Aya and her grandad grow swan plants in their garden. Dedicated to the children and whānau of the Aotearoa New Zealand Muslim community, whose lives were changed forever on 15 March 2019.

This volume addresses the impact of human movement on the aesthetic practices that make up the fabric of culture. The essays explore the ways in which cultural activities—ranging from the habitual gestures of the body to the production of specific artworks—register the impact of migration, from the forced transportation of slaves to the New World and of Jews to the death camps to the economic migration of peoples between the West and its erstwhile colonies; from the internal and external exile of Palestinians to the free movement of cosmopolitan intellectuals. Rather than focusing exclusively on art produced by those identified as migrant subjects, this collection opens up the question of how aesthetics itself migrates, transforming not only its own practices and traditions, but also the very nature of our being in the world, as subjects producing, as well as produced by, the cultures in which we live. The transformative potential of cultures on the move is both affirmed and critiqued throughout the collection, as part of an exploration of the ways in which globalisation implicates us ever more tightly in the unequal relations of production that characterise late modernity. This collection brings academic scholars from a variety of disciplines into conversation with practising visual and verbal artists; indeed, many of the essays break down the distinction between artist and academic, suggesting a dynamic interchange between critical reflection and creativity.

A study of indigenous music-making in New World societies, including the Aztecs and the Incas.

The lives of weavers and their textile creations form the central subject in this monograph. It explores an understudied field of material culture studies in contemporary Myanmar. Textile cultures, craftsmanship and (national) identity are the core topoi of this work. Embedded in a century of shifting political and economic systems, the documented weaving cultures enhance our understanding of transformation processes on the local level. This book brings together current impulses of material culture studies and observations based on extensive ethnographic fieldwork data.

Save the monarch butterflies! Johnny Butterflyseed and his fairy friend, Raven Silverwing, embark on a mission to save the rapidly disappearing butterflies. They enlist the help of Queen Venus Goldwing and her kingdom of monarchs to educate and inspire kids to become butterfly farmers. At first, Johnny faces his own internal struggle with self-doubt and fear in his ability to make a difference, but then soon develops a mindset that allows him to not only get started, but also make progress one day at a time. Through challenge after challenge, Johnny learns that he is not alone in his mission and that there are many people who want to help. Together, Johnny, Raven, and Queen Venus educate thousands of children on becoming butterfly farmers. “The monarch butterfly is in peril and spiraling downward. Our children will determine whether the monarch makes a comeback or becomes one of North America’s rarest butterflies. It is vitally important that children are aware of the problems that monarchs face and how we can all help—even children. This delightful book does exactly that and should be on the bookshelf of every child! Tarisa Parrish has seamlessly woven fact with fiction to create a story of importance, charisma, and hope for monarch butterflies in the future.” —Dr. David G. James, Associate Professor of Entomology, Department of Entomology, Washington State University

BONUS: This edition contains an Eve discussion guide. In this mesmerizing debut novel, Elissa Elliott blends biblical tradition with recorded history to put a powerful new twist on the story of creation’s first family. Here is Eve brought to life in a way religion and myth have never allowed–as a wife, a mother, and a woman. With stunning intimacy, Elliott boldly reimagines Eve’s journey before and after the banishment from Eden, her complex marriage to Adam, her troubled relationship with her daughters, and the tragedy that would overcome her sons, Cain and Abel. From a woman’s first awakening to a mother’s innermost hopes and fears, from moments of exquisite tenderness to a climax of shocking violence, Eve explores the very essence of love, womanhood, faith, and humanity.

In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking intellectual leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but-unrecognized until this book-female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories. Brodsky, an important figure in the feminist art world, looks at various forms of visual art that are quickly becoming the dominant art of the 21st century, examining the work of artists in such media as video (from pioneers Joan Jonas and Adrian Piper to Hannah Black today), websites and social networking (from Vera Frenkel to Ann Hirsch), virtual and augmented reality art (Jenny Holzer to Hyphen-Lab), and art using artificial intelligence. She also documents the work of female-identifying, queer, transgender, and Black and brown artists including Legacy Russell and Micha Cárdenas, who are not only innovators in digital art but also transforming technology itself under the impact of feminist theory. In this radical study, Brodsky argues that their work frees technology from its patriarchal context, illustrating the crucial need to transform all areas of our culture in order to achieve the goals of #MeToo, Black Lives Matter (BLM), and Black and Minority Ethnic (BAME) representation, to empower female-identifying and Black and brown people, and to document their contributions to human history.