Presents papers writen by a group who worked together in Bali in the 1930's looking at traditions, customs, art, music, dance, children, and includes a study of a Balinese family.

At the beginning of 1945, relations between America and the Chinese Communists couldn’t have been closer. Chinese leaders talked of America helping to lift China out of poverty; Mao Zedong himself held friendly meetings with U.S. emissaries. By year’s end, Chinese Communist soldiers were setting ambushes for American marines; official cordiality had been replaced by chilly hostility and distrust, a pattern which would continue for a quarter century, with the devastating wars in Korea and Vietnam among the consequences. In China 1945, Richard Bernstein tells the incredible story of the sea change that took place during that year—brilliantly analyzing its far-reaching components and colorful characters, from diplomats John Paton Davies and John Stewart Service to Time journalist, Henry Luce; in addition to Mao and his intractable counterpart, Chiang Kai-shek, and the indispensable Zhou Enlai. A tour de force of narrative history, China 1945 examines American power coming face-to-face with a formidable Asian revolutionary movement, and challenges familiar assumptions about the origins of modern Sino-American relations.

本书收入吴冠中各个时期所创作的绘画代表作品2048件, 收入与艺术相关的文论随笔共计226篇.本卷收录吴冠中1950年至1975年水彩, 水粉, 油画作品227幅, 按创作年代顺序排列.

This book began as a two-part issue of e-flux journal devoted to the question: What is contemporary art? First, and most obviously: why is this question not asked? That is to say, why do we simply leave it to hover in the shadow of attempts at critical summation in the grand tradition of twentieth-century artistic movements? A single hegemonic “ism” has replaced clearly distinguishable movements and grand narratives. But what exactly does it mean to be working under the auspices of this singular ism? “Widespread usage of the term 'contemporary' seems so self-evident that to further demand a definition of 'contemporary art' may be taken as an anachronistic exercise in cataloguing or self-definition. At the same time, it is no coincidence that this is usually the tenor of such large, elusive questions: it is precisely through their apparent self-evidence that they cease to be problematic and begin to exert their influence in hidden ways; and their paradox, their unanswerability begins to constitute a condition of its own, a place where people work.” e-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category. Contributors Julieta Aranda, Brian Kuan Wood, Anton Vidokle, Cuauhtémoc Medina, Boris Groys, Raqs Media Collective, Hans Ulrich Obrist, Hu Fang, Jörg Heiser, Martha Rosler, Zdenka Badovinac, Carol Yinghua Lu, Dieter Roelstraete, and Jan Verwoert e-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle

A chance encounter between two lonely women leads to a passionate romance in this lesbian cult classic. Therese, a struggling young sales clerk, and Carol, a homemaker in the midst of a bitter divorce, abandon their oppressive daily routines for the freedom of the open road, where their love can blossom. But their newly discovered bliss is shattered when Carol is forced to choose between her child and her lover. Author Patricia Highsmith is best known for her psychological thrillers Strangers on a Train and The Talented Mr. Ripley. Originally published in 1952 under a pseudonym, The Price of Salt was heralded as "the novel of a love society forbids." Highsmith's sensitive treatment of fully realized characters who defy stereotypes about homosexuality marks a departure from previous lesbian pulp fiction. Erotic, eloquent, and suspenseful, this story offers an honest look at the necessity of being true to one's nature. The book is also the basis of the acclaimed 2015 film Carol, starring Cate Blanchett and Rooney Mara.

Translated into more than 40 languages and 44 published editions, "The Adventures of Jonathan Gullible" has won numerous awards and has been endorsed by Steve Forbes, Walter Williams, John Stossel, Mark Skousen, and Austrian-School economists and educators throughout the world.

A collection of essays by Octavio Paz on poetry and its place in our day. These essays are a continuation of the final part of Los hijos del limo (Children of the mire). They deal with the twilight of the avant- garde and the place of poetry in the contemporary period.