A couple begins an intense affair, only to be separated abruptly-and perhaps irrevocably-in this surprising, suspenseful love story Zeke is twenty-nine, a man who looks like a Raphael angel and who earns his living as a painter and carpenter in London. He reads the world a little differently from most people and has trouble with such ordinary activities as lying, deciphering expressions, recognizing faces. Verona is thirty-seven, confident, hot-tempered, a modestly successful radio show host, unmarried, and seven months pregnant. When the two meet in a house that Zeke is renovating, they fall in love, only to be separated less than twenty-four hours later when Verona leaves abruptly, without explanation, for Boston. Both Zeke and Verona, it turns out, have complications in their lives, though not of a romantic kind. Verona's involve her brother, Henry, who is tied up in shady financial dealings. Zeke's father has had a heart attack and his mother is threatening to run away with her lover, all of which puts pressure on Zeke to take over the family grocery business. And yet he finds himself following Verona to Boston. As he pursues her, and she pursues Henry, both are forced to ask the perplexing question: Can we ever know another person? Deftly plotted and filled with unexpected twists, Livesey's Banishing Verona marks the arrival of another lyrical and wise novel from a writer whose work "radiates with compassion and intelligence and always, deliciously, mystery" (Alice Sebold).

From concerns about an ‘autism epidemic’ to the MMR vaccine crisis, autism is a source of peculiar fascination in the contemporary media. Author Stuart Murray, himself the parent of an autistic child, contends that for all the coverage, autism rarely emerges from the various images we produce of it as a comprehensible way of being in the world—instead occupying a succession of narrative spaces as a source of fascination and wonder. A refreshing analysis and evaluation of autism within contemporary society and culture, Representing Autism establishes the autistic presence as a way by which we might more fully articulate our understanding of those with the condition, and what it means to be a human. “This is an outstanding volume of empathetic scholarship. . . . Representing Autism is a truly significant piece of cultural criticism about one of the defining conditions of our time.”—Mark Osteen, Loyola College

Stories depict the lives of such characters as a young magazine editor forced to endure a bizarre blind date, a couple positive that they have received implants by space aliens, and a boy desperate to please his father with his baseball skills.

From the author of Come Closer and the Claire DeWitt series comes a highly acclaimed—and unusual—gritty thriller about a missing girl... and the addict tasked with saving her. Josephine, a former addict, is offered a thousand dollars to find a suburban couple’s missing daughter. But the search will take her into the dark underbelly of New York she thought she’d escaped—and a web of deceit that threatens to destroy her.

Most of the papers presented at various national and international seminars.

Replete with compelling characters and an extravagant plot, this novel of memory and redemption weaves together four separate quests for love and truth in a manner both thrilling and, ultimately, revealing about the imperfections of human nature.

In 1979, Nam Le's family left Vietnam for Australia, an experience that inspires the first and last stories in The Boat. In between, however, Le's imagination lays claim to the world. The Boat takes us from a tourist in Tehran to a teenage hit man in Colombia; from an ageing New York artist to a boy coming of age in a small Victorian fishing tow...

The basis for the Major Motion Picture Mr. Holmes starring Ian McKellen and Laura Linney and directed by Bill Condon. It is 1947, and the long-retired Sherlock Holmes, now 93, lives in a remote Sussex farmhouse with his housekeeper and her young son. He tends to his bees, writes in his journal, and grapples with the diminishing powers of his mind. But in the twilight of his life, as people continue to look to him for answers, Holmes revisits a case that may provide him with answers of his own to questions he didn’t even know he was asking–about life, about love, and about the limits of the mind’s ability to know. A novel of exceptional grace and literary sensitivity, A Slight Trick of the Mind is a brilliant imagining of our greatest fictional detective and a stunning inquiry into the mysteries of human connection.

The New York Times called Porter Shreve's first novel, The Obituary Writer, "an involving and sneakily touching story whose twists feel less like the conventions of a genre than the convolutions of a heart--any heart." Newsday hailed the book as "a substantial achievement," and Tim O'Brien described it as "taut, compelling, and moving . . . beautifully written, engrossing from start to finish." Shining with the same heart and humor, Shreve's second novel, Drives Like a Dream, is a smart, wry tale about a modern-day mother in the midst of a lifestyle crisis--and her outlandish attempts to get her family back. Lydia Modine is sixty-one and about to come undone. Her three grown-up children have flown the coop. She hasn't seen them together in more than a year, and now her ex-husband is about to remarry a woman half his age. And the insults keep coming: Lydia is stuck on a book she's writing about Detroit's car industry, which uncannily parallels her own life -- out with the old model, in with the new. She's poured her soul into her family, only to be abandoned in the City of Dream Machines. But then a twist of fate introduces her to Norm, an eco-car fanatic out to remake her and the world. Is he the answer to all of her problems, or does he hold the one secret that just might get her children back to Detroit, home for good? A warm, funny, and affecting novel that's sure to appeal to anyone who has longed for an alternate life, Drives Like a Dream confirms that sometimes when you set out for a spin, the twists and turns can be perfectly rewarding--and right.

Valerie Vane was an up-and-coming lifestyle reporter at a prominent New York City daily. Then she stumbled, rather publicly, and lost it all—her column, her fiancé, her access behind the city's velvet ropes. Now she's on the obituary desk writing death notices, and it feels like a dead end. However, when she writes about a recently deceased once-famous graffiti artist, the phone calls start. A mysterious voice on the other end of the line tells her the artist's death was a murder—and if she were a real reporter, she'd investigate. But can Valerie trade her stilettos for gumshoes?