The Son’s Book of the Father, as Richard Freadman termed it, is a rich field of relational autobiography, offering a unique set of tensions and insights into modes of masculinity, notions of identity and the ethics of representing another’s life in writing one’s own. This study of modern Australian life writing by sons who focus on fathers places an emerging sub-genre within its literary ancestry and its contemporary milieu. Providing compelling readings of Raimond Gaita’s ‘Romulus, My Father’, Peter Rose’s ‘Rose Boys’ and many others, this is the first study of its kind within Australian literature.

In the age of social media, life writing is ubiquitous. But if life writing is now almost universal—engaged with on our phones; reported in our news; the generator of capital, no less—then what are the limits of life writing? Where does it begin and end? Do we live in a culture of life writing that has no limits? Life writing—as both a practice and a scholarly discipline—is itself markedly concerned with limits: the limits of literature, of genres, of history, of social protocols, of personal experience and forms of identity, and of memory. By attending to limits, border cases, hybridity, generic complexities, formal ambiguities, and extra-literary expressions of life writing, The Limits of Life Writing offers new insights into the nature of auto/biographical writing in contemporary culture. The contributions to this book deal with subjects and forms of life writing that test the limits of identity and the tradition of life writing. The liminal case studies explored include magical-realist fiction, graphic memoir, confessional poetry, and personal blogs. They also explore the ethical limits of representation found in Holocaust life writing, the importance of ficto-critical memoir as a form of resistance for trans writers, and the use of ‘postmemoir’ to navigate the traumas of diasporic experience. In addition, The Limits of Life Writing goes beyond the conventional limits of life writing scholarship to consider how writers themselves experience limits in the creation of life writing, offering a work of life writing that is itself concerned with charting the limits of auto/biographical expression. This book was originally published as a special issue of Life Writing.

Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.

Includes bibliographical references (pages 330-331) and index.

The Son’s Book of the Father, as Richard Freadman termed it, is a rich field of relational autobiography, offering a unique set of tensions and insights into modes of masculinity, notions of identity and the ethics of representing another’s life in writing one’s own. This study of modern Australian life writing by sons who focus on fathers places an emerging sub-genre within its literary ancestry and its contemporary milieu. Providing compelling readings of Raimond Gaita’s ‘Romulus, My Father’, Peter Rose’s ‘Rose Boys’ and many others, this is the first study of its kind within Australian literature.

The argument has been made that memoir reflects and augments the narcissistic tendencies of our neo-liberal age. The Literature of Remembering: Tracing the Limits of Memoir challenges and dismantles that assumption. Focusing on the history, theory and practice of memoir writing, editors Bunty Avieson, Fiona Giles and Sue Joseph provide a thorough and cutting-edge examination of memoir through the lenses of ethics, practice and innovation. By investigating memoir across cultural boundaries, in its various guises, and tracing its limits, the editors convincingly demonstrate the plurality of ways in which memoir is helping us make sense of who we are, who we were and the influences that shape us along the way.

I Am No One You Know contains nineteen startling stories that bear witness to the remarkably varied lives of Americans of our time. In "Fire," a troubled young wife discovers a rare, radiant happiness in an adulterous relationship. In "Curly Red," a girl makes a decision to reveal a family secret, and changes her life irrevocably. In "The Girl with the Blackened Eye," selected for The Best American Mystery Stories 2001, a girl pushed to an even greater extreme of courage and desperation manages to survive her abduction by a serial killer. And in "Three Girls," two adventuresome NYU undergraduates seal their secret love by following, and protecting, Marilyn Monroe in disguise at Strand Used Books on a snowy evening in 1956. These vividly rendered portraits of women, men, and children testify to Oates's compassion for the mysterious and luminous resources of the human spirit.

This book explores the different perspectives and historical moments of nationalism in Cyprus. It does this by looking at nationalism as a form of identity, as a form of ideology, and as a form of politics. The fifteen contributors to this book are scholars of different scientific backgrounds and present Cypriot nationalisms from an interdisciplinary framework, including approaches such as history, political science, psychology, and gender studies. The chapters take a historical approach to nationalism and argue that the world of nations, ethnic identity, and national ideology are neither eternal, nor ahistorical nor primordial, but are rather socially constructed and function within particular historical and social contexts. As a land that was, and still is, marked by opposed nationalisms – that is, Greek and Turkish – Cyprus constitutes a fertile ground for examining the history, the dynamics, and the dialectics of nationalism.

Robert Rose was a promising cricketer and footballer in the mould of his father, Bob, Collingwood's greatest player. Robert's brother, Peter, was on the way to a literary career as a poet and later a publisher. On St Valentine's Day in 1974 a terrible car accident changed the Roses forever. For the next quarter century Robert Rose lived as a quadriplegic. Rose Boys is Peter Rose's portrait of his brother. It is a heartbreaking account of a family united and ravaged by misfortune: a story of love, courage and endurance. This bestselling memoir comes with a new introduction by Brian Matthews. Peter Rose grew up in Wangaratta, Victoria, and is principally known as a poet and memoirist. His first book of poetry, The House of Vitriol, appeared in 1990. His fifth collection, Crimson Crop, won a Queensland Literary Award in 2012. In 2001 he published a family memoir, Rose Boys, about his late brother Robert, who was an outstanding sportsman before a car accident left him a quadriplegic. Rose Boys was a bestseller and won the 2003 National Biography Award. Rose is also the author of two novels, A Case of Knives (2005) and Roddy Parr (2010). He has twice edited the annual anthology The Best Australian Poems and is a frequent reviewer; his literary journalism has appeared in many publications. Throughout the 1990s he was a publisher at Oxford University Press. Since 2001 he has been editor of Australian Book Review. 'A book of immense emotional force that is a eulogy to his brother, a tribute to his parents and a powerful demonstration of the redemptive quality of suffering.' Meanjin 'A deeply felt, passionately uplifting story.' Weekend Australian 'A deep family story of suffering, love and passionate devotion, richly and freshly told.' Helen Garner 'Rose Boys is an intimate and moving - though never maudlin - story of familial love...often simple, sometimes rich and lyrical, and always cliche free.' Time 'I'm not sure when I last came across someone who has written so powerfully about death.' Martin Flanagan, Age

The Life and Miracles of Thekla offers a unique view on the reception of classical and early Christian literature in Late Antiquity. This study examines the Life and Miracles as an intricate example of Greek writing and attempts to situate the work amidst a wealth of similar literary forms from the classical world. The first half of the Life and Miracles is an erudite paraphrase of the famous second-century Acts of Paul and Thekla. The second half is a collection of forty-six miracles that Thekla worked before and during the composition of the collection. This study represents a detailed investigation into the literary character of this ambitious Greek work from Late Antiquity.