W. G. Sebald’s celebrated masterpiece, “one of the supreme works of art of our time” (The Guardian), follows a man’s search for the answer to his life’s central riddle. “Haunting . . . a powerful and resonant work of the historical imagination . . . Reminiscent at once of Ingmar Bergman’s Wild Strawberries, Kafka’s troubled fables of guilt and apprehension, and, of course, Proust’s Remembrance of Things Past.”—Michiko Kakutani, The New York Times One of The New York Times’s 10 Best Books of the 21st Century • A Los Angeles Times, Entertainment Weekly, and New York Magazine Best Book of the Year Winner of the National Book Critics Circle Award, Koret Jewish Book Award, Independent Foreign Fiction Prize, and Jewish Quarterly Wingate Literary Prize A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion. Over the course of a thirty-year conversation unfolding in train stations and travelers’ stops across England and Europe, W. G. Sebald’s unnamed narrator and Jacques Austerlitz discuss Austerlitz’s ongoing efforts to understand who he is—a struggle to impose coherence on memory that embodies the universal human search for identity.

“The most blisteringly impassioned music book of the season.” —New York Times Book Review A thrilling account of the Altamont Festival—and the dark side of the ‘60s. If Woodstock tied the ideals of the '60s together, Altamont unraveled them. In Just a Shot Away, writer and critic Saul Austerlitz tells the story of “Woodstock West,” where the Rolling Stones hoped to end their 1969 American tour triumphantly with the help of the Grateful Dead, the Jefferson Airplane, and 300,000 fans. Instead the concert featured a harrowing series of disasters, starting with the concert’s haphazard planning. The bad acid kicked in early. The Hells Angels, hired to handle security, began to prey on the concertgoers. And not long after the Rolling Stones went on, an 18-year-old African-American named Meredith Hunter was stabbed by the Angels in front of the stage. The show, and the Woodstock high, were over. Austerlitz shows how Hunter’s death came to symbolize the end of an era while the trial of his accused murderer epitomized the racial tensions that still underlie America. He also finds a silver lining in the concert in how Rolling Stone’s coverage of it helped create a new form of music journalism, while the making of the movie about Altamont, Gimme Shelter, birthed new forms of documentary. Using scores of new interviews with Paul Kantner, Jann Wenner, journalist John Burks, filmmaker Joan Churchill, and many members of the Rolling Stones' inner circle, as well as Meredith Hunter's family, Austerlitz shows that you can’t understand the ‘60s or rock and roll if you don’t come to grips with Altamont.

IN AUGUST 1805, Napoleon abandoned his plans for the invasion of Britain and diverted his army to the Danube Valley to confront Austrian and Russian forces in a bid for control of central Europe. The campaign culminated with the Battle of Austerlitz, regarded by many as Napoleon’s greatest triumph, whose far-reaching effects paved the way for French hegemony on the Continent for the next decade. In this concise volume, acclaimed military historian Gregory Fremont-Barnes uses detailed profiles to explore the leaders, tactics and weaponry of the clashing French, Austrian and Russian forces. Packed with fact boxes, maps and more, Napoleon’s Greatest Triumph is the perfect way to explore this important battle and the rise of Napoleon’s reputation as a supreme military leader.

This in-depth study of The Battle of Austerlitz, considered Napoleon’s greatest victory, won the Napoleon Foundation’s History Grand Prize. Sometimes called The Battle of Three Emperors, Napoleon’s victory against the combined forces of Russia and Austria brought a decisive end to The War of the Third Coalition. The magnitude of the French achievement against a larger army was met by sheer amazement and delirium in Paris, where just days earlier the nation had been teetering on the brink of financial collapse. In 1805: Austerlitz, historian Robert Goetz demonstrates how Napoleon and his Grande Armée of 1805 defeated a formidable professional army that had fought the French armies on equal terms five years earlier. Goetz analyses the planning of the opposing forces and details the course of the battle hour by hour, describing the fierce see-saw battle around Sokolnitz, the epic struggle for the Pratzen Heights, the dramatic engagement between the legendary Lannes and Bagration in the north, and the widely misunderstood clash of Napoleon’s Imperial Guard and Alexander’s Imperial Leib-Guard. Goetz’s detailed and balanced assessment of the battle exposes many myths that have been perpetuated and even embellished in other accounts.

