First hand account of the history of rock music in the Soviet Union.

Boris Kagarlitsky reflects on what happened in Russia after the collapse of the old regime and how this has affected social and cultural life, as well as the everyday lives of ordinary people.

A fascinating examination of the enduring popularity of the Beatles in the former Soviet Union by a writer who was there from the beginning, including never-seen-before photographs

When Harrison, the son of American diplomats, lands in Moscow at the height of the Cold War, he knows three things. His passport will keep him safe. His daydreams will keep him company. His music will keep him sane. But everything he knows is about to change. His father has disappeared. His mother is keeping secrets. And his friend Prudence, the fearless daughter of foreign correspondents, leads him on a wild chase across the city in pursuit of a mysterious stranger. As they race to find a priceless record in a place where rock is banned, Harrison and Prudence tangle with desperate spies and ruthless gangsters. Forced to navigate the dark underworld of a communist state, they risk everything — and discover a web of secrets that leads to the most dangerous game of all. Chock full of suspense and propelled by a grand tale of unrequited love, Back in the USSR will keep you on the edge of your seat right up to the emotional, uplifting ending. If you enjoyed Anthony Horowitz's Alex Rider series, Elizabeth Wein's Code Name Verity, or Ruta Sepetys's I Must Betray You, you'll love Back in the USSR. "MASTERFUL ... EXPERTLY PACED ... RIVETING ... 10 OUT OF 10." -The BookLife Prize by Publishers Weekly "A book about rock 'n' roll and its power to fight suppression, feed the human spirit and kick butt." -Goodreads review “Read this in two days – couldn’t put it down.” -Goodreads review "Vividly painted and irresistible … a fun, rich, and sophisticated page-turner … Highly recommended!" -Tim Weed, award-winning author of the young adult adventure Will Poole's Island "Clever plot twists abound, keeping the reader spellbound up to the colorful and dramatic ending." -Laurel Davis Huber, award-winning author of the historical novel The Velveteen Daughter "Kept me turning the page to see what happened next, all the while delighting with easter eggs, lyric references and the pure joy that The Beatles bring to the world." -Obadiah Jones, host of Beatles podcast "Gimme Some Truth"

Ian Fleming could not have imagined a better place to set a thriller: an upstart mini-state on the edge of Europe, Transnistria is a nowhereland, a Soviet museum occupied by Russian peace-keepers near the Black Sea. Its oligarchs in Adidas tracksuits hunt wild boar with AK-47s. Its young people train for revolution at the Che Guevara High School of Political Leadership. Its secret factories have supplied arms to Chechnya and electrical cable to Iran's Bushehr nuclear power plant. Its isolation and tiny size belie the real threat it poses to the West. To many observers, Transnistria is the North Korea of Europe. Yet its new president has launched a cunning coup of political marketing, appointing as his top ministers personable young women like the Facebook-savvy Cheryl Cole lookalike Foreign Minister, sexing-up the republic's image abroad, and using their glitter to obscure this internationally unrecognised non-state's shadowy past. Now Western ambassadors and foreign ministers are queuing up to meet them. Rory MacLean and Nick Danziger, two of Europe's most intrepid travellers and chroniclers, document life in the only country in the world not to have recognised the collapse of the Soviet Union. Readers will find themselves truly back in the USSR... with a difference.

