A ravishing collection by Louise Glück, winner of the Nobel Prize in Literature Averno is a small crater lake in southern , regarded by the ancient Romans as the entrance to the underworld. That place gives its name to Louise Glück's eleventh collection: in a landscape turned irretrievably to winter, it is the only source of heat and light, a gate or passageway that invites traffic between worlds while at the same time opposing their reconciliation. Averno is an extended lamentation, its long, restless poems no less spellbinding for being without plot or hope, no less ravishing for being savage, grief-stricken. What Averno provides is not a map to a point of arrival or departure, but a diagram of where we are, the harrowing, enduring presence. Averno is a 2006 National Book Award Finalist for Poetry.

He was a Master in Arts Magical, but not yet Incantor et Magus Now Vergil Magus, the powerful sorcerer-poet, returns in the long-awaited prequel to Avram Davidson’s bestselling novel of fable and magic, The Phoenix and the Mirror. Here, Vergil’s extraordinary adventures begin as he journeys into the hideous heart of evil and darkness . . . Enter the Very Rich City of Averno and discover a place on untold riches and untamed lusts, of orgies and drunken revelries, of madness and human corruption. Here is a decaying metropolis of wizards and warlocks, where old crones spin webs of cruelty and deceit, and hell lurks in a labyrinth of underworld caves. Vergil has come to Averno to uncover the secret of its eternal fires, the very center of its wealth and prominence. But as he explores the inner sancta of this ancient and heartless inferno, he finds, too, the fiery bed of Poppaea, the beautiful wife of the city’s most influential Magnates. With this forbidden pleasure comes forbidden knowledge, and Vergil is drawn into a web of intrigue that threatens to turn the terrible power of Averno against him. For centuries, the lords of the city have thrived on the bloody sacrifice of their own people. Now they are determined to add one more name to the scrolls of Averno’s dead . . . and to cast Vergil, now an outlaw, into the burning pits of the dying empire.

A romantic adventure set in South Africa.

Learn to use Latin in any important discussion with advice from sage Romans.olitics, love, women and relationships are all commented upon with wit.uthors include Caesar, Gaius Julius 100-44 BC, Cicero, Marcus Tullius 106-43C, and Horatius Flaccus, Quintus 239-169 BC.

Typescript, dated Rehearsal Draft April 7, 2018. Without music. Unmarked typescript of a musical that opened April 8, 2018, at the August Wilson Theatre, New York, N.Y., directed by Casy Nicholaw.

Winner of the Nobel Prize in Literature In Vita Nova, Pulitzer-Prize winning poet Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that shape and thwart it Since Ararat in 1990, Louise Glück has been exploring a form that is, according to the poet, Robert Hass, her invention. Vita Nova--like its immediate predecessors, a booklength sequence--combines the ecstatic utterance of The Wild Iris with the worldly dramas elaborated in Meadowlands. Vita Nova is a book that exists in the long moment of spring: a book of deaths and beginnings, resignation and hope; brutal, luminous, and far-seeing. Like late Yeats, Vita Nova dares large statement. By turns stern interlocutor and ardent novitiate, Glück compasses the essential human paradox. In Vita Nova, Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that thwart and shape it.