Following the liberation of Iraq in 2003, why are Iraqis still fighting? To extinguish the fires that burn in Iraq, one must discover why it is ablaze, what would move Iraqi politicians to put out the fires, and what would induce Iraq’s neighbors to quench the flames. So, what are the causes of violence in Iraq? First, the occupation of Iraq provided the initial spark and ongoing heat for the insurgencies. Second, ethnic and religious strife, prior discrimination by Sunnis against Shiites, disputes over federalism, de-Baathification policies, differences over a proposed national oil law, and disputes about equitable distribution of oil and natural gas revenues contribute to Iraqi instability. Third, Tehran’s subversive sponsorship of militias is like oxygen fanning the flames of conflict in Iraq.This book will offer ideas on how to put out the fires.

Riverbend, the young Iraqi woman whose “articulate, even poetic prose packs an emotional punch,” continues her blog from her hometown of Baghdad (The New York Times). Riverbend, the pseudonymous recipient of a Lettre Ulysses Award for the Art of Literary Reportage, continues her chronicle of daily life in occupied Baghdad. Drawn from her popular blog, this volume spans from October 2004 through March 2006. In her distinctively wry yet urgent prose Riverbend, now 27, tells of life in a middle-class, secular, mixed Shia-Sunni family. She describes the attacks she sees on TV, raids in her neighborhood, fuel shortages, rolling blackouts, and water shortages, all while offering insightful critiques of the Iraqi draft constitution and American Media. Riverbend reveals how, for the first time in her life, she feels lesser due to her gender. Dispelling reductive, media-driven stereotypes, she explains that most Iraqis are tolerant people, prefer secular to religious government, oppose a civil war, and desperately want the occupation to end.

"In August 2003 a young Iraqi blogger began reporting her experiences as a civilian observer in Baghdad. Calling herself Riverbend, she has offered searing eyewitness accounts of daily life in the war zone and has garnered a worldwide audience hungry for unfiltered news and fresh analysis." "Riverbend's blog, Baghdad Burning, collected here for the first time, responds to events both personal and political - from the impact on her family of the invasion's aftermath to the Abu Ghraib prison abuses. She reveals for us most sharply the fate of Iraqi women, whose rights and freedoms are falling victim to rising fundamentalisms." "Describing the reality of regime change in Iraq in a voice at turns outraged, witty, and deeply moving, Riverbend is a witness to the recent events that are shaping the future of her homeland."--BOOK JACKET.

"Zaki Chehab is one of the Arab world's leading journalists. He is political editor of the London-based "Al Hayat" and of the Arabic TV channel LBC. For over 25 years he has covered Middle Eastern conflicts for local and Western media, and has contributed to the "Guardian", CNN, Channel 4 and the BBC. He was the first journalist to broadcast interviews with the Iraqi resistance. Very few observers are able to travel outside the American controlled Green Zone in Iraq, let alone meet members of the resistance. Internationally renowned Arab journalist Zaki Chehab, however, is different. Having grown up in a refugee camp in Lebanon, he knows how to talk the language of people who consider themselves under foreign occupation. As a result, he is able to penetrate the inner structures of Saddam loyalists and Islamist radicals as well as reach out to ordinary people struggling to get by. Now, for the first time, we are able to see an authoritative picture of the Iraqi insurgency in all its complexity, ferocity, and passion. Chehab shows how the resistance fighters really view the post-Saddam regime, George W. Bush and the terrorist phenomenon now known as 'Al-Qaeda'. As well-connected in diplomatic circles as he is amongst the footsoldiers of Fallujah, he also reveals facets of the occupiers' strategy never discussed in the West. "Iraq Ablaze" is the book that everyone who wants to understand Iraq today, and where it is heading, has been waiting for."--Bloomsbury Publishing.

In the months leading up to the American invasion of Iraq, this New Yorker correspondent “embedded’ himself among the people of Baghdad and, along with a small number of other Western reporters, rode out the entire invasion and much of the subsequent occupation from inside the city. Jon Lee Anderson’s dispatches from Baghdad were immediately and widely recognized as the most important writing anyone was doing on the war anywhere, for any publication. In recognition of its significance, The New Yorker routinely held the magazine open an extra day and set up a special production team to deal with the pieces; around the office, comparisons to John Hersey’s fabled article “Hiroshima” were flying. The Fall of Baghdad is not a collection of New Yorker pieces, though; it is an original and organically cohesive narrative work that tells the story of what the people of Baghdad have endured at the hands of Saddam Hussein, during the war and during its aftermath. This is not a pro- or anti-war book; the point is to bear witness to what the people in this city have endured, to put a human face on a calamity of epic dimensions. The focus alternates among a small cast of characters, a group of disparate Iraqis who allow Anderson to bring to life different facets of the story he wants to tell; and he fills in the canvas around his figures with rich background that makes their significance sing, and helps bind the book together as the definitive reckoning with one of the most fateful stories of our time.

