"Humane, amusing, touching, and very satisfying."―Phillip Lopate, author of To Show and to Tell: The Craft of Literary Nonfiction “Captivating and evocative and original.”―Grace Dane Mazur, author of The Garden Party “In the wise and funny essays that make up Awake with Asashoryu, Elisabeth Sharp McKetta asks vital questions about what it means to forge an adult life of one’s own.”―Lynn C. Miller, author of The Unmasking and The Day After Death At the heart of every essay in Elisabeth Sharp McKetta’s lively collection is the same question: How does one grow up without losing oneself? McKetta braids deceptively simple stories of her own life with the rich undercurrent of familiar childhood tales to reveal things both personal and universal and as close to the truth as possible. Whether she is spending sleepless nights watching the sumo wrestler Asashoryu with her father, settling into a new life in a fishing hamlet in Cornwall, struggling with a beloved and ultimately untrainable corgi named Goblin, or emerging from a night in the woods rethinking who she might be, McKetta’s essays sparkle and twist round and about—funny and insightful and compelling.

Instant New York Times Bestseller “Truly, there's no shame in taking a break from books during the pandemic. But if you're feeling ready to reach out, try starting with Goodbye, Again. Take my word for it — let Jonny Sun into your life.”---Janet W. Lee, NPR The wonderfully original author of Everyone's a Aliebn When Ur a Aliebn Toogives us a collection of touching and hilarious personal essays, stories, poems—accompanied by his trademark illustrations—covering topics such as mental health, happiness, and what it means to belong. Jonny Sun is back with a collection of essays and other writings in his unique, funny, and heartfelt style. The pieces range from long meditations on topics like loneliness and being an outsider, to short humor pieces, conversations, and memorable one-liners. Jonny's honest writings about his struggles with feeling productive, as well as his difficulties with anxiety and depression will connect deeply with his fans as well as anyone attempting to create in our chaotic world. It also features a recipe for scrambled eggs that might make you cry.

Energy recounts the life of Dr. John J. McKetta Jr., a first-generation Ukrainian American coal miner who worked his way up from the mines to become the world's foremost energy expert, a university dean, an encyclopedia editor, and one of the most widely known and respected professors in his field. To honor his one hundredth birthday in 2015, thousands of his former students raised more than $25 million to celebrate his contributions to their lives and to chemical engineering at the University of Texas at Austin, which rechristened his home department the John J. McKetta Jr. Department of Chemical Engineering. In this biography, granddaughter Elisabeth Sharp McKetta retraces Dr. McKetta's path to becoming the godfather of modern chemical engineering. She describes how he dedicated his life to supporting students throughout their careers, becoming legendary for phoning scores of them on their birthdays every year, while also showing Americans how to produce and use energy efficiently. John J. McKetta Jr.'s fascinating story has been the subject of hundreds of articles and interviews, and now Energy is the first full-length book about his remarkable life.

This book is about that transience: of animals, of seasons, even of plants. Like our first book, Fear of the Beast combines Elisabeth Sharp McKetta's poetry with Troy Passey's artwork. But this book is entirely its own animal. Unlike the first, it has a specter of a plot-line as we track a beast (or are tracked by one?) through a forest in the snow. In contrast to the restrained lines in our first book, here the poems shake off their harness and grow longer, at times wending a path over several pages. The art and the words play at the blurred line between ordinary and enchanted, how we inadvertently make myths, and how we are all interrupted by life as we never imagined it would be. Fear of the Beast looks at the idea of the animal--both self and other, human and humane--and examines how our collective fear and longing shapes our perceptions. Like any good book about beasts, our book is intended both for children and for adults. Our relationship with animals is complicated, both primal and mythic, whether we are eating animals, keeping animals as pets, or telling stories about animals that we are too afraid to tell of ourselves.

The first book-length collaboration between author Elisabeth Sharp McKetta and artist Troy Passey, Fear of the Deep joins the atmospheric artwork of Passey with thirty poetic fragments by McKetta, resulting in a book on the theme of the ocean and how words become lifeboats. Fear of the Deep is a call to live with courage and beauty in the face of mortality, and for that reason we will donate 10% of proceeds to Suicide Prevention Action Network of Idaho.

In search of a good book? Browne provides rich leads and much wit. Go, shop, read!

