Named the "Best First Book of the Year" by Coldfront Magazine, and short-listed for the Yale Younger Poets Award, the National Poetry Series, and the Academy of American Poets' Walt Whitman Award, this debut collection of poetry by Joe Pan marks the beginning of a promising career, "with language that is striking," one reviewer puts it, "nearly perfect."

The poetry of Chris Cook is evidence of a fine mind at work, a collection of poems that never settles for the obvious. His work probes the apathy and alienation of his generation, wielding poetics like a cudgel to extract the essential from the incoherence of pop culture vapidity that we have accepted as our metaphor. Startlingly honest, unafraid of humor, these poems force you to sit down and take notice. -Cheeni Rao

Named the Best First Book of poems for the year, this collection by Joe Pan was short-listed for the Yale Younger Poets prize, the National Poetry Series, and the Academy of American Poets Walt Whitman Award, offering its readers a 'language [that] is striking nearly perfect.' Joe grew up along the Space Coast of Florida and attended the Iowa Writers Workshop. He lives in Brooklyn, New York.

The stories in Igifu summon phantom memories of Rwanda and radiate with the fierce ache of a survivor. From the National Book Award finalist who Zadie Smith says, "rescues a million souls from the collective noun genocide." Scholastique Mukasonga's autobiographical stories rend a glorious Rwanda from the obliterating force of recent history, conjuring the noble cows of her home or the dew-swollen grass they graze on. In the title story, five-year-old Colomba tells of a merciless overlord, hunger or igifu, gnawing away at her belly. She searches for sap at the bud of a flower, scraps of sweet potato at the foot of her parent's bed, or a few grains of sorghum in the floor sweepings. Igifu becomes a dizzying hole in her stomach, a plunging abyss into which she falls. In a desperate act of preservation, Colomba's mother gathers enough sorghum to whip up a nourishing porridge, bringing Colomba back to life. This elixir courses through each story, a balm to soothe the pains of those so ferociously fighting for survival. Her writing eclipses the great gaps of time and memory; in one scene she is a child sitting squat with a jug of sweet, frothy milk and in another she is an exiled teacher, writing down lists of her dead. As in all her work, Scholastique sits up with them, her witty and beaming beloved.

#1 NEW YORK TIMES BESTSELLER • The former First Lady, author of Becoming, and producer and star of Waffles + Mochi tells the inspirational story of the White House Kitchen Garden and how gardens can transform our lives and the health of our communities. Early in her tenure as First Lady, despite being a novice gardener, Michelle Obama planted a kitchen garden on the White House’s South Lawn. To her delight, she watched as fresh vegetables, fruit, and herbs sprouted from the ground. Soon the White House Kitchen Garden inspired a new conversation all across the country about the food we feed our families and the impact it has on the nutrition and well-being of our children. In American Grown, Mrs. Obama invites you inside the White House Kitchen Garden, from the first planting to the satisfaction of the seasonal harvest. She reveals her early worries and struggles—would the new plants even grow?—and her joy as lettuce, corn, tomatoes, collards and kale, sweet potatoes and rhubarb flourished in the freshly tilled soil. She shares the stories of other gardens that have moved and inspired her on her journey across the nation. And she offers what she learned about planting your own backyard, school, or community garden. American Grown features: • a behind-the-scenes look at every season of the garden’s growth • unique recipes created by White House chefs • striking original photographs that bring the White House garden to life • a fascinating history of community gardens in the United States From a modern-day vegetable truck that brings fresh produce to underserved communities in Chicago, to Houston office workers who make the sidewalk bloom, to a New York City school that created a scented garden for the visually impaired, to a garden in Winston-Salem, North Carolina, that devotes its entire harvest to those less fortunate, American Grown isn’t just the story of a single garden. It’s a celebration of the bounty of our nation and a reminder of what we can all grow together.

“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today

“This debut novel about an Irish expat millennial teaching English and finding romance in Hong Kong is half Sally Rooney love triangle, half glitzy Crazy Rich Asians high living—and guaranteed to please.” —Vogue A RECOMMENDED BOOK FROM: The New York Times Book Review * Vogue * TIME * Marie Claire * Elle * O, the Oprah Magazine * The Washington Post * Esquire * Harper's Bazaar * Bustle * PopSugar * Refinery 29 * LitHub * Debutiful An intimate, bracingly intelligent debut novel about a millennial Irish expat who becomes entangled in a love triangle with a male banker and a female lawyer Ava, newly arrived in Hong Kong from Dublin, spends her days teaching English to rich children. Julian is a banker. A banker who likes to spend money on Ava, to have sex and discuss fluctuating currencies with her. But when she asks whether he loves her, he cannot say more than "I like you a great deal." Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her. And then Julian writes to tell Ava he is coming back to Hong Kong... Should Ava return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith? Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.

Inspired by her mother's ancestry and described by Brimhall as "autobiomythography," Saudade explores the myths within an Amazon River town.

Poetry. In her highly anticipated debut collection, FORT NOT, Emily Skillings creates an "atmosphere for encounter," akin to searching for meaning through lip-reading. We soon realize that these poems are speaking to us in tones that appear elegantly improvisational. And while the poems may "shout from the periphery," it is not without reason, but because of their desire to direct the reader to a created space--a world that allows for "curved logic," "that dirty, off-gold color," "middle-class nausea," and "metallic power" to coexist. The mysteries here embrace a natural, physical music, pulling us into a moving current of painted images, poetic histories, and draped bodies evaporating to reveal others behind them, as quickly as they appear. "Although her language sometimes suggests she is from another planet, Emily Skillings knows how history happens on ours: 'There was a history there of men overtaking and rebuilding and casting to ruin, then drawing up new plans, beginning anew, hesitating, revising only to tear down and build again, and always slightly off-center.' This is about as normal as things get in this staggeringly beautiful, wildly offkilter account of daily life, or in Auden's words, 'A way of happening, a mouth.' Whatever. FORT NOT is a savagely brilliant debut."--John Ashbery "Emily Skillings' beauteous first book is an instruction manual on how to live your life. What is a book when it's a blush? A dropdown etiquette c/o flowers and a way to teach yourself: how to backchannel your garden, how to be a matron of no, how to wipe your dirt on other people, how to talk nice to the Holland Tunnel, how to shake in Carpet Town, how to make your sinuses more operatic, how to surrender a glacier. With each lesson, FORT NOT brushes back our inhibitions and dismantles our intentions."--Tan Lin "Emily Skillings throws you a lot of curves and I like that. Her poems are actually pretty dense and then suddenly she shifts (knowingly) into a radiant simplicity. I love her trembling, and though she asks 'is trembling / always bad?' it's clear she knows it's not. Emily's just trying to make us watch better. I love this poet's compulsive sense of risk, her sense of humor. I love her dread. I love her love of detail. Her revulsion. So finally, basing this opinion on my exploration of this one writer, I'll say that bitches are smart. Emily Skillings is very special. I'll keep reading her."--Eileen Myles