The metaphysical outrage and indignation contained within these verses, for the most part formal yet seething with fury, has its only parallel in Wilfred Owen's terrible indictments of the first Great War. There is a significant difference, however. The poet's torment is expressed in the face of God and His Creation and not simply humankind's personal handiwork. The lure of Swartz's "Hothouse" is how dangerously it verges on disintegration and madness. The trial, simply stated, is why, a boundless WHY? hurled into abyss. Only more fearful is the implied silence, the calculated indifference of the answer. The four long poems comprising Part Two are a lull in the rage of the opening section. The poet, while certainly not at ease with his Maker's universe, attempts, even, to entertain, while having his own private jokes with Bard Himself. Part Three includes two representative dramatic poems. The first, "Last Supper," depicts the final moments of Christopher Marlowe, the second, "The Hitler Sonata," those of Adolf Hitler, a disturbing, powerful read. If Plath confronted demons in her brilliant final anguish, the author of THESE skillful, wrenching poems assails the very source of them. One cannot leave this book behind.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.