A Brother's War Tom Rigby didn't think that anything could ever come between him and his twin, Jack. But things begin to change when Tom learns that they are not allowed to play with their friend Aaron anymore because he's a slave. Tom is upset, but Jack doesn't seem to care. All Jack cares about is playing soldier. Eleven years later, when war breaks out, Jack joins the Confederation army. But Tom can't bring himself to fight for a cause he doesn't believe in -- slavery. So Tom rides north to join the Union army -- even though he knows he may one day have to face his brother on the battlefield.

From Academy Award-winning film director Neil Jordan comes an artful reimagining of an extraordinary friendship spanning the revolutionary tumult of the eighteenth century. South Carolina, 1781: the American Revolution. An enslaved man escaping to his freedom saves the life of Lord Edward Fitzgerald, a British army officer and the younger son of one of Ireland's grandest families. The tale that unfolds is narrated by Tony Small, the formerly enslaved man who becomes Fitzgerald's companion—and best friend. While details of Lord Edward's life are well documented, little is known of Tony Small, who is at the heart of this moving novel. In this gripping narrative, his character considers the ironies of empire, captivity, and freedom, mapping Lord Edward's journey from being a loyal subject of the British Empire to becoming a leader of the disastrous Irish rebellion of 1798. This powerful new work of fiction brings Neil Jordan's inimitable storytelling ability to the revolutions that shaped the eighteenth century—in America, France, and, finally, in Ireland.

A comprehensive and historically significant song collection, this massive volume captures the hopes and tragedy of the Civil War era. Songs are grouped into the following categories: The Union, The Confederacy, Lincoln, Universal Sentiments, Soldiers Songs, Battles, Negro Spirituals & Abolitionist Songs, The Lighter Side, and Post Bellum. A special feature of this text is the inclusion of authentic formal and informal portraits, plus depicting military encampment of the aftermath of the battle. Arranged for voice with piano accompaniment and guitar chords.

The first-ever graphic biography of Paul Robeson, Ballad of an American, charts Robeson’s career as a singer, actor, scholar, athlete, and activist who achieved global fame. Through his films, concerts, and records, he became a potent symbol representing the promise of a multicultural, multiracial American democracy at a time when, despite his stardom, he was denied personal access to his many audiences. Robeson was a major figure in the rise of anti-colonialism in Africa and elsewhere, and a tireless campaigner for internationalism, peace, and human rights. Later in life, he embraced the civil rights and antiwar movements with the hope that new generations would attain his ideals of a peaceful and abundant world. Ballad of an American features beautifully drawn chapters by artist Sharon Rudahl, a compelling narrative about his life, and an afterword on the lasting impact of Robeson’s work in both the arts and politics. This graphic biography will enable all kinds of readers—especially newer generations who may be unfamiliar with him—to understand his life’s story and everlasting global significance. Ballad of an American: A Graphic Biography of Paul Robeson is published in conjunction with Rutgers University’s centennial commemoration of Robeson’s 1919 graduation from the university. Study guide for Ballad of an American: A Graphic Biography of Paul Robeson (https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2021/05/10201015/YA_Adult-Study-Guide-for-A-Graphic-Biography-of-Paul-Robeson.pdf). View the blad for Ballad of an American.

Historians have long treated the patriotic anthems of the American Civil War as colorful, if largely insignificant, side notes. Beneath the surface of these songs, however, is a complex story. “Maryland, My Maryland” was one of the most popular Confederate songs during the American Civil War, yet its story is full of ironies that draw attention to the often painful and contradictory actions and beliefs that were both cause and effect of the war. Most telling of all, it was adopted as one of a handful of Southern anthems even though it celebrated a state that never joined the Confederacy. In Maryland, My Maryland: Music and Patriotism during the American Civil War James A. Davis illuminates the incongruities underlying this Civil War anthem and what they reveal about patriotism during the war. The geographic specificity of the song’s lyrics allowed the contest between regional and national loyalties to be fought on bandstands as well as battlefields and enabled “Maryland, My Maryland” to contribute to the shift in patriotic allegiance from a specific, localized, and material place to an ambiguous, inclusive, and imagined space. Musical patriotism, it turns out, was easy to perform but hard to define for Civil War–era Americans.

A superb selection of poems from both sides of the American Civil War features more than 75 inspired works by Melville, Emerson, Longfellow, Whittier, Whitman, and many others.

The Ballad of Tom Dooley is a literary triumph—what began as a fictional re-telling of the historical account of one of the most famous mountain ballads of all time became an astonishing revelation of the real culprit responsible for the murder of Laura Foster Hang down your head, Tom Dooley...The folk song, made famous by the Kingston Trio, recounts a tragedy in the North Carolina mountains after the Civil War. Laura Foster, a simple country girl, was murdered and her lover Tom Dula was hanged for the crime. The sensational elements in the case attracted national attention: a man and his beautiful, married lover accused of murdering the other-woman; the former governor of North Carolina spearheading the defense; and a noble gesture from the prisoner on the eve of his execution, saving the woman he really loved. With the help of historians, lawyers, and researchers, Sharyn McCrumb visited the actual sites, studied the legal evidence, and uncovered a missing piece of the story that will shock those who think they already know what happened—and may also bring belated justice to an innocent man. What seemed at first to be a sordid tale of adultery and betrayal was transformed by the new discoveries into an Appalachian Wuthering Heights. Tom Dula and Ann Melton had a profound romance spoiled by the machinations of their servant, Pauline Foster. Bringing to life the star-crossed lovers of this mountain tragedy, Sharyn McCrumb gifts understanding and compassion to her compelling tales of Appalachia, and solidifies her status as one of today's great Southern writers.

Eleven battles and seventy-three skirmishes were fought in North Carolina during the Civil War. Although the number of men involved in many of these engagements was comparatively small, the campaigns and battles themselves were crucial in the grand strate

The rough-and-tumble life of Special Forces vet and Sixties pop star Barry Sadler The top Billboard Hot 100 single of 1966 wasn’t “Paint It Black” or “Yellow Submarine”--it was “The Ballad of the Green Berets,” a hyper-patriotic tribute to the men of the Special Forces by Vietnam vet Staff Sergeant Barry Sadler. But Sadler’s clean-cut, all-American image hid a darker side, a Hunter Thompson-esque life of booze, girls, and guns. Unable to score another hit song, he wrote articles for Soldier of Fortune and pulp novels that made “Rambo look like a stroll through Disneyland.” He killed a lover’s ex-boyfriend in Tennessee. Settling in Central America, Sadler ran guns, allegedly trained guerrillas, provided medical care to residents, and caroused at his villa. In 1988 he was shot in the head by a robber on the streets of Guatemala and died a year later. This life-and-times biography of an American character recounts the sensational details of Sadler’s life vividly but soberly, setting his meteoric rise and tragic fall against the big picture of American society and culture during and after the Vietnam War.