Both an official chronicle and the highly personal memoir of the emperor Babur (1483–1530), The Baburnama presents a vivid and extraordinarily detailed picture of life in Afghanistan, Pakistan, and India during the late-fifteenth and early-sixteenth centuries. Babur’s honest and intimate chronicle is the first autobiography in Islamic literature, written at a time when there was no historical precedent for a personal narrative—now in a sparkling new translation by Islamic scholar Wheeler Thackston. This Modern Library Paperback Classics edition includes notes, indices, maps, and illustrations. From the Trade Paperback edition.

“If you only read one autobiography from a sensitive 16th-century warlord this year, make it this one.” —The New York Times A hardcover edition of the colorful memoirs of Babur—founder and first emperor of the Mughal dynasty—that is "justly considered a masterpiece" (The Wall Street Journal). Zahiru’d-din Muhamad Babur (1483–1530), a poet-prince from Central Asia, was the author of one of the most remarkable autobiographies in world literature. The Babur Nama reveals him as not only a military genius but also a ruler unusually magnanimous for his time, cultured, witty, and possessing a talent for poetry, an adventurous spirit, and an acute eye for natural beauty. Babur ascended the throne of Fergana, in what is now Uzbekistan, when he was twelve years old. He eventually invaded India and founded the Mughal dynasty, which would dazzle the world for three centuries. Babur left behind a detailed and colorful record of his life, written in simple and unpretentious prose, that has fascinated readers for hundreds of years. But his self-portrait goes beyond the events of a dramatic life; on the page, his restless energy and ambition are balanced by modesty, regret for his failures, and frankness about his experiences with depression and grief in response to tragedy. The Babur Nama is both a lively chronicle of extraordinary historical events and a deeply personal memoir whose unusual honesty and sensitivity has given it enduring appeal.

DigiCat Publishing presents to you this special edition of "The Bābur-nāma in English (Memoirs of Bābur)" by Emperor of Hindustan Babur. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The enemy were overpowered and took to flight. The Romans pursued as far as their strength enabled them to run' Between 58 and 50 BC Julius Caesar conquered most of the area now covered by France, Belgium and Switzerland, and invaded Britain twice, and The Conquest of Gaul is his record of these campaigns. Caesar’s narrative offers insights into his military strategy and paints a fascinating picture of his encounters with the inhabitants of Gaul and Britain, as well as lively portraits of the rebel leader Vercingetorix and other Gallic chieftains. The Conquest of Gaulcan also be read as a piece of political propaganda, as Caesar sets down his version of events for the Roman public, knowing he faces civil war on his return to Rome. Revised and updated by Jane Gardner, S. A. Handford’s translation brings Caesar’s lucid and exciting account to life for modern readers. This volume includes a glossary of persons and places, maps, appendices and suggestions for further reading.

The Ghazi Sultans were frontier holy-warrior kings of late medieval and early modern Islamic history. This book is a comparative study of three particular Ghazis in the Muslim world at that time, demonstrating the extent to which these men were influenced by the actions and writings of their predecessors in shaping strategy and the way in which they saw themselves. Using a broad range of Persian, Arabic and Turkish texts, the author offers new findings in the history of memory and self-fashioning, demonstrating thereby the value of intertextual approaches to historical and literary studies. The three main themes explored include the formation of the ideal of the Ghazi king in the eleventh century, the imitation thereof in fifteenth and early sixteenth century Anatolia and India, and the process of transmission of the relevant texts. By focusing on the philosophical questions of ‘becoming’ and ‘modelling’, Anooshahr has sought alternatives to historiographic approaches that only find facts, ideology, and legitimization in these texts. This book will be of interest to scholars specialising in Medieval and early modern Islamic history, Islamic literature, and the history of religion.

Wheeler Thackstons lively new translation ofThe Jahangirnama, co-published with the Freer/Arthur M. Sackler Gallery of the Smithsonian Institution, presents an engaging portrait of an intriguing emperor and his flourishing empire. The Emperor Jahangir is probably best know in the West as being the father of Shahjahan, who built the Taj Mahal. His reign was one of great prosperity, and his passion for art and nature encouraged a flowering that some say rivaled European art during the rule of the Medicis. In penning his memoirs, Jahangir followed a tradition begun by his great-grandfather, the Emperor Babur. Jahangirs memoirs, however, provide not only the history of his reign, but also his reflections on art, politics, and private details about his familyincluding the suicide of one of his wivesand selections of poetry written by members of his harem. One of Jahangirs stories describes his astonishment at witnessing the fall of a meteorite, an event that so amazed him that he ordered that a dagger be made from its metal. This book includes a selection of exquisite full-color paintings, drawings, and objects that specifically illustrate the passages they accompany--including a photograph of the Emperors treasured dagger. A lover of jewels, nature, hunting, drinking, and opiates, Jahangir carried the Mughal empire to artistic and political heights. Refreshingly candid and frank, this splendidly illustrated edition of Jahangirs memoirs is a thoroughly absorbing profile of an emperor and the zenith of his empire.

Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.