Eden Waring is an Avatar, possessing astounding psychic abilities . . . and destined to fight an ancient evil. Her battles against Mordaunt, the ageless Dark Side of God, have been many, but the war is far from over. She destroyed Mordaunt's human body in the deserts of Las Vegas, but his many followers still walk the Earth. They vow to resurrect their Master and exact vengeance upon Eden in a melee of magic and violence. As Eden fights for her life, her doppelganger, Gwen, separates from Eden to fight the battle on another front. In another dimension, the other half of Mordaunt's soul hides within a man living in Jubilation County, Georgia – in the year 1926. To keep Mordaunt powerless, Gwen must travel back in time, but finds that awaiting her arrival is a vicious entity known as Delilah. The epic story that began with The Fury reaches its electrifying conclusion, as unsuspecting worlds merge on the cusp of an age of darkness--a force only one woman, across a vast span of time and space, can stop. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Hailed as "a feast" (Washington Post) and "a modern-day bestiary" (The New Yorker), Stephen Asma's On Monsters is a wide-ranging cultural and conceptual history of monsters--how they have evolved over time, what functions they have served for us, and what shapes they are likely to take in the future. Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs of tomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravels traditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

One of the founding documents of Western culture and the only surviving ancient Greek trilogy, the Oresteia of Aeschylus is one of the great tragedies of all time. The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his daughter Iphigeneia to secure divine favor. After Iphi-geneia’s mother, Clytemnestra, kills her husband in revenge, she in turn is murdered by their son Orestes with his sister Electra’s encouragement. Orestes is pursued by the Furies and put on trial, his fate decided by the goddess Athena. Far more than the story of murder and ven-geance in the royal house of Atreus, the Oresteia serves as a dramatic parable of the evolution of justice and civilization that is still powerful after 2,500 years. The trilogy is presented here in George Thomson’s classic translation, renowned for its fidelity to the rhythms and richness of the original Greek.

The resonant opening lines of Virgil's Aeneid rank among the most famous and consistently recited verses to have been passed down to later ages by antiquity. And after The Odyssey and the Iliad, Virgil's masterpiece is arguably the greatest classical text in the whole of Western literature. This sinuous and richly characterised epic vitally influenced th poetry of Dante, Petrarch and Milton. The doomed love of Dido and Aeneas inspired Purcell, while for T.S. Eliot Virgil's poem was 'the classic of all Europe'. The poet's stirring tale of a refugee Trojan prince, 'torn from Libyan waves' to found a new homeland in Italy, has provided much fertile material for writings on colonialism and for discourses of ethic and national identity. The Aeneid has even been viewed as a template and source of justification for British and European imperialisms and for American nation-building. In his major and much anticipated new book Philip Hardie explores the many remarkable afterlives- ancient, medieval and modern- of the Aeneid in literature, music, politics, the visual arts and film. The Last Trojan Hero, by one of Virgil's leading interpreters, put continually fresh and surprising perspectives on one of the outstanding works of civilization. Placing the Aeneid on a broad artistic and historical canvas, it shows with elegance, originality and creative insight how and in what ways this remarkably durable text continues so powerfully to capture the cultural imagination and why it still speaks to us over a gulf of centuries.

View our feature on Kasey Mackenzie’s Red Hot Fury. Introducing a sizzling new urban fantasy series featuring Marissa Holloway, an immortal Fury who doesn't just get mad...she gets even. As a Fury, Marissa Holloway belongs to an Arcane race that has avenged wrongdoing since time immemorial. As Boston's chief magical investigator for the past five years, she's doing what she was born to do: solve supernatural crimes. But Riss's investigation into a dead sister Fury leads to her being inexplicably suspended from her job. And to uncover the truth behind this cover-up, she'll have to turn to her shape-shifting Warhound ex for help.

This volume provides a new critical text, translation, and exhaustive commentary on one of Virgil’s most famous books.