It's 1895, and after the death of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's being followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls - and their foray into the spiritual world - lead to?

Three years under a sleeping curse. Unbelievable. Woke up to a ruined kingdom, a ruined life. I know exactly who did this. And I will rip out her hair by the roots. Now I've got a horrible Beast to deal with. A nasty witch in the Wood. And a man who still won't admit he loves me. If I'm to take back the kingdom, I will have to end the darkness, starting with the person who poisoned us all: Cinderella. She is NEVER coming back. I may be beautiful as a rose, but my thorns are deadly sharp.

Offers step-by-step directions, professional techniques and advice, insider tips, makeovers, and brand and product comparisons in a handbook that emphasizes a simple, healthy, and natural approach to beauty care.

Have we become beauty-blind? For two decades or more in the humanities, various political arguments have been put forward against beauty: that it distracts us from more important issues; that it is the handmaiden of privilege; and that it masks political interests. In On Beauty and Being Just Elaine Scarry not only defends beauty from the political arguments against it but also argues that beauty does indeed press us toward a greater concern for justice. Taking inspiration from writers and thinkers as diverse as Homer, Plato, Marcel Proust, Simone Weil, and Iris Murdoch as well as her own experiences, Scarry offers up an elegant, passionate manifesto for the revival of beauty in our intellectual work as well as our homes, museums, and classrooms. Scarry argues that our responses to beauty are perceptual events of profound significance for the individual and for society. Presenting us with a rare and exceptional opportunity to witness fairness, beauty assists us in our attention to justice. The beautiful object renders fairness, an abstract concept, concrete by making it directly available to our sensory perceptions. With its direct appeal to the senses, beauty stops us, transfixes us, fills us with a "surfeit of aliveness." In so doing, it takes the individual away from the center of his or her self-preoccupation and thus prompts a distribution of attention outward toward others and, ultimately, she contends, toward ethical fairness. Scarry, author of the landmark The Body in Pain and one of our bravest and most creative thinkers, offers us here philosophical critique written with clarity and conviction as well as a passionate plea that we change the way we think about beauty.

Recalling her own ten-year battle with an eating disorder, Bragg reveals how prayer changed her life and helped her to see herself the way God sees her. She offers girls real answers to their concerns about themselves.

Film culture often rejects visually rich images, valuing simplicity, austerity, or even ugliness as more provocative, political, and truly cinematic. Although cinema challenges traditional ideas of art, this opposition to the decorative continues a long-standing aesthetic antipathy to feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal and colonial perspective along with the preference for fine over decorative art, filmmakers, critics, and theorists tend to denigrate cinema's colorful, picturesque, and richly patterned visions. Condemning this exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-scène, painterly framing, and arabesque camera movements—styles increasingly central to world cinema. From European art house cinema to the films of Wong Kar-wai and Santosh Sivan, from handmade experimental films to the popular pleasures of Moulin Rouge! and Amelie, pretty is a vital element of contemporary cinema, using visual exuberance to communicate distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, a singular representation of cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art and film theory and philosophy, Galt reclaims prettiness as a radically transgressive style, woven with the threads of political agency.

Which books belong on every woman's bookshelf? Can you really plan a safe solo vacation? How can you take control in any emergency? Finally, life's essential decisions and directions are gathered in one place! In this all-purpose guide to everything, you will find sage advice, practical tips, and fun solutions boiled down into 298 lists, including: Extend Your Life by Ten Good Years Work Smarter, Not Longer Dress Your Closet Well Know That He Loves You, Even If He Rarely Says It Make It Chic--On the Cheap! Thank People You Never Think of Thanking And so many more! No matter your job, lifestyle, or fashion taste, you can finally have all the secrets to living the good life in one book!

Presents a program for African American women to take care of their hair and scalp.

This book is for you if you were born on: Jan 08,17,26; Feb 07,16,25; Mar 06,15,24; Apr 05,14,23; May 04,13,22,31; Jun 03,12,21,30; Jul 02,11,20,29; Aug 01,10,19,28; Sep 09,18,27; Oct 08,17,26;Nov 07,16,25; Dec 06,15,24. Just as we all have a unique fingerprint, everyone has a Life Code that comprises his or her equation of life. Nine codes connect us to one another in different ways. While there are the spiritual and scientific laws that question our existence, there are universal codes that can answer our inquiries. When you know these codes, they result in powerful knowledge that can guide our lives to success, peace and prosperity.

This book is for you if you were born on: Jan 02,11,20,29;Feb 01,10,19,28;Mar 09,18,27;Apr 08,17,26; May 07,16,25;Jun 06,15,24;Jul 05,14,23;Aug 04,13,22,31;Sep 03,12,21,30; Oct 02,11,20,29;Nov 01,10,19,28;Dec 09,18,27. Just as we all have a unique fingerprint, everyone has a Life Code that comprises his or her equation of life. Nine codes connect us to one another in different ways. While there are the spiritual and scientific laws that question our existence, there are universal codes that can answer our inquiries. When you know these codes, they result in powerful knowledge that can guide our lives to success, peace and prosperity.