A memoir by an American who almost single-handedly introduced Soviet rock to the free world, [...] Stingray, who wrote this memoir with her daughter, Madison, nicely captures her daring amid an atmosphere of liberation and fear, and she's a study in moxie and enthusiasm. --Kirkus Reviews As one of the first American musicians to break through the Soviet scene, and one of the few women to be seen as an equal amongst Leningrad's pantheon of rock superstars, Stingray's perspective on the development of late Soviet rock is probably the single most important source for those who want a birds-eye view of late Soviet youth culture, and Stingray's stories are as entertaining as they are relevant and illuminating. --Alexander Herbert, author of What About Tomorrow?: An Oral History of Russian Punk from the Soviet Era to Pussy Riot Wild and vivid -- a rollicking memoir of romance and rock 'n' roll in an era of upheaval and transition. From Los Angeles to Leningrad and back again, Joanna's story is borne along by her infectious, headlong enthusiasm. It's quite a ride. --Patrick Radden Keefe, creator of the Wind of Change podcast and author of Say Nothing: A True Story of Murder and Memory in Northern Ireland The history of Russian rock music could have been very different without Joanna Stingray. Joanna was friends with rock musicians, recorded songs with them, shot their videos and brought them clothes and instruments from the West. Her video footage, capturing young icons of Russian rock like Viktor Tsoi, Sergei Kuryokhin, Timur Novikov and Boris Grebenshchikov, is rare evidence of the golden era of the Soviet underground. --The Moscow Times Red Wave is a warm and conversational autobiography about a lost world, peopled with courageous artists risking their freedom for the ideas of expression, art, and rock 'n' roll. [...] We root for her and her friends to overcome bureaucracy, oppression, isolation, deprivation, and the heavy footsteps of the KGB. [...] In a readable and personable way, Red Wave helps shine some light into this remarkable corner of rock history. --Tim Sommer, Guernica Joanna Stingray's appearance in St. Petersburg in the early 1980s must have been God's response to our unconscious prayers. Her naive bravery, curiosity and generosity created a kind of a lifeline for us rockers: she brought in things we needed to play our music, and took out not only our recordings but the very message of our existence. Had it not been for her and her Red Wave, it would have taken Aquarium many more years to have official records on Melodiya and Kino to start touring Europe. This fearless maiden broke through the siege that looked hopelessly unbreakable. She threw a life-saver into our waters and she changed everything. No matter how many times we thank her -- it's never enough. --Boris Grebenshchikov (Aquarium), 2018

A funny, nostalgic and strange glimpse at life behind the Iron Curtain - from the hit social media account with over 1 million followers WELCOME TO THE USSR PARADE in the latest fashions! MARVEL at the wonders of the space race! DELIGHT in the many fine delicacies of food and drink! REVEL in the fine opportunities for work and play!

Ian Fleming could not have imagined a better place to set a thriller: an upstart mini-state on the edge of Europe, Transnistria is a nowhereland, a Soviet museum occupied by Russian peace-keepers near the Black Sea. Its oligarchs in Adidas tracksuits hunt wild boar with AK-47s. Its young people train for revolution at the Che Guevara High School of Political Leadership. Its secret factories have supplied arms to Chechnya and electrical cable to Iran's Bushehr nuclear power plant. Its isolation and tiny size belie the real threat it poses to the West. To many observers, Transnistria is the North Korea of Europe. Yet its new president has launched a cunning coup of political marketing, appointing as his top ministers personable young women like the Facebook-savvy Cheryl Cole lookalike Foreign Minister, sexing-up the republic's image abroad, and using their glitter to obscure this internationally unrecognised non-state's shadowy past. Now Western ambassadors and foreign ministers are queuing up to meet them. Rory MacLean and Nick Danziger, two of Europe's most intrepid travellers and chroniclers, document life in the only country in the world not to have recognised the collapse of the Soviet Union. Readers will find themselves truly back in the USSR... with a difference.

Study in historical perspective of developments in economic policy in the USSR - covers economic structures and economic administration prior to and during the 1st world war, the position during the 50 years of the communist regime, political leadership of the country, the collective economy, industrialization, political problems, economic growth, etc. Bibliography pp. 389 to 391, and statistical tables.

Given the phenomenal fame and commercial success that the Beatles knew for the entire course of their familiar career, their music per se has received surprisingly little detailed attention. Not all of their cultural influence can be traced to long hair and flashy clothing; the Beatles had numerous fresh ideas about melody, harmony, counterpoint, rhythm, form, colors, and textures. Or consider how much new ground was broken by their lyrics alone--both the themes and imagery of the Beatles' poetry are key parts of what made (and still makes) this group so important, so popular, and so imitated. This book is a comprehensive chronological study of every aspect of the Fab Four's musical life--including full examinations of composition, performance practice, recording, and historical context--during their transcendent late period (1966-1970). Rich, authoritative interpretations are interwoven through a documentary study of many thousands of audio, print, and other sources.