The long-awaited sequel to the number one bestselling THE BAD MOTHER'S HANDBOOK. Before Yummy Mummies and Slummy Mummies, before the Battle Hymn of the Tiger Mother, before we wondered How She Does It, there was THE BAD MOTHER'S HANDBOOK. Hundreds of thousands of readers lived a year in the life of Charlotte, Karen and Nan as they struggled with becoming mothers for the first time. And now they are back. Certainly older, probably not wiser, and definitely as hilariously catastrophic as before. For all those who have asked how to be a woman, here is HOW TO BE...A BAD MOTHER. A storyteller in the Joanna Trollope league, Long writes astutely and comically about the complexities of motherhood' Independent 'Warm, witty and wise' Red 'One of the authors that I rush out to buy straight away. I find her work challenging, witty, fresh and real' Adele Parks

When a mother kills her child, we call her a bad mother, but, as this book shows, even mothers who intend to do their children harm are not easily categorized as ÒmadÓ or Òbad.Ó Maternal love is a complex emotion rich with contradictory impulses and desires, and motherhood is a conflicted state in which women constantly renegotiate the needs mother and child, the self and the other. Applying care ethics philosophy and the work of Emmanuel Levinas, Maurice Merleau-Ponty, and Simone de Beauvoir to real-world experiences of motherhood, Sarah LaChance Adams throws the inherent tensions of motherhood into sharp relief, drawing a more nuanced portrait of the mother and child relationship than previously conceived. The maternal example is particularly instructive for ethical theory, highlighting the dynamics of human interdependence while also affirming separate interests. LaChance Adams particularly focuses on maternal ambivalence and its morally productive role in reinforcing the divergence between oneself and others, helping to recognize the particularities of situation, and negotiating the difference between oneÕs own needs and the desires of others. She ultimately argues maternal filicide is a social problem requiring a collective solution that ethical philosophy and philosophies of care can inform.

NATIONAL BESTSELLER • A “hilarious, heartbreaking, and edgy” (Newsweek) memoir on modern motherhood. In our mothers’ day there were good mothers, indifferent mothers, and occasionally, great mothers. Today we have only Bad Mothers: If you work, you’re neglectful; if you stay home, you’re smothering. If you discipline, you’re buying them a spot on the shrink’s couch; if you let them run wild, they will be into drugs by seventh grade. Is it any wonder so many women refer to themselves at one time or another as a “bad mother”? Writing with remarkable candor, and dispensing much hilarious and helpful advice along the way—Is breast best? What should you do when your daughter dresses up as a “ho” for Halloween?—Ayelet Waldman says it's time for women to get over it and get on with it in this wry, unflinchingly honest, and always insightful memoir on motherhood in today's world.

There really are women who are less than good mothers. However, during the past quarter century, the definition of bad mother has changed with changing lifestyles and changes to the family structure. Mothers today are blamed for a host of problems. Drawing together the work of prominent scholars and journalists, and individual cases, BAD MOTHERS marks an important contribution to the literature on motherhood.

Mediated Maternity: Contemporary American Portrayals of Bad Mothers in Literature and Popular Culture, by Linda Seidel, explores the cultural construction of the bad mother in books, movies, and TV shows, arguing that these portrayals typically have the effect of cementing dominant assumptions about motherhood in place—or, less often, of disrupting those assumptions, causing us to ask whether motherhood could be constructed differently. Portrayals of bad mothers not only help to establish what the good mother is by depicting her opposite, but also serve to illustrate what the culture fears about women in general and mothers in particular. From the ancient horror of female power symbolized by Medea (or, more recently, by Casey Anthony) to the current worry that drug-addicted pregnant women are harming their fetuses, we see a social desire to monitor the reproductive capabilities of women, resulting in more (formal and informal) surveillance than in material (or even moral) support.

'I needed a funny easy book because of the days we're living in and The Bad Mothers' Book Club was perfect.' Maria, 5 stars The laugh-out-loud new comedy about family relationships from the ebook bestseller! Meet Emma, the new Mum on the block. Since moving to the Liverpudlian seaside after her husband's career change, her life consists of the following: long walks on the beach (with the dog), early nights (with the kids) and Netflix (no chill). Bored and lonely, when Emma is cordially invited to the exclusive cool school-mums' book club, she thinks her luck may finally be about to change. But she soon finds the women of the club aren't quite what they seem - and after an unfortunate incident involving red wine and a white carpet, she finds herself unceremoniously kicked out. The answer? Start her own book club - for bad mothers who just want to drink wine and share stories. But will this town let two book clubs exist? Or is there only room for one queen of the school gates...? Perfect for fans of Why Mummy Drinks.

A rhyming illustrated humor book for moms who feel they're not doing a good job (and that's all moms, right?). Packed with scientifically true examples of terrible parents in the animal kingdom, to remind and reassure any mother that there are way worse moms out there.

Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once

The Trillium Award-winning autobiographical novel "La mauvaise mere" by Marguerite Andersen is now in English. Prolific author Marguerite Andersen traces the important moments of her life in this honest and harrowing examination of motherhood. She gives an unflinching account of her relationship with her three children and her years spent following her caprices and lovers, trying to regain the agency she lost when she became a mother. Born in Germany, Andersen was fifteen years old when World War II began. Just into her twenties, she became pregnant with her first son and moved to Tunisia with her French lover before the birth. They soon were married and it was not long before the relationship became abusive. Andersen fled, leaving her children behind. She confesses the large and small choices that she made -- the times she stayed and the times she didn't -- all the while asking herself, "What kind of mother am I?" The story is fuelled by emotion as Andersen revisits a period of her life that tortures her still today.