The Historical Dictionary of the Philippines, Third Edition contains a chronology, an introductory essay, an extensive bibliography, and several hundred cross-referenced dictionary entries.

Vols. 41, no. 11-v. 42, no. 5 include Space digest, v. 1-2, no. 5, Nov. 1958-May 1959.

In this innovative resource guide, Thomas P. Walsh has compiled a unique collection of some 1,400 published and unpublished American musical compositions relating in some way to the Philippines during the American colonial era in the country from 1898 to 1946. In preparing the guide, Walsh surveyed a wide array of sources: published songs listed in WorldCat, the online catalogs of sheet music collections of university libraries and major public and private research libraries, bibliographic compilations of popular music, the periodical literature on music and popular culture, published collections of “soldier songs,” and sheet music listed for sale on commercial auction websites. In addition, for the first time in the preparation of a research bibliography, the guide also identifies, from song registrations in the US Copyright Office’s Catalog of Copyright Entries (CCE), 48 years of musical compositions relating to the Philippines. In systematically going through the CCE, year by year, Walsh discovered hundreds of unpublished songs written by average Americans expressing their varied views about historical events and their personal experiences relating to America’s distant colony in Southeast Asia. Of the 1,400 chronologically-listed songs included in the guide, most will be new materials for scholars and students alike to study. Songs like “Ma Little Cebu Maid,” “My Own Manila Sue,” “My Fillipino Belle,” “Down on the Philippine Isles,” “Beside the Pasig River,” “My Philippino Pearl,” and “I Want a Filipino Man” were all published and widely promoted by Tin Pan Alley and were performed on stage and listened to at home on records and piano rolls across America. The lyrics often illustrate popular American attitudes, from shrilly patriotic numbers about the Battle of Manila Bay and, later, the Fall of Bataan and Corregidor to wistful, romantic, and even charming reminiscences of happy days spent in “old” Manila to racially charged pieces rife with deprecating stereotypes of Filipinos. This guide reprints a number of these hard-to-find song lyrics, making them available to readers for the first time in over a century. In addition to including the lyrics to a number of the songs, the guide also provides copyright registration numbers and dates of registration for many of the published and unpublished songs. Also provided are some 700 “notes” on particular songs and over 750 links that provide direct access to bibliographic records or even digital copies of the sheet music in libraries and collections. Exhaustive in its scope, Tin Pan Alley and the Philippines is an invaluable research resource for scholars and students of American history, Pacific studies, popular culture, and ethnomusicology.

A full account of the Luzon campaign, from the planning stages to the surrender of the Japanese general Yamashita. The Luzon campaign of 1945 was the longest island campaign of the Pacific War, lasting from January 1945 to September 1945, and only ended with the surrender of Imperial Japan. It is often overlooked or mentioned in passing by most histories of that war, yet hundreds of thousands of Americans and Japanese fought in some of the worst conditions imaginable for eight months to clear Luzon of the invaders. This full account of the Luzon campaign stretches from planning stages to the end of the war and the surrender of over 50,000 Japanese troops under the noted Japanese general Yamashita. The landings at Lingayen Gulf, the Battle for Manila and the recapture of Corregidor are all included, as well as lesser-known battles for the summer capital of Baguio, the battle for Manila's water supply, constant jungle fighting, the raids to rescue Allied POWs, the recapture of Bataan, destruction of the only Japanese armored division to fight in the Pacific, American parachute drops on Corregidor and Aparri, and much more. Individual acts of heroism are highlighted as are the interactions among the senior commanders involved, including General MacArthur, General Krueger (6th Army) and General Eichelberger (8th Army). The book ends with the surrender of Imperial Japan and the end of the Luzon Campaign in September 1945.

A new narrative and analytic history of the twenty U.S. Army divisions that fought in the Pacific War. Despite the prevailing view that the Marine Corps bore the brunt of the fighting in the Pacific War, the men of the US Army played a decisive role in the conflict. Indeed, GIs did most of the war’s heavy lifting on the ground by conducting more amphibious assaults and prosecuting more operations than the Marines. By the end of the war there were 1.77 million U.S. Army troops in the Pacific and Asia, compared to the USMC’s 484,000. The Pacific was as much the Army’s war as the fighting in the European theater. The U.S. Army deployed twenty combat divisions to fight in the Pacific, including famous ones such as the 1st Cavalry Division and the 25th “Tropic Lightning” Division. Most were infantry, and included Regular, National Guard and draftee divisions. The divisions were deployed and maneuvered by theater, field army, and corps commanders around the Pacific’s geostrategic chessboard to battle and defeat the Japanese. The Army may have wanted its divisions to be interchangeable and uniform, but this proved impossible. Their quality and performance depended upon their resources, the geography and terrain on which they fought, experience, leadership, and organizational culture. Historians, though, have made little effort to examine their records in a systematic way before now. In addition, almost all of the Army’s divisions, some after admittedly rocky starts, became units capable of winning their engagements. Indeed, not a single Army division fighting the Japanese during the American counteroffensive across the Pacific was completely destroyed in combat. Whatever problems these divisions faced tended to grow out of the society that produced them, not fundamental flaws in Army doctrine. This is a tribute to the Army as a whole and to the twenty divisions that the Army deployed against the Japanese. This new history uses a narrative approach to describe and analyze each division's history, characteristics, and battles during the conflict, concluding with an assessment of their battlefield records, taking into account the innumerable factors affecting their combat performance.