Bundles of Joy THE TYCOON AND THE ADORABLE TYKE Rich, handsome and famous, Nicholas Frakes was the world's sexiest bachelor. But when Bethany Dale first clapped eyes on him, he was spoon-feeding spinach to his orphaned niece, tenderly cradling the infant to his bare, brawny chest…. Bethany promptly lost her heart…and then her head. And soon she was playing live-in nanny with Nicholas and tiny Maree—falling hard for the tot and her tycoon dad. The feeling was definitely mutual. Trouble was, Bethany couldn't give Nicholas the babies her arms ached to hold. The babies he would surely want from any woman who was to be his wife…. Sometimes small packages can lead to the biggest surprises!

From first kisses to missed kisses, stolen kisses, the chemistry of kisses, around-the-world kisses, silver-screen kisses, Freudian kisses, lipstick kisses and record-breaking kisses, this eclectic collection of facts, figures, quotes and curiosities has everything you've ever wanted to know—and more—about that most deceptive, delightful and indispensable gesture: the kiss.

Jon, Rick and Jen are in their mid-twenties and share a house in Brisbane. Together they share food rituals, sporadic cocktail nights and the quest for love. Rick seems destined to long, lonely nights beneath his Porky Pig doona. Jen consumes men like chocolate bars. And Jon gets lucky in a way he's never expected - more women than he knows how to handle. A young doctor with grand plans for the hormone of darkness, he finds his life is spiralling way out of control. Bachelor Kisses is the mess Jon Marshall makes of his life when it stops making sense. It's the story of one man's hilarious search for meaning: a chaotic comedy of misjudgements, misinformation and misguided intimacy.

When Robert Forster and Grant McLennan formed the Go-Betweens in Brisbane in 1977, they were determined to be different. They were angular, spare, and poetic when crashing direct­ness was the prevailing style. Their heroes were Dylan, Creedence, and Television, when it was more fashionable to cite the Stooges and the New York Dolls. Their attitude was as punk as any­­one’s, but their lyrical guitar pop stood in sharp contrast to the trends of the day. The Go-Betweens story is a fascinating one. With cornerstone drummer Lindy Morrison – and, later, additional members Robert Vickers and Amanda Brown – the band recorded six albums in the 1980s that are among the finest work of the decade, and earned them a reputation as “the ultimate cult band.” And as one reviewer of the original 1997 edition of this book noted, “Unlike most rock groups, the Go-Betweens had personalities as well as talent”—which makes for a compelling read, even if you’re not yet a fan. David Nichols relates the Go-Betweens story with wit and verve, and for this edition he completely updated the book, adding chapters on the members’ subsequent solo careers in the 1990s, the subsequent reuniting of Forster and McLennan under the Go-Betweens name, and the band’s flourishing second life in the new millennium, tragically cut short by the sudden death of Grant McLennan in 2005.

“In early ’77 I asked Grant if he’d form a band with me. ‘No,’ was his blunt reply.” Grant McLennan didn’t want to be in a band. He couldn’t play an instrument; Charlie Chaplin was his hero du jour. However, when Robert Forster began weaving shades Hemingway, Genet, Chandler and Joyce into his lyrics, Grant was swayed and the 80s indie sensation, The Go-Betweens, was born. These friends would collaborate for three decades, until Grant’s tragic, premature death in 2006. Beautifully written – like lyrics, like prose – Grant & I is a rock memoir akin to no other. Part ‘making of’, part music industry exposé, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour Robert Forster pays tribute to a band who found huge success in the margins, who boldly pursued a creative vision, and whose beating heart was the band’s friendship.

From Chekhov to Maugham to William Carlos Williams, doctors have long given voice to their unique perspectives through literature. Writer, M.D. celebrates this rich tradition with a collection of fiction and nonfiction by today’s most beloved physician-writers, including, • Abraham Verghese, on the lost art of the physical exam • Pauline Chen, on the bond between a med student and her first cadaver • Atul Gawande, on the ethical dilemmas of a young surgical intern • Danielle Ofri, on the devastation of losing a patient • Ethan Canin, on love, poetry, and growing old These essays and stories illuminate the inner lives of men and women who deal with trauma, illness, mortality, and grief on a daily basis. Read together, they provide a candid, moving, one-of-a-kind glimpse behind the doctor’s mask.

'I'm not about to attack, ' she said. She smirked with one side of her mouth and looked up at me through the black spray of her fringe. Her eyes were dark and already she was playing some kind of game with me, or that's how it seemed. Her voice was a little deeper and huskier than I might have expected, so her last line had come out with a hint o..

David Nichols tells the story of Australian rock and pop music from 1960 to 1985 – formative years in which the nation cast off its colonial cultural shackles and took on the world. Generously illustrated and scrupulously researched, Dig combines scholarly accuracy with populist flair. Nichols is an unfailingly witty and engaging guide, surveying the fertile and varied landscape of Australian popular music in seven broad historical chapters, interspersed with shorter chapters on some of the more significant figures of each period. The result is a compelling portrait of a music scene that evolves in dynamic interaction with those in the United States and the UK, yet has always retained a strong sense of its own identity and continues to deliver new stars – and cult heroes – to a worldwide audience. Dig is a unique achievement. The few general histories to date have been highlight reels, heavy on illustration and short on detail. And while there have been many excellent books on individual artists, scenes and periods, and a couple of first-rate encylopedias, there’s never been a book that told the whole story of the irresistible growth and sweep of a national music culture. Until now . . .

When you were 17, what did you think your life would be like when you hit 27? At 17, Rachel Hill was the girl most likely to succeed. At 27, with an Honours degree and a career as a travel writer, she thinks that marriage is the only thing missing from this perfect trifecta. Her American boyfriend is smart and gorgeous, just the guy everyone thought she'd find. But one rash decision changes everything. Suddenly Rachel finds herself living back at home in her childhood bedroom, nannying a surly six-year-old and watching Mary Tyler Moore re-runs. Her friends worry she's having a 'quarter-life' crisis - but the real story is far more bizarre. As she confronts her idea of perfection, she finds that happiness is living the life you want to live, rather than the one you're expected to.

A funny and moving novel about fried chicken, friendship, and big dreams of leaving the minimum-wage, fast-food grind far, far behind.