Balkan Propaganda Wars provides an historical, political, and propagandistic perspective of the volatile situation that exists in the Balkans. The book reviews the historical background of the Balkan people--especially those belonging to the former Yugoslavia--from Antiquity through the troubled centuries of the Middle Ages, and continuing with the birth of the modern Balkan states in the 19th century and the more recent political and military evolutions during the 20th century. For each period, the role of propaganda is underlined and examined. The unbiased background the book supplies will allow users to gain an impartial perspective on events such as the Yugoslav War, the Kosovo War, ethnic cleansing, and the large population shifts these events brought about. UN and NATO informational performances in Bosnia and Kosovo are deeply scrutinized and compared during UNPROFOR, IFOR, SFOR, and KFOR missions. The resulting information war between NATO and Yugoslavia are also presented and analyzed. For scholars, historians, journalists, and anyone else who wishes to understand how to see through the information they are presented on war, Balkan Propaganda Wars will prove invaluable.

Balkan Holocausts? compares and contrasts Serbian and Croatian propaganda from 1986 to 1999, analyzing each group's contemporary interpretations of history and current events. It offers a detailed discussion of holocaust imagery and the history of victim-centered writing in nationalism theory, including the links between the comparative genocide debate, the so-called holocaust industry, and Serbian and Croatian nationalism. No studies on Yugoslavia have thus far devoted significant space to such analysis.

The Second World War was waged across many fronts, economic, political and cultural as well as military. As might be expected in a conflict fuelled by ideology, the war of words and ideas played a central role in the larger conflict. As this book shows, propaganda - be it aimed at a sympathetic audience in enemy controlled lands, or the hostile population itself - was regarded by all sides as a fundamental part of the war effort, and one that received increasing, and increasingly sophisticated, attention. Focussing on the British propaganda effort directed towards the Balkans, the book begins with an introductory chapter on British wartime propaganda from both its home base and British-controlled Middle East. This is followed by two thematically broad chapters, one on British policy to the region, the other on evidence of a regional approach - and common themes - of British propaganda to the Balkans from the outbreak of the war to the German withdrawal. The remaining chapters provide a series of case-studies relating to British propaganda efforts directed towards the five pre-1939 states (except Turkey). These reveal much about Britain's overall approach to propaganda, as well as showing how the British tailored their efforts in response to supposed national characteristics of these countries. By uncovering not only the organisational tangle, the techniques and evolving aims of British wartime propaganda, but also its relation to military strategy and diplomacy, the set of beliefs about the region and its peoples, moral issues and planning for the post-war period the book provides a fascinating insight into the multiple meanings of propaganda and its effectiveness in specific wartime situations.

To understand Serbian nationalism requires profound attention to history and careful analysis. Cohen accomplishes both through years of studying primary sources never before translated, focusing on World War II and uncovering the foundations of ethnic cleansing. He argues that the Serbs collaborated with the Nazis in contrast to later Serbian rhetoric that claimed the Serbs were victims, "the thirteenth tribe of Israel." This official duplicity veiled the true objectives of the government to create an ethnically pure homeland. Annotation copyright by Book News, Inc., Portland, OR

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Comparing and contrasting propaganda in Serbia and Croatia from 1986 to 1999, this book analyses each group's contemporary interpretations of history and current events. It offers a detailed discussion of Holocaust imagery and the history of victim-centred writing in nationalist theory, including the links between the comparative genocide debate, the so-called Holocaust industry, and Serbian and Croatian nationalism. There is a detailed analysis of Serbian and Croatian propaganda over the Internet, detailing how and why the Internet war was as important as the ground wars in Kosovo, Croatia and Bosnia-Hercegovina, and a theme-by-theme analysis of Serbian and Croatian propaganda, using contemporary media sources, novels, academic works and journals.

The Second World War was waged across many fronts, economic, political and cultural as well as military. As might be expected in a conflict fuelled by ideology, the war of words and ideas played a central role in the larger conflict. As this book shows, propaganda - be it aimed at a sympathetic audience in enemy controlled lands, or the hostile population itself - was regarded by all sides as a fundamental part of the war effort, and one that received increasing, and increasingly sophisticated, attention. Focussing on the British propaganda effort directed towards the Balkans, the book begins with an introductory chapter on British wartime propaganda from both its home base and British-controlled Middle East. This is followed by two thematically broad chapters, one on British policy to the region, the other on evidence of a regional approach - and common themes - of British propaganda to the Balkans from the outbreak of the war to the German withdrawal. The remaining chapters provide a series of case-studies relating to British propaganda efforts directed towards the five pre-1939 states (except Turkey). These reveal much about Britain's overall approach to propaganda, as well as showing how the British tailored their efforts in response to supposed national characteristics of these countries. By uncovering not only the organisational tangle, the techniques and evolving aims of British wartime propaganda, but also its relation to military strategy and diplomacy, the set of beliefs about the region and its peoples, moral issues and planning for the post-war period the book provides a fascinating insight into the multiple meanings of propaganda and its effectiveness in specific wartime situations.

""A fascinating study of the manipulation of the media in the former Yugoslavia."" -- The New York Times This study of the political manipulation of the media in Serbia, Croatia, Bosnia, and Herzegovina before and during the war argues that political struggles for media control are early warnings of war and a form of preparation for it.

Documents how Milosevic seized control of the media, directed it, and organized the mechanism for propagating the Big Lie--turning truth on its head ... and chronicles how many media outlets worked to turn communities against each other. [back cover].

Bosnian War Posters is a unique compilation of posters and political graphic design. It includes key archive photos from the war as well as new photos that put all the images in context today. This book illustrates the entire conflict: from April 1992—when the first shots were fired in Sarajevo—to December 1995—when peace was agreed upon in Dayton, Ohio. Subsequent images depict the post-war reconstruction period and the hunt for war criminals. The posters were gathered together in Bosnia and the former Yugoslavia shortly after the Bosnian war ended. They form the only large, pan-Bosnian collection of such material that exists, offering an eye-witness account of the war from the point of view of those who lived through all its horrors. A unique pictorial study of the bloodiest European conflict since 1945, Bosnian War Posters will engage all those interested in graphic design, poster art, the tragic story of Yugoslavia, and the politics of nationalism in the modern age.

Balkan Holocausts? compares and contrasts Serbian and Croatian propaganda from 1986 to 1999, analyzing each group's contemporary interpretations of history and current events. It offers a detailed discussion of holocaust imagery and the history of victim-centered writing in nationalism theory, including the links between the comparative genocide debate, the so-called holocaust industry and Serbian and Croatian nationalism. No studies on Yugoslavia have thus far devoted significant space to such analysis.