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Banda Singh Bahadur appeared in Sikh history for a relatively short period (1708-1716) but, after the Sikh gurus, influenced it more significantly than any other individual. Banda Singh Bahadur is among the most colourful and fascinating characters in Sikh history. From an ascetic he was transformed into Guru Gobind Singh’s most trusted disciple. So much so that when the seriously injured guru could not lead his Sikh army against the Mughal forces, he appointed Banda Singh Bahadur as his deputy. As proof of this appointment he gave Banda his sword, a mighty bow, arrows from his own quiver, his battle standard and his war drum. Banda rode out from Nanded (where Guru Gobind Singh passed away; now in Maharashtra) at the head of a small band of Sikhs, which, by the time it reached the Punjab, had grown into a formidable army. Over the next few years his exploits against the Mughal rulers, both in pitched battles and in skirmishes, became the stuff of legends. He became the first of many legendary Sikh generals, famous both for their personal heroic courage and their skill in warfare. His many encounters with the Mughal rulers eroded the very foundation of the Mughal empire and ensured its quick demise. As he said when questioned on what he had achieved: ‘I have ensured that never again will the crown sit easily on the Mughal emperor’s head.’ He also prepared the coming generations of Sikhs for future conflicts, which later greatly helped Maharaja Ranjit Singh in creating a Sikh empire. Banda was a true leader who led from the front, not only in the battlefield but also in civil administration. He established a secular government which swept aside 700 years of slavery and the myth of domination by foreign powers, proclaimed freedom of worship, allowed the people to follow professions of their choice and stopped forcible marriages even while recovering abducted women for return to their families. His land revolution abolished zamindari in parts of North India, thereby redistributing land equally amongst the tillers. This book seeks to tell the story of this remarkable and brave man and his equally remarkable ahievements. Perhaps, the finest of Banda Singh Bahadur’s biographies.

Fifteen Brave Men and Women of Bharat who Never Succumbed to the Challenges of Invaders But were Lost and Forgotten in the Annals of History. These are the stories of those Bravehearts who Fought to Protect their Rights, Faith and Freedom. History has always been the handmaiden of the victor. 'Until the lions have their own storytellers,' said Chinua Achebe, 'the history of the hunt will always glorify the hunter!' Exploring the lives, times and works of the fifteen long-forgotten and mostly neglected unsung heroes and heroines of our past, this book brings to light the contribution of the warriors who not only donned armour and burst forth into the battlefield but also kept the flame of hope alive under adverse circumstances. Narrating the tales of valour and success that India, as a nation and civilization, has borne witness to in its long and tumultuous past, the book opens a window to the stories of select men and women who valiantly fought against invaders for their rights, faith and freedom. Rajarshi Bhagyachandra Jai Singh of Manipur, Lalitaditya Muktapida of Kashmir, Chand Bibi of Ahmednagar, Lachit Barphukan of Assam, Begum Hazrat Mahal of Awadh, Rani Abbakka Chowta of Ullal, Martanda Varma of Travancore, Rani Rudrama Devi of Warangal, Rani Naiki Devi of Gujarat and Banda Singh Bahadur are some of the 'bravehearts' who fought to uphold the tradition and culture of their land. Pacy and unputdownable, Bravehearts of Bharat chronicles the stories of courage, determination and victory, which largely remained untold and therefore unknown for a long time.

One of Texas's true renaissance men, Tom Lea (1907-2001) was already a noted artist, muralist, and book illustrator when he published his first novel, The Brave Bulls, in 1949. This suspenseful story of bullfighting in Mexico, elegantly illustrated by the author, spent several weeks on the New York Times bestseller list and was hailed by Time magazine as the best first novel of the year. It also won the Carr P. Collins Award from the Texas Institute of Letters, went through numerous reprints and translations, and became a 1951 movie starring Mel Ferrer and Anthony Quinn.

An original, provocative and compelling reading of the subcontinent’s history In this remarkable study, well-known biographer Rajmohan Gandhi, underscoring the prominence in the Mahabharata of the revenge impulse, follows its trajectory in South Asian history. Side by side, he traces the role played by reconcilers up to present times, like the Buddha, Mahavira and Asoka. Encompassing myth and historical fact, the author moves from the circumstances of Drona’s death and Parasurama’s slaying of the Kshatriyas to the burst of Islam in India and Akbar’s success in gaining acceptance for it, the executions of Guru Arjan Dev and Guru Tegh Bahadur, and Shivaji’s achievement of self-rule. His explanation of the 1947 division of India identifies the role of the 1857 Rebellion in shaping Gandhi’s thinking and strategy, and reflects on the wounds of Partition. The survey of post-Independence India, Pakistan, Bangladesh and Sri Lanka also touches upon the tragic bereavements of six of their women leaders. Incisive and finely argued, Revenge and Reconciliation compels us to confront historical and contemporary realities of intolerance, while pointing to possible strategies of mutual accommodation in India and the rest of South Asia at the threshold of the twenty-first century.