A London Sunday Times Book of the Year A Daily Telegraph Book of the Year Alistair Horne explores the theme of military success and failure in How Far From Austerlitz? chronicling Napoleon's rise and fall, drawing parallels with other great leaders of the modern era. The Battle of Austerlitz was Napoleon's greatest victory, the culmination of one of the greatest military campaigns of all time. It was also the last battle the "Father of Modern Warfare" would leave in absolute triumph, for, though he did not know it, Austerlitz marked the beginning of Napoleon's downfall. His triumph was too complete and his conquest too brutal to last. Like Hitler, he came to believe he was invincible, that no force could halt his bloody march across Europe. Like Hitler, he paid dearly for his hubris, climaxing in bitter defeat at Waterloo in 1815. In a matter of years, he had fallen from grace.

Praised by the New Yorker and New York magazine, Saul Austerlitz’s fascinating behind-the-scenes look at Friends, is, according to Newsweek, the “next best thing” to a cast reunion. In September 1994, six friends sat down in their favorite coffee shop and began bantering about sex, relationships, jobs, and just about everything else. A quarter of a century later, new fans are still finding their way into the lives of Rachel, Ross, Joey, Chandler, Monica, and Phoebe, and thanks to the show’s immensely talented creators, its intimate understanding of its youthful audience, and its reign during network television’s last moment of dominance, Friends has become the most influential and beloved show of its era. Friends has never gone on a break, and this is the story of how it all happened. Noted pop culture historian Saul Austerlitz utilizes exclusive interviews with creators David Crane and Marta Kauffman, executive producer Kevin Bright, director James Burrows, and many other producers, writers, and cast members to tell the story of Friends’ creation, its remarkable decade-long run, and its astonishing Netflix-fueled afterlife. Readers will go behind the scenes to hear from the people who were present as the show was developed and cast, written and filmed. There will be talk of trivia contests, prom videos, trips to London, Super Bowls, lesbian weddings, wildly popular hairstyles, superstar cameos, mad dashes to the airport, and million-dollar contracts. They’ll also discover surprising details—that Monica and Joey were the show’s original romantic couple, how Danielle Steel probably saved Jennifer Aniston’s career, and why Friends is still so popular that if it was a new show, its over-the-air broadcast reruns would be the ninth-highest-rated program on TV. The show that defined the 1990s has a legacy that has endured beyond anyone's wildest expectations. And in this hilarious, informative, and entertaining book, readers will now understand why.

On 18 July 1943, one-hundred and twenty Jews were transported from the concentration camp at Drancy to the Lévitan furniture store building in the middle of Paris. These were the first detainees of three satellite camps (Lévitan, Austerlitz, Bassano) in Paris. Between July 1943 and August 1944, nearly eight hundred prisoners spent a few weeks to a year in one of these buildings, previously been used to store furniture, and were subjected to forced labor. Although the history of the persecution and deportation of France’s Jews is well known, the three Parisian satellite camps have been subjected to the silence of both memory and history. This lack of attention by the most authoritative voices on the subject can perhaps be explained by the absence of a collective memory or by the marginal status of the Parisian detainees - the spouses of Aryans, wives of prisoners of war, half-Jews. Still, the Parisian camps did, and continue to this day, lack simple and straightforward descriptions. This book is a much needed study of these camps and is witness to how, sixty years after the events, expressing this memory remains a complex, sometimes painful process, and speaking about it a struggle.

Merengue is a quintessential Dominican dance music. This work aims to unravel the African and Iberian roots of merengue. It examines the historical and contemporary contexts in which merengue is performed and danced, its symbolic significance, its social functions, and its musical and choreographic structures.

The masterworks of W. G. Sebald, now in gorgeous new covers by the famed designer Peter Mendelsund New Directions is delighted to announce beautiful new editions of these three classic Sebald novels, including his two greatest works, The Emigrants and The Rings of Saturn. All three novels are distinguished by their translations, every line of which Sebald himself made pitch-perfect, slaving to carry into English all his essential elements: the shadows, the lambent fallings-back, nineteenth-century Germanic undertones, tragic elegiac notes, and his unique, quiet wit.