Autores al borde de un ataque de nervios es una profunda investigación sobre el concepto del hipertexto aplicado a la literatura y al nuevo concepto de sociedad de la información. Este trabajo fue desarrollado supervisado por profesores de la Universidad de Alicante bajo los más estrictos paradigmas de investigación.

Disability Studies and Spanish Culture is the first book to apply the tenets of disability studies—in particular the study of mental disabilities—to Spanish cultural contexts, offering an assessment of disability as it is engaged by Spanish films, novels, comics, and other artworks. Innovatively bringing disability theory into dialogue with film and literary analysis, Benjamin Fraser shows how formal aspects of art and media in Spain highlight, frame, inform, and are informed by contemporary disability legislation there, as well as by disability advocacy, cultural perception, and social integration. By using the specific context of Spanish culture, he outlines broader shifts in social attitudes and theoretical understandings of disability.

Audiences never have a lukewarm opinion of a Subiela film. They either love it passionately or hate it profoundly. That Eliseo Subiela (Buenos Aires, 1944-2016), an original and sensitive thinker, survived, and indeed throve in economically challenged Argentina while garnering more accolades abroad than in his own country, is a tribute to his grit, intelligence, imagination and persistence of vision. With an astounding list of prizes and honors, he was a world-class auteur. Even when he was making a TV commercial, his surreal style and poetic sensibility were unmistakable. This book represents the culmination of 20 years of research and personal correspondence with Eliseo Subiela. Through ten scholarly studies and five interviews, it sheds light on his life, esthetics, obsessions, struggles with madness, and, of course, his films. It addresses his earlier career in advertising, lifelong artistic influences, screenwriting techniques, critical reactions to his films, and what Subiela's example has to offer aspiring filmmakers, especially those in Latin America.

Contemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies.

Cinema for Spanish Conversation, Fourth Edition, engages students in Spanish-language study through the use of feature films from across the Spanish-speaking world. Sixteen films, four new to this edition, motivates students in conversation, writing, and listening skills in addition to providing them with a broad and real-world experience with the culture of the Spanish-speaking world. New to the Fourth Edition: Four new critically-acclaimed films, including the groundbreaking documentary Presunto culpable (2008) about the Mexican criminal justice system and the Oscar-nominated No (2012) about the 1988 Chilean national referendum on Pinochet’s presidency Updated information about each film, its actors, and directors Color screen shots of the characters in the film to help students remember who’s who and to help them discuss the actions and qualities of the characters A new section of questions (Opiniones) at the end of each chapter that ask students for their opinions on themes related to the film, sometimes on controversial ones, in order to facilitate active conversation A filmography appendix, which provides a list of additional films for each chapter that have similar themes or are from the same region

An updated edition of The Pedro Almodóvar Archives, offering inside access to the cult Spanish director who beguiles audiences worldwide with his thrilling dissertations on desire, passion, and identity. With behind-the-scenes pictures and personal reminiscences, Almodóvar himself guides the reader through his singular journey from its early...

First Published in 1994. Look Who's Laughing belies the notion that in a joke the only place for a woman is in the butt, Rather than analysing women's humor in isolation, Gail Finney and twenty scholars map the terrain that the genders share and the areas that each hold exclusively. Their essays investigate witty heroines, sexual parodies, domestic humor and romantic power. They focus on comic drama and fiction, stand-up comedy, cartoons, and film describing the roles gender has played in the creation, reception and interpretation of comedy from the sixteenth century to present. They consider works by Shakespeare, Oscar Wilde, Zora Neale Hurston and Virginia Woolf, whilst discussing characters such as V.I. Warshawski, Molly Bloom and Elizabeth Bennet. The book's emphasis on comedy's diverse sources uncovers critical prejudices and defines new contexts enabling men and women to understand more about each other's attitudes towards humor, its means and ends.