"Gabriel Zaid's defense of books is genuinely exhilarating. It is not pious, it is wise; and its wisdom is delivered with extraordinary lucidity and charm. This is how Montaigne would have written about the dizzy and increasingly dolorous age of the Internet. May So Many Books fall into so many hands."—Leon Wieseltier "Reading liberates the reader and transports him from his book to a reading of himself and all of life. It leads him to participate in conversations, and in some cases to arrange them…It could even be said that to publish a book is to insert it into the middle of a conversation."—from So Many Books Join the conversation! In So Many Books, Gabriel Zaid offers his observations on the literary condition: a highly original analysis of the predicament that readers, authors, publishers, booksellers, librarians, and teachers find themselves in today—when there are simply more books than any of us can contemplate. "With cascades of books pouring down on him from every direction, how can the twenty-first-century reader keep his head above water? Gabriel Zaid answers that question in a variety of surprising ways, many of them witty, all of them provocative."—Anne Fadiman, Author of Ex-Libris "A truly original book about books. Destined to be a classic!"—Enrique Krauze, Author of Mexico: Biography of Power, Editor of Letras Libres "Gabriel Zaid's small gem of a book manages to be both delectable and useful, like chocolate fortified with vitamins. His rare blend of wisdom and savvy practical sense should make essential and heartening reading for anyone who cares about the future of books and the life of the mind."—Lynne Sharon Schwartz, Author of Ruined by Reading: A Life in Books "Gabriel Zaid is a marvelously elegant and playful writer—a cosmopolitan critic with sound judgment and a light touch. He is a jewel of Latin American letters, which is no small thing to be. Read him—you'll see."—Paul Berman "'So many books,' a phrase usually muttered with despair, is transformed into an expression of awe and joy by Gabriel Zaid. Arguing that books are the essential part of the great conversation we call culture and civilization, So Many Books reminds us that reading (and, by extension, writing and publishing) is a business, a vanity, a vocation, an avocation, a moral and political act, a hedonistic pursuit, all of the aforementioned, none of the aforementioned, and is often a miracle."—Doug Dutton "Zaid traces the preoccupation with reading back through Dr. Johnson, Seneca, and even the Bible ('Of making many books there is no end'). He emerges as a playful celebrant of literary proliferation, noting that there is a new book published every thirty seconds, and optimistically points out that publishers who moan about low sales 'see as a failure what is actually a blessing: The book business, unlike newspapers, films, or television, is viable on a small scale.' Zaid, who claims to own more than ten thousand books, says he has sometimes thought that 'a chastity glove for authors who can't contain themselves' would be a good idea. Nonetheless, he cheerfully opines that 'the truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more.'"—New Yorker

“Socher is one of the sharpest observers of Jewish America in our times. These essays, tracing a journey from a yeshiva to Oberlin College and from Franz Kafka to Rabbi Kook, are a loving, cutting, whimsical, and wise look at a Jewish moment that he senses might be ending.”—Matti Friedman, author of Spies of No Country: Secret Lives at the Birth of Israel How did Humphrey Bogart end up telling Lauren Bacall a Talmudic story in the film Key Largo, and what does that have to do with Plato’s theory of recollection—or American Jewish assimilation? Precisely what poem of Robert Frost’s inspired Nabokov’s Pale Fire, and how did Walter Benjamin learn about the remarkable stones of Sinai? Abraham Socher wears his learning lightly. These witty and original essays embody the spirit of the liberal arts, but the highlight of this collection may be his devastating account of the illiberal arts at work in Oberlin College, where he taught for eighteen years.

