Michael Reed's invaluable study shines new light on Mormons' complex and ambiguous relationship with the cross. Reed's research, the most exhaustive ever undertaken on this subject, should help other Christians understand the historic, cultural and religious context out of which Latter-day Saint attitudes toward the cross emerged-and it should help Latter-day Saints find greater spiritual meaning in this most poignant and profound of Christian symbols.

Llewellyn's Complete Book of Correspondences is a clear, straightforward companion for Pagan and Wiccan ritual and spellwork. Entries are cross-referenced, indexed, and organized by categories and subcategories, making it easy to find what you need. This comprehensive reference provides a fascinating look at why correspondences are more than just lists of objects to focus intent on—they are fundamental to how we think. When we use correspondences, we weave together our ideas, beliefs, and energy, creating deeper meaning in our rituals and spellwork as we unite our individuality with a larger purpose. The use of correspondences embodies both physical and symbolic energy and provides the means for uniting the seen and unseen worlds. Packed with content yet easy to use, Llewellyn's Complete Book of Correspondences covers traditional correspondences and also provides instruction for forging new ones that hold special meaning for you. Plants Minerals Animals Deities Zodiac Moon Phases Days and Times Ogham Runes Tarot Elements Numbers Chakras Colors And More

"Mortimer's book is grounded in that of Crowley yet he goes beyond it and I think the Master Therion would applaud. He tackles issues obviously based on experience, which have never been satisfactorily tackled before. If you have the slightest sincere interest in Magick and human evolution, you really must get hold of this book. The author's acid wit regarding New Age garbage adds spice to this excellent work. Do you really want to make Magick? If so, you must beg, borrow or steal a copy of this wonderful book." - Gerald Suster (Talking Stick - Winter 1997/98).

The story of the birth of the Religious Right is a familiar one. In the 1970s, mainly in response to Roe v. Wade, evangelicals and conservative Catholics put aside their longstanding historical prejudices and theological differences and joined forces to form a potent political movement that swept across the country. In this provocative book, Neil J. Young argues that almost none of this is true. Young offers an alternative history of the Religious Right that upends these widely-believed myths. Theology, not politics, defined the Religious Right. The rise of secularism, pluralism, and cultural relativism, Young argues, transformed the relations of America's religious denominations. The interfaith collaborations among liberal Protestants, Catholics, and Jews were met by a conservative Christian counter-force, which came together in a loosely bound, politically-minded coalition known as the Religious Right. This right-wing religious movement was made up of Mormons, conservative Catholics, and evangelicals, all of whom were united--paradoxically--by their contempt for the ecumenical approach they saw the liberal denominations taking. Led by the likes of Jerry Falwell, they deemed themselves the "pro-family" movement, and entered full-throated into political debates about abortion, school prayer, the Equal Rights Amendment, gay rights, and tax exemptions for religious schools. They would go on to form a critical new base for the Republican Party. Examining the religious history of interfaith dialogue among conservative evangelicals, Catholics, and Mormons, Young argues that the formation of the Religious Right was not some brilliant political strategy hatched on the eve of a history-altering election but rather the latest iteration of a religious debate that had gone on for decades. This path breaking book will reshape our understanding of the most important religious and political movement of the last 30 years.

This book explores the history and legacy of monuments to the fallen from the Francoist side in the Spanish Civil War. Del Arco Blanco studies thousands of monuments in towns and cities across Spain to provide a detailed account of the history and memory of the civil war, Francoism, and the transition to democracy. Chapters in the book focus on the myth of those said to have 'fallen for God and for Spain'—a phrase that encapsulated and shaped the dichotomy between ‘good’ and ‘bad’ Spaniards. They also focus on the use of monuments to control political and ideological ideals and to legitimise the Francoist dictatorship. Further chapters study Spanish society’s struggle to deal with its past of mass killing, denial, and exclusion. Del Arco Blanco also pays attention to the way the Francoist authorities used monuments and memory for their political and ideological advantage and to control people, power as well as the political agenda. The book draws on extensive research to reconstruct both the specific history of monuments scattered throughout the country and their role within manipulative Francoist memory of the Spanish Civil War. In these ways, monuments helped shape the Francoist narrative and memory, but they also became part of the landscape of contemporary Spanish history. This book is an excellent resource for postgraduate students and professional researchers studying the aftermath of the Spanish Civil War, and the influence of monuments on the construction of national memory, culture, and society in Spain both at the time and through to the present day.

This provocative series examines some of the great religions of the world, taking into account both similarities and differences with Mormonism - refuting common misconceptions, illuminating little-known practices, and exploring the theological underpinnings of the faith under study. Persons not of the LDS faith may be surprised to learn of doctrinal commonalities with the Latter-day Saints, while LDS readers will no doubt be fascinated by the degree to which they have misunderstood their brothers and sisters of other religious persuasions.

The mystery of Sister Caterina continues as Takara discovers the abhorrent secret of her past and the truth behind her current pregnancy and decides to perform an exorcism.

Crossing the boundaries of genre with its unrivalled storytelling, Diana Gabaldon’ s new novel is a gift both to her millions of loyal fans and to the lucky readers who have yet to discover her. In the ten years since her extraordinary debut novel, Outlander, was published, beloved author Diana Gabaldon has entertained scores of readers with her heart-stirring stories and remarkable characters. The four volumes of her bestselling saga, featuring eighteenth-century Scotsman James Fraser and his twentieth-century, time-travelling wife, Claire Randall, boasts nearly 5 million copies in the U.S. The story of Outlander begins just after the Second World War, when a British field nurse named Claire Randall walks through a cleft stone in the Scottish highlands and is transported back some two hundred years to 1743. Here, now, is The Fiery Cross, the eagerly awaited fifth volume in this remarkable, award-winning series of historical novels. The year is 1771, and war is approaching. Jamie Fraser’ s wife has told him so. Little as he wishes to, he must believe it, for hers is a gift of dreadful prophecy – a time-traveller’s certain knowledge. To break his oath to the Crown will brand him a traitor; to keep it is certain doom. Jamie Fraser stands in the shadow of the fiery cross – a standard that leads nowhere but to the bloody brink of war.

From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.