Katie and Suzanne are so excited-they won tickets to see their favorite rock group, the Bayside Boys, at the Cherrydale Arena! And not only do they get to see the show, but they get to attend the dress rehearsal and go backstage to hang out with the group! But when the magic wind turns Katie into one of the band members in the middle of the rehearsal, she manages to break up the band just before the big show! Will Katie be able to get the Bayside Boys back together again?

When Katie and Suzanne learn that their favorite band, the Bayside Boys, will perform in Cherrydale, they think their biggest problem is how to get tickets, but Katie magically turns into one of the Boys and causes the band to break up.

The M16 was first introduced in 1958 and was revolutionary for its time as it was made of lightweight materials including special aluminum and plastics. It was first adopted by US Special Forces and airborne troops in 1962 before it was issued to Army and Marine units serving in Vietnam. Its use spread throughout the following decades and a number of variants including submachine and carbine versions were also fielded. As a result it is now amongst the three most used combat cartridges in the world while over 10 million M16s and variants have been produced making it one of the most successful American handheld weapons in history .But despite its undeniable success the M16 is not without its detractors. Indeed, the “black rifle”, as it is known, is one of the most controversial rifles ever introduced with a long history of design defects, ruggedness issues, cleaning difficulties and reliability problems leading to endless technical refinements. This volume provides a technical history of the M16 and the struggle to perfect it together with an assessment of its impact on the battlefield drawing on over a decade's combat experience with the rifle.

A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color Should Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive—and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts. Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration.

A graphic novel based on the #1 series on CBS. A brutal serial killer reenacts the murders of Jack the Ripper in Las Vegas. Matters are complicated as an annual convention of hundreds of Jack the Ripper enthusiasts--attnded by hundreds of possible suspects--is in progress.

A simple, straightforward guide to the fundamentals of technical analysis Technical analysis is a collection of techniques designed to help you make trading decisions in securities markets. Technical Analysis For Dummies helps you take a hard-headed look at what securities prices are actually doing rather than what economists or analysts say they should be doing, giving you the know-how to use that data to decide whether to buy or sell individual securities. Since the publication of the first edition, readers have been faced with many changes, such as new interest rates, looming bank crises, and adjusting market climates. This new edition provides an updated look at unique formulas and key indicators, as well as refreshed and practical examples that reflect today today's financial atmosphere. Determine how markets are performing and make decisions using real data Spot investment trends and turning points Improve your profits and your portfolio performance With straightforward coverage of concepts and execution, Technical Analysis For Dummies shows you how to make better trading decisions in no time.

From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).

Do black cats deserve the bad rap that they get? These black cats get a chance to express themselves and tell their side of the story! Clever rhymes and beautiful cat illustrations will captivate children, and young readers will look forward to every page-turn. The black cats tell their stories in a way that is fun and funny, and by the end of the book, readers both young and old will delight in saying, "I'm a black cat who got a bad rap." The short poetic verses are gorgeously illustrated by internationally known artist Linda Apple. Her illustrations are rich with color and cat-personality. Read the book, and decide for yourself: are black cats as bad as all that?

This Must Be The Place is the first architectural history of popular music performance space, describing its beginnings, its different typologies, and its development into a distinctive genre of building design. It examines the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals such as building owners, promoters, and the musicians themselves as well as professionally by architects, designers, and construction specialists. With a primary focus on Europe and North America (and excursions to Australia, the Far East and South America), it explores audience experience and how venues have influenced the development of different musical scenes. From music halls and Vaudeville in the 1800s, via the seminal clubs and theatres of the 20th century, to the large-scale multi-million-dollar arena concerts of today, this book explores the impact that the use of private and public space for performance has on our cities' urban identity, and, to a lesser extent, how rural space is perceived and used. Like architecture, popular music is neither static nor standardized; it continuously develops and has multiple strands. This Must Be The Place describes the factors that have determined the development of music venue architecture, focusing on both famous and less well-known examples from the smallest bar room music space to the largest stadium-filling rock set.

September 11, 2001, focused America's attention on the terrorist threat from abroad, but as the World Trade Center towers collapsed, domestic right-wing hate groups were celebrating in the United States. "Hallelu-Yahweh! May the WAR be started! DEATH to His enemies, may the World Trade Center BURN TO THE GROUND!" announced August Kreis of the paramilitary group, the Posse Comitatus. "We can blame no others than ourselves for our problems due to the fact that we allow ...Satan's children, called jews (sic) today, to have dominion over our lives." The Terrorist Next Door reveals the men behind far right groups like the Posse Comitatus - Latin for "power of the county" -- and the ideas that inspired their attempts to bring about a racist revolution in the United States. Timothy McVeigh was executed for killing 168 people when he bombed the Alfred P. Murrah Federal Building in 1995, but The Terrorist Next Door goes well beyond the destruction in Oklahoma City and takes readers deeper and more broadly inside the Posse and other groups that comprise the paramilitary right. From the emergence of white supremacist groups following the Civil War, through the segregationist violence of the civil rights era, the right-wing tax protest movement of the 1970s, the farm crisis of the 1980s and the militia movement of the 1990s, the book details the roots of the radical right. It also tells the story of men like William Potter Gale, a retired Army officer and the founder of the Posse Comitatus whose hate-filled sermons and calls to armed insurrection have fueled generations of tax protesters, militiamen and other anti-government zealots since the 1960s. Written by Daniel Levitas, a national expert on the origins and activities of white supremacist and neo-Nazi groups, The Terrorist Next Door is painstakingly researched and includes rich detail from official documents (including the FBI), private archives and confidential sources never before disclosed. In detailing these and other developments, The Terrorist Next Door will prove to be the most definitive history of the roots of the American militia movement and the rural radical right ever written.