On Sikh gurus, saints, and warriors; for children.

Five hundred years ago, Guru Nanak founded the Sikh faith in India. The Sikhs defied the caste system; rejected the authority of Hindu priests; forbade magic and idolatry; and promoted the equality of men and women -- beliefs that incurred the wrath of both Hindus and Muslims. In the centuries that followed, three of Nanak's nine successors met violent ends, and his people continued to battle hostile regimes. The conflict has raged into our own time: in 1984 the Golden Temple of Amritsar -- the holy shrine of the Sikhs--was destroyed by the Indian Army. In retaliation, Sikh bodyguards assassinated Prime Minister Indira Gandhi. Now, Patwant Singh gives us the compelling story of the Sikhs -- their origins, traditions and beliefs, and more recent history. He shows how a movement based on tenets of compassion and humaneness transformed itself, of necessity, into a community that values bravery and military prowess as well as spirituality. We learn how Gobind Singh, the tenth and last Guru, welded the Sikhs into a brotherhood, with each man bearing the surname Singh, or "Lion," and abiding by a distinctive code of dress and conduct. He tells of Banda the Brave's daring conquests, which sowed the seeds of a Sikh state, and how the enlightened ruler Ranjit Singh fulfilled this promise by founding a Sikh empire. The author examines how, through the centuries, the Sikh soldier became an exemplar of discipline and courage and explains how Sikhs -- now numbering nearly 20 million worldwide -- have come to be known for their commitment to education, their business acumen, and their enterprising spirit. Finally, Singh concludes that it would be a grave error to alienate an energetic and vital community like the Sikhs if modern India is to realize its full potential. He urges India's leaders to learn from the past and to "honour the social contract with Indians of every background and persuasion."

"I am a human being; I am a woman; I am a black woman; I am an African. Once I was free; then I was captured and became a slave; but inside me, here and here, I am still a free woman." During a period of four hundred years, European slave traders ferried some 12 million enslaved Africans across the Atlantic. In the Americas, teaching a slave to read and write was a criminal offense. When the last slaves gained their freedom in Brazil, barely a thousand of them were literate. Hardly any stories of the enslaved and transported Africans have survived. This novel is an attempt to recreate just one of those stories, one story of a possible 12 million or more.Lawrence Hill created another in The Book of Negroes (Someone Knows my Name in the U.S.) and, more recently, Yaa Gyasi has done the same in Homegoing. Ama occupies center stage throughout this novel. As the story opens, she is sixteen. Distant drums announce the death of her grandfather. Her family departs to attend the funeral, leaving her alone to tend her ailing baby brother. It is 1775. Asante has conquered its northern neighbor and exacted an annual tribute of 500 slaves. The ruler of Dagbon dispatches a raiding party into the lands of the neighboring Bekpokpam. They capture Ama. That night, her lover, Itsho, leads an attack on the raiders’ camp. The rescue bid fails. Sent to collect water from a stream, Ama comes across Itsho’s mangled corpse. For the rest of her life she will call upon his spirit in time of need. In Kumase, the Asante capital, Ama is given as a gift to the Queen-mother. When the adolescent monarch, Osei Kwame, conceives a passion for her, the regents dispatch her to the coast for sale to the Dutch at Elmina Castle. There the governor, Pieter de Bruyn, selects her as his concubine, dressing her in the elegant clothes of his late Dutch wife and instructing the obese chaplain to teach her to read and write English. De Bruyn plans to marry Ama and take her with him to Europe. He makes a last trip to the Dutch coastal outstations and returns infected with yellow fever. On his death, his successor rapes Ama and sends her back to the female dungeon. Traumatized, her mind goes blank. She comes to her senses in the canoe which takes her and other women out to the slave ship, The Love of Liberty. Before the ship leaves the coast of Africa, Ama instigates a slave rebellion. It fails and a brutal whipping leaves her blind in one eye. The ship is becalmed in mid-Atlantic. Then a fierce storm cripples it and drives it into the port of Salvador, capital of Brazil. Ama finds herself working in the fields and the mill on a sugar estate. She is absorbed into slave society and begins to adapt, learning Portuguese. Years pass. Ama is now totally blind. Clutching the cloth which is her only material link with Africa, she reminisces, dozes, falls asleep. A short epilogue brings the story up to date. The consequences of the slave trade and slavery are still with us. Brazilians of African descent remain entrenched in the lower reaches of society, enmeshed in poverty. “This is story telling on a grand scale,” writes Tony Simões da Silva. “In Ama, Herbstein creates a work of literature that celebrates the resilience of human beings while denouncing the inscrutable nature of their cruelty. By focusing on the brutalization of Ama's body, and on the psychological scars of her experiences, Herbstein dramatizes the collective trauma of slavery through the story of a single African woman. Ama echoes the views of writers, historians and philosophers of the African diaspora who have argued that the phenomenon of slavery is inextricable from the deepest foundations of contemporary western civilization.” Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book.