"Intellectual reveling at its finest."—Booklist "A delightful and curious book about borders, boundaries, fences, and lines."—Slate "A thoughtful and entertaining look at the demarcations in our lives."—Times Dispatch After years of crossing borders in search of new birds and new landscapes, Peter Cashwell's exploration of lines between states, between time zones, and between species led him to consider the lines that divide genders, seasons, musical genres, and just about every other aspect of human life. His conclusion: Most had something in common—they were largely imaginary. Nonetheless, Along Those Lines, a tour of the tangled world of delineation, attempts to address how we distinguish right from wrong, life from death, Democrat from Republican—and how the lines between came to be. Part storyteller, part educator, and part wise guy, Cashwell is unafraid to take readers off the beaten path—into the desert vistas of the Four Corners, the breeding ground of an endangered warbler, or the innards of a grand piano. Something amusing and/or insightful awaits at every stop. And he's not alone. The tricks and treats of the human instinct for drawing lines are revealed in interviews with experts of all sorts. Learn about the use of the panel border from a Hugo Award–winning comics creator. Trace the edge of extinction with the rediscoverer of the Ivory-billed Woodpecker. Get the truth about the strike zone from an umpire who holds a degree in physics. You'll begin to see even the most familiar lines in a whole new way. "From music to politics to gender splits, the things that divide us also tell us quite a bit about who we are, and how we got there. You couldn't ask for a better guide than Peter Cashwell, whose eloquent musings on the lines we draw—and sometimes erase—is illuminating, fascinating, and impossible to put down."—Caroline Leavitt "If, as Paul Klee told his students at the Bauhaus, a line is a dot that goes for a 'walk,' then Along Those Lines is a beguiling and personal treasury of dots on hikes, treks, and walkabouts. To accept this invitation to meander through the author's territory of boundaries, borders, definitions, demarcations, and delineations is to be rewarded with surprising answers to questions you didn't know you had until now, about everything under the sun, from strike zones, musical genres, and Gerrymandering to birding, gender, and how different religions define the lines between right and wrong. Peter Cashwell's appreciation of the boundaries that create our world is a pure delight." —Katharine Weber "As if by magic, Cashwell gives us the power to see the invisible lines we live by and—perhaps more importantly—the permission to smudge, erase, dissolve, or redraw the lines that don’t serve us well. Along Those Lines is an imaginative and well-researched book full of Cashwell's trademark imagination and humor.* Even the most edgy, rule-bound readers will come away enlightened and liberated. [*His footnotes alone could open Saturday Night Live.]"—Maria Mudd Ruth "Peter Cashwell has written a brilliant, mind-bending saga of delineation as a supreme act of imagination, as a noble and often comic attempt to confine the raggedy universe within a geometer’s desperate dreams of precision."—Will Blythe

“In this wonderful collection of essays, Mark Jarman explores with wit and passion the practice of poetry―of making it, of reading it, of living it. In his vivid analyses of works by Brooks, Boisseau, Donne, Herbert, Rukeyser and Twichell, among others, he explores how the poems and their authors negotiate time and mortality, faith and devotion. He also offers an intimate examination of his own gorgeous work and how it comes onto the page. A delight for readers and writers of poetry.”―Margot Livesey, author of The Flight of Gemma Hardy and Mercury The essays in Dailiness are about how a poet makes a poem. For Mark Jarman a poem results from a deliberate and conscious act. He is especially interested in the way human consciousness connects devotional prayer to poetry. In these essays he considers poems written millennia apart―from Gilgamesh to George Herbert’s work, from the poems of Robert Frost to those of Seamus Heaney, to his own recently-written poems and those of his contemporaries. As the poems celebrate the work of daily creation, they possess a religious aspect. In Dailiness Jarman sheds light on how poems accomplish this work. "An uplifting way to think about writing daily."―Chapter 16 "In 'Days' Philip Larkin writes, 'Where can we live but days?' Mark Jarman might reply, 'Where can we write but days?' Dailiness conjures up the quotidian, the everyday, the workaday, but also an elevated awareness of the present as we are in it mid-stream, and poetry as (in Auden’s words) 'a way of happening.' In these thoughtful and thought-provoking essays on the art and craft of poetry, from pronoun to metaphor, Herbert to Heaney, repetition to translation, Jarman rings the changes on 'dailiness,' calling us back to attention, writing as devotion."―A. E. Stallings, author of Like "A deep and wide-ranging knowledge/appreciation of poetry and the tradition―how the values and craft of poetry apply practically―are the foundation of Dailiness. Yet this is not a handbook or an academic study; rather, it is a true, personal, and entirely accessible account detailing how care, attention, and thoughtfulness lead to meaning. From the Metaphysicals to the Moderns and contemporary poets, from plays to pop lyrics, this is a devotional book―in both the vocational and spiritual sense of that word―by a master of the art, illustrating the ways in which poetry celebrates and illuminates being as an act of consciousness, and, moreover, how the making and understanding of poems are relevant to our lives in the moment, and perhaps in a life to come."―Christopher Buckley, author of Star Journal and Cruising State "'Daily life is the native country where we feel at home,' writes Mark Jarman in this elegant book. If we think of elegance in its root sense as selection and choice, we can find beauty in deliberation, 'the hours in the practice room' or 'at the desk.' Jarman’s elegant essays strike out profoundly from subjects like Gilgamesh and The Aeneid to the best devotional poetry and contemporary practice. This is a book to live with as much as to read. It will keep you coming back."―David Mason, author of Ludlow and Voices, Places