During the Golden Age of comics, publishers offered titles supporting the war effort -- presenting fighting men and their feminine counterparts -- babes in arms! Comic books during this period featured US service-women fighting all of the axis bad guys and gave several of the most noteworthy women artists of the era opportunities to create action-packed, adventure-filled, four-color stories. Now for the first time renowned pop-culture historian Trina Robbins assembles comic book stories by artists Barbara Hall, Jill Elgin, Lilly Renee, and Fran Hopper together with insightful commentary and loads of documentary extras to create the definitive book chronicling the work of these important Golden Age artists. This magnificent art book offers page-after-page of good girl action!

THE STORY: Yes, we love the cinema for its great auteurs, its glorious faces and its daring images. But in this tabloid age where big stars go on Oprah and jump around like heartsick schoolboys, what we really love is all that dish! The play

Re¿spon¿si¿ble adj 1: trustworthy, reliable, dependable. 2: the one thing Griffin Cahill is not. Griffin Cahill plays too hard, dodging commitment any and every way he can. His ex-fiancée, pediatrician Heather Delaney, works too hard, for essentially the same reason. Everything changes when Griffin's twin nephews come to stay. The babies are more than a handful, and for the first time in his life Griffin needs help--which Heather is extremely reluctant to give. Helping Griffin take care of the boys will mean moving into his house and becoming part of his life. That ended in disaster once. And she's too smart to let it happen twice. Isn't she?

From 1925 to 1951--three chaotic decades of depression, war, and social upheaval--Jewish writers brought to the musical stage a powerfully appealing vision of America fashioned through song and dance. It was an optimistic, meritocratic, selectively inclusive America in which Jews could at once lose and find themselves--assimilation enacted onstage and off, as Andrea Most shows. This book examines two interwoven narratives crucial to an understanding of twentieth-century American culture: the stories of Jewish acculturation and of the development of the American musical. Here we delve into the work of the most influential artists of the genre during the years surrounding World War II--Irving Berlin, Eddie Cantor, Dorothy and Herbert Fields, George and Ira Gershwin, Oscar Hammerstein, Lorenz Hart, and Richard Rodgers--and encounter new interpretations of classics such as The Jazz Singer, Whoopee, Girl Crazy, Babes in Arms, Oklahoma!, Annie Get Your Gun, South Pacific, and The King and I. Most's analysis reveals how these brilliant composers, librettists, and performers transformed the experience of New York Jews into the grand, even sacred acts of being American. Read in the context of memoirs, correspondence, production designs, photographs, and newspaper clippings, the Broadway musical clearly emerges as a form by which Jewish artists negotiated their entrance into secular American society. In this book we see how the communities these musicals invented and the anthems they popularized constructed a vision of America that fostered self-understanding as the nation became a global power.

(Jazz Transcriptions). 35 Marsalis songs transcribed for B-flat instruments exactly from his recorded solos, with solo analysis sections and a complete discography. Includes: Au Privave * Black Bottom Stomp * Caravan * Cherokee (Indian Love Song) * Donna Lee * Embraceable You * Free to Be * Honeysuckle Rose * In Walked Bud * Johnny Come Lately * La Vie En Rose * Loose Duck * My Funny Valentine * Rubber Bottom * Stardust * A Train, a Banjo, and a Chicken Wing * Union Pacific Big Boy * When It's Sleepy Time down South * You Don't Hear No Drums * and more.

This is a new release of the original 1937 edition.

An introduction to computer engineering for babies. Learn basic logic gates with hands on examples of buttons and an output LED.