When young Sebastian Bach learns that old Adam Reinken of Hamburg is a better organist than himself, he sets out to meet his rival.

An elusive extremist hell-bent on destroying America. ​A woman of uncommon valor haunted by her tragic past. A dark web hacker confronting his conscience. A failed intelligence officer in search of redemption. The relative calm at Offutt Air Force Base is shattered when commercial Flight 209 crashes down onto its runway. From the flaming wreckage, Major Tamika Smith must try to rescue survivors and make sense of the tragedy. But this isn’t just an isolated incident. In a time of national unrest and division, a cunning shadowy mastermind is tearing down the United States from the inside out, playing law enforcement like puppets. Soon, thousands are dying and there are precious few leads. Can Tamika and an unlikely collection of committed Americans stop the destruction in time to rescue a nation descending into chaos? With heart-pounding action, compelling plot twists, and a rich tapestry of characters, The Wilkes Insurrection is a contemporary thriller of anarchic obsession and heroic ambition. Its perfect blend of callous villains, iconic heroes, and political intrigue will keep readers on the edge of their seats.

With this Eighth Edition, The Musical Classroom celebrates thirty years as a leading resource for future and in-service teachers as they engage children in the exciting world of music! Teachers, with the help of this user-friendly text, can develop the understandings and skills needed to teach elementary school music. The forty-four model lessons are the centerpiece to the book's long-lasting success. A collection of over 170 children's songs from around the world; instructional information for learning to play the recorder, keyboard, guitar, and Autoharp(TM); and the theoretical, pedagogical, and practical backgrounds needed for reaching all learners complete the comprehensive resource of The Musical Classroom. Note: This is the standalone book. If you want the accompanying audio CD, order the ISBN 9781138656703, which is available for separate sale.

Rascal’s big adventure has taken him to places he should never have been. Rascal should have listened to his mama. So let’s see what Rascal has been up to and see if maybe he has learned some lessons from his big adventure.

The story of Stormy Ferret traces her turbulent mission from Seattle to Salinas flying her FDC-4 SkyFreighter through the roughest flight in the history of airway Victor 23, during which she survives through the intervention of ferret angels.

The Musical Classroom: Backgrounds, Models, and Skills for Elementary Teaching, Ninth Edition, is designed for students majoring in elementary or music education. Through eight editions, this book has been a market leader in its field. Its goal has been to help teachers—some who may only have a limited background in music—prepare to make music a part of the daily lives of their students. The model lessons remain the centerpiece of the book's long-lasting success. Supported by a collection of children's songs from around the world, instructional information for learning to play basic instruments, and the theoretical, pedagogical, and practical backgrounds needed for reaching all learners, pre-service and in-service teachers can make their classrooms musical classrooms. NEW to the ninth edition: The 2014 National Core Music Standards Multiple curricular connections to other subjects Expanded soprano recorder instruction unit Addition of the QChord® with Autoharp®/Chromaharp® instruction unit Updated and expanded prekindergarten section A significant infusion of technology throughout the text Mallet-instrument ensemble accompaniments A companion website linking to music sources with numerous resources for both students and instructors

(Faber Piano Adventures ). Piano arrangements of some of the great symphonic and operatic masterworks of Western music. Contents include: Aria (from the Peasant Cantata) by J.S. Bach * La Donna e Mobile (from the opera Rigoletto ) by Verdi * Largo (from the opera Die Fliedermaus ) by J. Strauss, Jr. * The Little Man in the Woods (from the opera Hansel and Gretel ) by Humperdinck * March Militaire by Shubert * Overture (from the opera William Tell ) by Rossini * Pizzicato Polka by J. Strauss, Jr. & J. Strauss * Polvetzian Dance No. 17 (from the opera Prince Igor ) by Borodin * Roses from the South by J. Strauss, Jr. * The Rage Over the Lost Penny by Beethoven * Theme from "The Surprise" Symphony by Haydn * Theme from Trumpet Concerto in Eb by Haydn * Trepak (from the ballet The Nutcracker ) by Tchaikovsky.

Michael Jackson died on June 25 2009 in Los Angeles, from of acute propofol and benzodiazepine intoxication (according to Wikipedia). The one-time King of Pop was preparing for one last assault on the mainstream with a proposed 50 night run of shows at the 02 (thereby trumping his arch-rival, Prince, who had just concluded his legendary 21 Nights). His exhaustion, paranoia and general ill-heath were an open secret. He had lived many lives and inhabited many bodies; PT Barnum, Fred Astaire, and Peter Pan in one mortal coil. His death was mourned by hundreds of millions of fans but it was almost as if he had been dead for some time already. And in his death, in vivid technicolor, we relived the dreams, nightmares, fantasies, and perversions that we had all projected on to him for four decades. Paul Morley's short biographical portrait of Michael Jackson looks at how we turned the most outrageous child star talent of the late 20th century into a monster; how his decline soundtracked the end of Pop and the end of American Imperialism; how his once staggeringly modern and funky music became secondary to the dysfunctional freak show of watching a vulnerable man literally disintegrate. Tender, erudite, and provocative, Morley's monograph documents a tragedy that is so Shakespearean in scale that it obscures the legacy of the last of the great Song and Dance Men.

Johann Sebastian Bach is one of the most unfathomable composers in the history of music. How can such sublime work have been produced by a man who (when we can discern his personality at all) seems so ordinary, so opaque—and occasionally so intemperate? John Eliot Gardiner grew up passing one of the only two authentic portraits of Bach every morning and evening on the stairs of his parents’ house, where it hung for safety during World War II. He has been studying and performing Bach ever since, and is now regarded as one of the composer’s greatest living interpreters. The fruits of this lifetime’s immersion are distilled in this remarkable book, grounded in the most recent Bach scholarship but moving far beyond it, and explaining in wonderful detail the ideas on which Bach drew, how he worked, how his music is constructed, how it achieves its effects—and what it can tell us about Bach the man. Gardiner’s background as a historian has encouraged him to search for ways in which scholarship and performance can cooperate and fruitfully coalesce. This has entailed piecing together the few biographical shards, scrutinizing the music, and watching for those instances when Bach’s personality seems to penetrate the fabric of his notation. Gardiner’s aim is “to give the reader a sense of inhabiting the same experiences and sensations that Bach might have had in the act of music-making. This, I try to show, can help us arrive at a more human likeness discernible in the closely related processes of composing and performing his music.” It is very rare that such an accomplished performer of music should also be a considerable writer and thinker about it. John Eliot Gardiner takes us as deeply into Bach’s works and mind as perhaps words can. The result is a unique book about one of the greatest of all creative artists.