This monograph features the work of Douglas Bourgeois, a figurative artist whose meticulously detailed paintings and sculptural assemblages present icons of popular culture as well as ordinary people from Louisiana's diverse populations. Bourgeois' work often portrays religious imagery and environmental concerns and the political issues expressed in the rock and roll and movies he loves. He fuses private fantasy with a kind a social document, exploring everything from racial tensions to violence, both domestic and public. The artist, like the figures he depicts, searches for magic or spiritual qualities in everyday life. Ultimately, he and his art seek redemption. 65 colour & 21 b/w illustrations

The one aspect I find most appealing about the artwork of Slawek Wojtowicz is the dreamlike quality of the imagery: the subjects, the color, the way objects interact and flow together. Horizons curve, planets float in dream oceans, dream people float in midair. And then there are the cityscapes-my own dreams are completely inane, for the most part, but the ones I like the best [when I remember them at all] have to do with cities, and people I have never seen, and they have an ineffable poetic dreaminess about them that I find in Slawek's paintings.

Hope Springs Hope Springs. A place where you can leave your doors and your hearts open. A town where you know your neighbors. The only things you don't know is what they're going to do next…. Faith, hope and love… Faith O'Dare is an optimist—and one of Hope Spring's three mothers-to-be. The only trouble is that the baby's city-slicker father is already married! His partner, Sean Davenport, comes to town to break the news to Faith. All Faith realizes is that here is another man who can break her heart. Sean falls in love with Faith's fiery nature and her…well, faith in humankind. He only wishes she'd place a little faith in him. With the help of the townspeople, he woos and almost wins her, but Faith remains obstinate. How can he convince her nothing could mean more to him than becoming the father of her baby?

*** Finalist in the National Indie Excellence Awards Self-Help Category for 2010! ***

While this book was written for male Baby Boomers and their significant others, it also includes Boomer history and what lies ahead as we experience the decade of our own sixties. This story reviews our Boomer luck, recounts the great history of being a kid in the 1950s, and the great opportunities provided by improved education in the 1960s, not to ignore a seemingly mind expanding culture. Turning sixty is not for the faint hearted. There are issues ahead. The first thing we all face is taking care of aging parents or what the author refers to as helping your parents check out. Then there are our own Boomer health issues including cataracts and prostate cancer. You likely think there is nothing funny about these topics but the quirky economist author finds humor in all of our aging experiences. This book covers Boomer issues, all in the context of our Boomer culture. We Boomers thought we would be young forever. Maybe that is why it is so amusing.

A stunning monograph covering nearly 55 years of work by this internationally collected artist. His paintings are evocative of the intense contemplation and extraordinary technical facility so much admired in his prints.

Plastic Ozone Daydream combines fact and fantasy on a wild ride through the birth, growth, and maturity of the sports car in America during the turbulent half-century, 1950-2000. The Baby Boomers changed everything. Look deeply into the reflection. Each story has its own identity, yet each is connected to all the rest. The author and his cast of affable characters say that 1970 was the pivotal year. Are they right? Plastic Ozone Daydream should stimulate your imagination as you cruise through the nostalgic Fifties, blast through the exciting Sixties with a burst of acceleration, and bring the anguish of the Nineties to the surface when your sports car cost more than your first house. These stories describe the broadest emotions with the least words. This book should remind us all why we love our sports cars. Plastic Ozone Daydream is intended to be both fun to read and challenging to the intellect, taking the reader on a journey he never knew existed— through the crossroads of his own mind.

Come travel back to a different but vaguely familiar world. Journey to a time when inflation barely existed, gasoline was cheap, cars had big gas-guzzling engines, and people almost never locked their front doors. Written in the first person, An Innocent Man follows the life and time of Edgar Rice Baker from his childhood as he encounters all of the trappings, joys, and nuances of the Baby Boomer years. It was an age of innocence, when kids walked to school, when beer and liquor were the worst things your kids could get in to, and when getting a drivers license and a set of wheels (where the heater worked and the engine ran) were the most important first steps in transitioning to adulthood. If you are over fifty, do you remember the good old days? Those were happy days of wine and roses, when life was simpler, and we all were more innocent. An Innocent Man transports us back to the fifties and sixtiesfor a nostalgic walk down the primrose lane.

Using familiar examples, Nyren advises how to change prescription drug advertising, discusses planned retirement communities and the ways that they can be made more appealing to maturing consumers, and more importantly, offers valuable advice on the advertising of general consumer goods and services. Exploding the myth that Baby Boomers just want to retreat to their younger years, Nyren explains that Boomers are not hung up on age. "Who actually thinks about his or her age all the time, or even very often?" he asks. "Contrary to social commentators, the media, and certainly advertising agencies, most of the time we are who we are: people in our middle age, and not much different but a little different than other generations were in their middle ages. We're not jumping in mosh pits while juggling cans of soda, trying to be eighteen again.

Daydream sequences provide viewers with important information regarding the desires, hopes, fears and psychological state of film protagonists. How, then, do cinematic daydreams stand with regard to classical Hollywood cinema? What do volitional fantasy sequences typically infer about the conscious mind? What do non-volitional cinematic daydreams commonly imply about the workings of the unconscious psyche and human will? Do filmed fantasies–intentionally or otherwise–reinforce cultural hegemony? Is daydreaming typically depicted as a detrimental or beneficial pastime in mainstream US cinema? Through investigating a corpus of Hollywood films containing fantasy scenes, this text answers these questions. This study uncovers the norms and key functions that daydreams serve in contemporary Hollywood films from cinematic, thematic, psychological and ideological perspectives. Whilst this text is aimed primarily at students and academics of film studies, it should also appeal to anyone with an interest in Hollywood cinema and/or daydreaming.