Much of our perception of Babylon in the West is filtered through the poignant echoes of loss and longing that resonate in the Hebrew Bible. The lamenting exiles of Judah craved a return to their lost homeland after the sack of Jerusalem in 587 BC and their forcible removal by Nebuchadnezzar to the alien floodlands of the Euphrates. But to see Babylon only as an adjunct to Old Testament history is misleading. A Short History of Babylon explores the ever-changing city that shaped world history for two millennia.

Ever since the archaeological rediscovery of the Ancient Near East, generations of scholars have attempted to reconstruct the "real Babylon,” known to us before from the evocative biblical account of the Tower of Babel. After two centuries of excavations and scholarship, Mario Liverani provides an insightful overview of modern, Western approaches, theories, and accounts of the ancient Near Eastern city.

Note biographique : Eva Cancik-Kirschbaum, Freie Universität Berlin; Joachim Marzahn, Vorderasiatisches Museum, Berlin;Margarete van Ess, Deutsches Archäologisches Institut, Orient-Abteilung, Berlin

This lavishly illustrated volume sheds light for the first time on the true wonders of this ancient city and the echoes and images that have grown up around it over thousands of years. The authors bring together a wealth of art works inspired by this ancient city. Alongside these evocations of an imagined Babylon, they present the reality of the city, exploring the architecture, history, culture, and religious life of the time as well as Babylon's legacy today--in astronomy, astrology, and much more.

This book of essays deals with magical phenomena in Mesopotamian, Zoroastrian, Greek and Jewish cultures. The topics discussed include Mesopotamian magic, its impact on the Aramaic magic bowls, Jewish magical literature, magical gems, Zoroastrian omens, and methods of research.

In Civilizations of Ancient Iraq, Benjamin and Karen Foster tell the fascinating story of ancient Mesopotamia from the earliest settlements ten thousand years ago to the Arab conquest in the seventh century. Accessible and concise, this is the most up-to-date and authoritative book on the subject. With illustrations of important works of art and architecture in every chapter, the narrative traces the rise and fall of successive civilizations and peoples in Iraq over the course of millennia--from the Sumerians, Babylonians, and Assyrians to the Persians, Seleucids, Parthians, and Sassanians. Ancient Iraq was home to remarkable achievements. One of the birthplaces of civilization, it saw the world's earliest cities and empires, writing and literature, science and mathematics, monumental art, and innumerable other innovations. Civilizations of Ancient Iraq gives special attention to these milestones, as well as to political, social, and economic history. And because archaeology is the source of almost everything we know about ancient Iraq, the book includes an epilogue on the discovery and fate of its antiquities. Compelling and timely, Civilizations of Ancient Iraq is an essential guide to understanding Mesopotamia's central role in the development of human culture.

Modern-day archaeological discoveries in the Near East continue to illuminate man's understanding of the ancient world. This illustrated handbook describes the culture, history, and people of Mesopotamia, as well as their struggle for survival and happiness.

Babylon: for eons its very name has been a byword for luxury and wickedness. 'By the rivers of Babylon we sat down and wept', wrote the psalmist, 'as we remembered Zion'. One of the greatest cities of the ancient world, Babylon has been eclipsed by its own sinful reputation. For two thousand years the real, physical metropolis lay buried while another, ghostly city lived on, engorged on accounts of its own destruction. More recently the site of Babylon has been the centre of major excavation: yet the spectacular results of this work have done little displace the many other fascinating ways in which the city has endured and reinvented itself in culture. Saddam Hussein, for one, notoriously exploited the Babylonian myth to associate himself and his regime with its glorious past. Why has Babylon so creatively fired the human imagination, with results both good and ill? Why has it been so enthralling to so many, and for so long? In exploring answers, Michael Seymour' s book ranges extensively over space and time and embraces art, archaeology, history and literature. From Hammurabi and Nebuchadnezzar, via Strabo and Diodorus, to the Book of Revelation, Brueghel, Rembrandt, Voltaire, William Blake and modern interpreters like Umberto Eco, Italo Calvino and Gore Vidal, the author brings to light a carnival of disparate sources dominated by the powerful and intoxicating idea of depravity. Yet captivating as this dark mythology was and has continued to be, at its root lies a remarkable and sophisticated imperial civilization whose complex state-building, law- making and religion dominated Mesopotamia and beyond for millennia, before its incorporation into the still wider empire of the Achaemenid kings.

This book offers diverse debates on the possible manifestations and meanings of the term "Middle East."