American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.

A comprehensive film guide featuring films and television shows of the great American western. The stories of the men and women who tamed the old West. Also featuring actors and directors who made these films possible.

And in a series of exhaustive appendixes, he documents their contributions to each medium they worked in. Testifying to both the breadth and the longevity of their careers, the book includes radio logs, discographies, filmographies, and comicographies that will delight historians and collectors alike."--Jacket.

He Was Some Kind of a Man: Masculinities in the B Western explores the construction and representation of masculinity in low-budget western movies made from the 1930s to the early 1950s. These films contained some of the mid-twentieth-century’s most familiar names, especially for youngsters: cowboys such as Roy Rogers, Hopalong Cassidy, and Red Ryder. The first serious study of a body of films that was central to the youth of two generations, He Was Some Kind of a Man combines the author’s childhood fascination with this genre with an interdisciplinary scholarly exploration of the films influence on modern views of masculinity. McGillis argues that the masculinity offered by these films is less one-dimensional than it is plural, perhaps contrary to expectations. Their deeply conservative values are edged with transgressive desire, and they construct a male figure who does not fit into binary categories, such as insider/outsider or masculine/feminine. Particularly relevant is the author’s discussion of George W. Bush as a cowboy and how his aspirations to cowboy ideals continue to shape American policy. This engagingly written book will appeal to the general reader interested in film, westerns, and contemporary culture as well as to scholars in film studies, gender studies, children’s literature, and auto/biography.

Harry Fraser was a tried and true professional director who could be counted upon to bring a picture in on time and on budget. In fifty years in film and theatre, he worked with many important figures in motion picture history, particularly in westerns: Wild Bill Cody, Tom Tyler, Bob Steele, Gene Autry, Rex Bell, Tom Mix, Harry Carey, Buster Crabbe, Lash La Rue, William S. Hart, John Wayne, Yakima Canutt, and many others.

Iowa-born Jock Mahoney was an elite athlete and U.S. Marines fighter pilot prior to falling into a film career. He is widely considered to be one of the greatest stuntmen in movie history, having taken leaps and bounds for Errol Flynn, John Wayne, Randolph Scott, and Gregory Peck. One of the first stuntmen to successfully move into acting, he was the popular star of the 1950s television westerns Range Rider and Yancy Derringer and twice played Tarzan on the big screen, presenting a memorable portrayal of an educated, articulate and mature jungle lord true to author Edgar Rice Burroughs' original vision. Filming in real jungles around the world took a physical toll on Mahoney that transformed him from leading man to burly character actor. He had to overcome the effects of a stroke but true to his tough guy nature rose above it to resume his life's many adventures. Mahoney was beloved by fans at conventions and appearances until his untimely demise in 1989 from a stroke-caused motor vehicle accident.

"Reflections Of A 'B' Movie Junkie" is a tribute to the old "B" Movies of the Saturday Matinees of yesteryear. Actually, it is more of a homage to them, or at least (6) genres of those film types, that were so prevalent back in primarily the '40's and '50's. Their research and discussion, however, in some instances, dates all the way back to the beginning of the "talkies" of motion picture content, and can extend in the other direction, into the early '70s. These (6) genres include the popular "B"-Western, The Comedy Teams, The Jungle Adventures, Sci-Fi & Fantasy, Horror and the Serial, or Chapter Plays, so popular with the week-end Matinee crowds back then. These film-types filled up our Saturday afternoons (and evenings) with exciting adventure, curious wonder, spine-tingling horror, and non-stop action. Often filmed on a shoe-string budget, and in a limited time-frame, many of these "classics" came to be looked upon by many fans as being so truly bad, that they were good, (in a bad sort of way) ! They are thus categorized, reviewed and discussed, for the most part, in a lovingly personal style, especially when compared to the film types we are subjected to in today's market. They had their place in film history, and that time is long since gone. But, for some of us, they have never been equaled, which, for others, may indeed be a good thing.

John Brooker writes in his Introduction: "B westerns have always been part of my life. I decided ... to tour the US by Greyhound bus and try and track down some of my childhood heroes." From that and subsequent trips, Brooker began to write books, magazine columns, and even a TV series ("Movie Memories"). This book contains his interviews with the actors and other research on the B westerns. Fully illustrated.

This biographical encyclopedia covers every actor and actress who had a regular role in a Western series on American television from 1960 through 1975, with analyses of key players. The entries provide birth and death dates, family information, and accounts of each player's career, with a cross-referenced videography. An appendix gives details about all Western series, network or syndicated, 1960-1975. The book is fully indexed.