context of a nationalist discourse. He argues that the commentaries on this 'timeless' text opened up several possible understandings without necessarily eliminating one another.

This Book Will Appeal To Students Of Religion And Philosophy And General Readers Interested In The Development Of Hindu Thought In The Nineteenth Century.

In Elementary Aspects of the Political Prathama Banerjee moves beyond postcolonial and decolonial critiques of European political philosophy to rethink modern conceptions of "the political" from the perspective of the global South. Drawing on Indian and Bengali practices and philosophies from the late nineteenth and early twentieth centuries, Banerjee identifies four elements of the political: the self, action, the idea, and the people. She examines selfhood in light of precolonial Indic traditions of renunciation and realpolitik; action in the constitutive tension between traditional conceptions of karma and modern ideas of labor; the idea of equality as it emerges in the dialectic between spirituality and economics; and people in the friction between the structure of the political party and the atmospherics of fiction and theater. Throughout, Banerjee reasserts the historical specificity of political thought and challenges modern assumptions about the universality, primacy, and self-evidence of the political. In formulating a new theory of the political, Banerjee gestures toward a globally salient political philosophy that displaces prevailing Western notions of the political masquerading as universal.

A vibrant example of living literature, the Bhagavata Purana is a versatile Hindu sacred text written in Sanskrit verse. Finding its present form by the tenth century C.E., the work inspired several major north Indian devotional (bhakti) traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora. Introducing the Bhagavata Purana's key themes while also examining its extensive influence on Hindu thought and practice, this collection conducts the first multidimensional reading of the entire text. Each essay focuses on a key theme of the Bhagavata Purana and its subsequent presence in Hindu theology, performing arts, ritual recitation, and commentary. The authors consider the relationship between the sacred text and the divine image, the text's metaphysical and cosmological underpinnings, its shaping of Indian culture, and its ongoing relevance to contemporary Indian concerns.

Bankimchandra` S Shrimadbhagabadgita, His Fragmentary Commentary On The Bhagavadgita, Occupies An Important Place Among His Religious Writings The Primary Aim Of This Text Is To Make Available To Interested Readers And Scholars Without Knowledge Of Bengali A Critical, Documented English Translation Of It For The First Time.

Based on ten years of research, Santanu Das's India, Empire, and First World War Culture: Writings, Images, and Songs recovers the sensuous experience of combatants, non-combatants and civilians from undivided India in the 1914–1918 conflict and their socio-cultural, visual, and literary worlds. Around 1.5 million Indians were recruited, of whom over a million served abroad. Das draws on a variety of fresh, unusual sources - objects, images, rumours, streetpamphlets, letters, diaries, sound-recordings, folksongs, testimonies, poetry, essays, and fiction - to produce the first cultural and literary history, moving from recruitment tactics in villages through sepoy traces and feelings in battlefields, hospitals, and POW camps to post-war reflections on Europe and empire. Combining archival excavation in different countries across several continents with investigative readings of Gandhi, Kipling, Iqbal, Naidu, Nazrul, Tagore, and Anand, this imaginative study opens up the worlds of sepoys and labourers, men and women, nationalists, artists, and intellectuals, trying to make sense of home and the world in times of war.

This book brings together several important essays examining the interface between identity, culture, and literature within the issue of cultural identity in South Asian literature. The book explores how one imagines national identity and how this concept is revealed in the narratives of the nation and the production of various cultural discourses. The collection of essays examines questions related to the interpretation of the Indian past and present, the meanings of ancient and venerated cultural symbols in ancient times and modern, while discussing the ideological implications of the interpretation of identity and “Indianness” and how they reflect and influence the power-structures of contemporary societies in South Asia. Thus, the book studies the various aspects of the on-going process of constructing, imagining, re-imagining, and narrating “Indianness”, as revealed in the literatures and cultures of India.

In the colonial context of South Asia, there is a glaring asymmetry in the written records of the interaction between the Bengali women and their European counterparts, which is indicative of the larger and the overall asymmetry of discursive power, including the flow and access to information between the colonizers and their subjects. This book explores the idea of gazing through literature in Colonial India. Based on literary and historical analysis, it focuses on four different genres of literary writing where nineteenth-century Bengali women writers look back at the British colonizers. In the process, the European culture becomes a static point of reference, and the chapters in the book show the ideological, social, cultural, political, and deeper, emotional interactions between the colonized and the colonizer. The book also addresses the lack of sufficient primary sources authored by Bengali women on their European counterparts by anthologizing different available genres. Taking into account literary narratives from the colonized and the less represented side of the divide, such as a travelogue, fantasy fiction, missionary text and journal articles, the book represents the varying opinions and perspectives vis-à-vis the European women. Using an interdisciplinary approach charting the fields of Indology, colonial studies, sociology, literature/literary historiography, South-Asian feminism, and cultural studies, this book makes an important contribution to the field of South Asian Studies, studies of empire, and to Indian women’s literary history.

This book explores the ways in which modern Hindu identities were constructed in the early nineteenth century. It draws parallels between sixteenth and eventeenth Cecntury Protestantism and the rise of modernity in the West, and the Hindu reformation in the nineteenth century which contributed to the rise of Vedantic Hindu modernity discourse in India. The nineteenth century Hindu modernity, it is argued, sought both individual flourishing and collective emancipation from Western domination. For the first time Hinduism began to be constructed as a religion of sacred texts. In particular, texts belonging to what could be loosely called Vedanta: Upanishads and the Bhagavad Gita. In this way, the main protagonists of this Vedantist modernity were imitating Western Protestantism, but at the same time also inventing totally novel interpretations of what it meant to be Hindu. The book traces the major ideological paths taken in this cultural-religious reformation from its originator Rammohun Roy up to its last major influence, Rabindranath Tagore. Bringing these two versions of modernity into conversation brings a unique view on the formation of modern Hindu identities. It will, therefore, be of great interest to scholars of religious, Hindu and South Asian studies, as well as religious istory and interreligious dialogue.

The Book Krishna and Mediation is a humble attempt by the author to go back into the history and look at the institution of mediation in India. The Book is not written as a legal treatise. It is written from the point of view of layman and to understand how meditation prevailed in India from ancient time to settle disputes and bring peace and harmony to the society. Though the institution of mediation could be traced back to Vedic period; and Treta Yuga, where it was invoked to avert war between Rama and Ravana, the focus however, has been made on Krishna doing mediation in Dwapar Yuga. The reason for doing so is that Krishna has been considered as Lord of the Universe; and when the Lord of Universe himself adopts a particular mode of dispute resolution, it motivates the entire society and encourages people to resolve their disputes and differences through that mode. The indigenous justice delivery system included Kulani, Sreni, Puga, Mahajan, Mediation and Panchayats. Mediation had always been one of the most important methods of resolving disputes and conflicts. Mediation was done by Angada between Rama and Ravana in Treta Yuga; by Lord Krishna between Kauravas and Pandavas in Dwapar Yuga; and by Supreme Court in Ram Janambhoomi case. Unfortunately, all the three mediations failed. Nevertheless, the community learnt its potential as a dispute settlement mode and invoked it in endless number of cases in the informal manner. The Book discusses conflict and dispute in detail. It also discusses many facets of Lord Krishna. Emphasis has been made on Lord Krishna as Mediator. The Book also discusses Mediation in India and at the international level in contemporary times. It also discusses about the pendency of cases which is going to touch the figure of 5 crores, which is more than the population of several countries taken together. The Book discusses how mediation may become game changer and bring down the pendency of cases. The references have been made to dharma, verses of Gita, stories, poem, etc. to exemplify certain facts. I sincerely hope that the Book will come to the expectations of the readers.