Follow an Army battalion commander through the streets of Baghdad, sit in on the councils of warriors, & walk among the people of Iraq.& ;& ;Adjust Fire is a must-read for anyone seeking to understand the challenges the American military faced in Iraq .

A routine mission ended with Dozier in a pool of blood on a Baghdad street, the victim of a car bomb. She tracks her determination to get the story, get it right, and get well again after everything went wrong.

"David Enders has a stunning independent streak and the courage to trust his own perceptions as he reports from outside the bubble Americans have created for themselves in Iraq." ---Joe Sacco, author of Safe Area Gorazde "Baghdad Bulletin takes us where mainstream news accounts do not go. Disrupting the easy clichés that dominate U.S. journalism, Enders blows away the media fog of war. The result is a book that challenges Americans to see through double speak and reconsider the warfare being conducted in their names." ---Norman Solomon, author of War Made Easy: How Presidents and Pundits Keep Spinning Us to Death "Journalism at its finest and on a shoestring to boot. David Enders shows that courage and honesty can outshine big-budget mainstream media. Wry but self-critical, Baghdad Bulletin tells a story that a few of us experienced but every journalist, nay every citizen, should read." ---Pratap Chatterjee, Managing Editor and Project Director, CorpWatch "Young and tenacious, Dave Enders went, saw, and wrote it down. Here it is-a well-informed and detailed tale of Iraq's decline under American rule. Baghdad Bulletin offers tragic politics, wacky people, and keen insights about what really matters on the ground in Iraq." ---Christian Parenti "I wrote my first piece for Baghdad Bulletin after visiting the mass graves at Al-Hilla in 2003. The Baghdad Bulletin was essential reading in the first few months after the end of the war. I handed that particular copy to Prime Minister Tony Blair. I am only sorry that I cannot read it anymore. David Enders and his team were brave, enterprising, and idealistic." ---Rt. Hon. Ann Clwyd, member of the British Parliament Baghdad Bulletin is a street-level account of the war and turbulent postwar period as seen through the eyes of the young independent journalist David Enders. The book recounts Enders's story of his decision to go to Iraq, where he opened the only English-language newspaper completely written, printed, and distributed there during the war. Young, courageous, and anti-authoritarian, Enders is the first reporter to cover the war as experienced by ordinary Iraqis. Deprived of the press credentials that gave his embedded colleagues access to press conferences and officially sanitized information, Enders tells the story of a different war, outside the Green Zone. It is a story in which the struggle of everyday life is interspersed with moments of sheer terror and bizarre absurdity: wired American troops train their guns on terrified civilians; Iraqi musicians prepare a recital for Coalition officials who never show; traveling clowns wreak havoc in a Baghdad police station. Orphans and intellectuals, activists and insurgents: Baghdad Bulletin depicts the unseen complexity of Iraqi society and gives us a powerful glimpse of a new kind of warfare, one that coexists with-and sometimes tragically veers into-the everyday rhythms of life.

Due to its ability to freeze a moment in time, the photo is a uniquely powerful device for ordering and understanding the world. But when an image depicts complex, ambiguous, or controversial events--terrorist attacks, wars, political assassinations--its ability to influence perception can prove deeply unsettling. Are we really seeing the world "as it is" or is the image a fabrication or projection? How do a photo's content and form shape a viewer's impressions? What do such images contribute to historical memory? About to Die focuses on one emotionally charged category of news photograph--depictions of individuals who are facing imminent death--as a prism for addressing such vital questions. Tracking events as wide-ranging as the 1906 San Francisco Earthquake, the Holocaust, the Vietnam War, and 9/11, Barbie Zelizer demonstrates that modes of journalistic depiction and the power of the image are immense cultural forces that are still far from understood. Through a survey of a century of photojournalism, including close analysis of over sixty photos, About to Die provides a framework and vocabulary for understanding the news imagery that so profoundly shapes our view of the world.