In a post-apocalyptic future, four teenagers, created by mythological gods and goddesses to be pawns in a game, prove once more to be unpredictable as they battle in Africa and wander through the underworlds.

The conclusion to the bestselling Heroes of Phlan series: The son of Shal and Tarl sets off on a quest for the missing Warhammer of Tyr The holy hammer of the Church of Tyr was captured by the evil god Bane and his dark minion, Hammerwarder, two decades ago. When Bane was destroyed, the relic vanished. The legacy of recovering the lost item was granted to a young paladin just before his birth: Kern Desanea, the son of Phlan’s two great heroes and spellcasters, Shal and Tarl. Now, the young warrior must fulfill his destiny, find the Warhammer, and return it to the forces of good in the land of the Moonsea. Danger, deception, and loyal friends will accompany him on his fateful journey—a journey that will lead him to the ultimate pool.

In the thrilling conclusion to the Avatars trilogy, avatars all over the world search for an end to the battle between the gods.

For centuries the Chinese referred to their fiction as xiaoshuo, etymologically meaning roadside gossip or small talk, and held it in relative disregard.

After her mother's mysterious death, a young woman is summoned to the floating city of Sky in order to claim a royal inheritance she never knew existed in the first book in this award-winning fantasy trilogy from the NYT bestselling author of The Fifth Season. Yeine Darr is an outcast from the barbarian north. But when her mother dies under mysterious circumstances, she is summoned to the majestic city of Sky. There, to her shock, Yeine is named an heiress to the king. But the throne of the Hundred Thousand Kingdoms is not easily won, and Yeine is thrust into a vicious power struggle with cousins she never knew she had. As she fights for her life, she draws ever closer to the secrets of her mother's death and her family's bloody history. With the fate of the world hanging in the balance, Yeine will learn how perilous it can be when love and hate -- and gods and mortals -- are bound inseparably together.

In the explosive finale to the epic romantic saga, Bella has one final choice to make. Should she stay mortal and strengthen her connection to the werewolves, or leave it all behind to become a vampire? When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved? To be irrevocably in love with a vampire is both fantasy and nightmare woven into a dangerously heightened reality for Bella Swan. Pulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs. This astonishing, breathlessly anticipated conclusion to the Twilight Saga illuminates the secrets and mysteries of this spellbinding romantic epic. It's here! #1 bestselling author Stephenie Meyer makes a triumphant return to the world of Twilight with the highly anticipated companion, Midnight Sun: the iconic love story of Bella and Edward told from the vampire's point of view. "People do not want to just read Meyer's books; they want to climb inside them and live there." -- Time "A literary phenomenon." -- The New York Times

A whirlwind of adventure, romance, conspiracy and the struggle to stay alive in a dystopian world where nothing is as it seems.

This Spiritual Book Named "AMRIT VELA SACH NAAO'' came into Existence After Completion of My Earlier Books, which were Completed and Published in USA, after a Great Resistance Caused by the Most Corrupt Invisible Demonic Beings and Entities of the Universe, known by ''Various Titles and Names'' in All Languages, Faiths, and Cultures, who are Illegally Present in this Physical World and also Deceitfully Controlling the 3 Dimensional Planes of this Planet Earth Against the ESTABLISHED EVOLUTIONARY ORDER [HUKAM] of the TRUE SUPREME LORD GOD [SACHA SAHIB], which are Collectively Known as the THREE DIMENSIONAL WORLDS, or in SANSKRIT as ''TRILOKA'' or ''TARIBHAVAN'' in PUNJABI, and these 3 Dimensional Planes Collectively Exist as an Important Part of the ''COSMIC SEGMENT OF RIGHTEOUSNESS'' IN THE INFINITE UNIVERSE, Known to Exalted Conscious SEERS and SAGES as the ''DHARAM KHANDD''.

This Spiritual Book Named "AMRIT VELA SACH NAAO'' came into Existence After Completion of My Earlier Books, which were Completed and Published in USA, after a Great Resistance Caused by the Most Corrupt Invisible Demonic Beings and Entities of the Universe, known by ''Various Titles and Names'' in All Languages, Faiths, and Cultures, who are Illegally Present in this Physical World and also Deceitfully Controlling the 3 Dimensional Planes of this Planet Earth Against the ESTABLISHED EVOLUTIONARY ORDER [HUKAM] of the TRUE SUPREME LORD GOD [SACHA SAHIB], which are Collectively Known as the THREE DIMENSIONAL WORLDS, or in SANSKRIT as ''TRILOKA'' or ''TARIBHAVAN'' in PUNJABI, and these 3 Dimensional Planes Collectively Exist as an Important Part of the ''COSMIC SEGMENT OF RIGHTEOUSNESS'' IN THE INFINITE UNIVERSE, Known to Exalted Conscious SEERS and SAGES as the ''DHARAM KHANDD'.

From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children’s literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children’s literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children’s literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children’s literature. This collection examines the early intersection of the Gothic and children’s literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children’s literature for as long as children have been reading.