Antheil's 'mechanistic' works made him the rage of the 1920s Parisian artistic community and 'bad boy' of the music scene.

High quality reprint of Bad Boy Of Music by George Antheil.

This is a tale of friendship, greed, and betrayal in the music industry—and a definitive history of America's biggest rap mogul. No one knows more about creating hits than Sean “Puffy” Combs. For years he virtually ran hip-hop. It seemed the perfect arrangement: “Puffy” provided the sounds and obsessive attention to detail while the Notorious B.I.G. promoted an image that kept rap fans happy. It should have lasted forever, but “Biggie” was murdered at the height of his career—and “Puffy”'s ascension to superstardom ushered in an age of disloyalty and deception that exploded into one of the greatest debacles in the history of the music industry. Through interviews with label insiders, grand jury testimony, and other sources, America's preeminent rap journalist Ronin Ro -reveals the true story of “Puffy” -addresses the larger issues that shaped the man and the industry -explains how Bad Boy both helped and destroyed hip-hop and R&B music -details why some artists “Puffy” created ultimately left his Bad Boy family in disgust. At once an intimate history and a portrait of an era, Bad Boy shows readers exactly how Combs lost his strangle-hold over the multibillion-dollar rap music industry. The story of Bad Boy Entertainment is the story of the American Dream, an up-close and personal account of the people, the money, the creative process that made it all come true, and the young mogul who caused the dream to fall apart. In this hip-hop tragedy of Shakespearean dimensions, readers finally learn the story that Sean “Puffy” Combs does not want them to know.

Lifestyle that wrecked a sparkling career. Book jacket.

A classic memoir that's gripping, funny, and ultimately unforgettable from the bestselling former National Ambassador of Books for Young People. A strong choice for summer reading—an engaging and powerful autobiographical exploration of growing up a so-called "bad boy" in Harlem in the 1940s. As a boy, Myers was quick-tempered and physically strong, always ready for a fight. He also read voraciously—he would check out books from the library and carry them home, hidden in brown paper bags in order to avoid other boys' teasing. He aspired to be a writer (and he eventually succeeded). But as his hope for a successful future diminished, the values he had been taught at home, in school, and in his community seemed worthless, and he turned to the streets and to his books for comfort. Don’t miss this memoir by New York Times bestselling author Walter Dean Myers, one of the most important voices of our time.

Bonded Leather binding

“I messed up,” Calvin Newton lamented, after wasting thirty years and doing time in both state and federal prisons for theft, counterfeiting, and drug violations. “These were years of my life that I could have been singing gospel music.” During his prime, he was super-handsome, athletic, and charged with sexual charisma that attracted women to him like flies to honey. Atop this abundance was his astounding voice, “the voice of an angel.” This book is his prodigal-son story. Audacious, Newton never turned down a dare, even if it meant climbing on the roof of a speeding car or wading into a freezing ocean. As a boy boxer, he was a Kentucky Golden Gloves champ who k.o.’ed his opponent in twenty-three seconds. By his late teens he had been recruited by the Blackwood Brothers, the number-one gospel quartet in the world. In his mid-twenties while he was singing Christian songs with the Oak Ridge Quartet, Newton’s mighty talent and movie-star looks took him deep into hedonism--reckless driving, heavy romancing, and addictive pill popping. As 1950s rock ‘n’ roll began its invasion of gospel, he and two partners formed the Sons of Song, the first all-male gospel trio. Long before the pop sound claimed contemporary Christian music, the Sons of Song turned gospel upside down with histrionic harmony, high-styled tuxedos, and Hollywood verve. Their signature song, “Wasted Years,” foreshadowed Newton’s punishing fall. This biography looks back at the destructive lifestyle that wrecked a sparkling career. When well into his sixties, Newton turned his life around and was able to confront his demons and discuss his prodigal days. He talked extensively with Russ Cheatham about his self- destruction and the great personal expense of his own bad-boy choices and late redemption. In this candid biography, one of gospel’s all-stars discloses a messed-up life that vacillated between achievement and failure, fame and infamy, happiness and grief.

Ren is transgender: assigned female at birth, living now as a male. He films his transition and bravely shares it with the world.

Although his behavior sometimes seems naughty, Sam the dog is a very good boy who helps his family and friends.