Mario Vargas Llosa's brilliant, multilayered novel is set in the Lima, Peru, of the author's youth, where a young student named Marito is toiling away in the news department of a local radio station. His young life is disrupted by two arrivals. The first is his aunt Julia, recently divorced and thirteen years older, with whom he begins a secret affair. The second is a manic radio scriptwriter named Pedro Camacho, whose racy, vituperative soap operas are holding the city's listeners in thrall. Pedro chooses young Marito to be his confidant as he slowly goes insane. Interweaving the story of Marito's life with the ever-more-fevered tales of Pedro Camacho, Vargas Llosa's novel is hilarious, mischievous, and masterful, a classic named one of the best books of the year by the New York Times Book Review.

General Adult. Mario falls in love with and and embarks on a secret love affair with his recently divorced Aunt Julia, scandalizing the town of Lima, Peru, while Marios friend Pedro Camacho becomes more and more obsessed with the soap operas he writes, in a new edition of the classic autobiographical novel. Reprint. 10,000 first printing.

'A comic novel on the grand scale written with tremendous confidence and verve. Mario, 18-year-old law student and radio news-editor, falls scandalously for his Aunt Julia, the 32-year-old divorced wife of a cousin, and the progressively lunatic story of this affair is interwoven with episodes from a series of radio soap-operas written by his friend Pedro Comacho. Vargas Llosa's huge energy and inventiveness is extravagant and fabulously funny.' New Statesman

In this literary memoir, the Nobel Prize–winning author and Peruvian politician shares “a convincing self-portrait . . . an often funny and cautionary tale” (Time). In 1990, Mario Vargas Llosa decided to run for the presidency of his native Peru. He campaigned on a platform of economic reform and stringent counterterrorism against the far-left gorilla group, Sendero Luminoso. His failed campaign against Alberto Fujimori generated international headlines, transforming the renowned author into a politician of world stature. A Fish in the Water is Vargas Llosa’s personal account of his life as seen through the lens of his time as a candidate. He evokes the experiences that gave rise to his fiction, while—in parallel—he describes the social, literary, and political influences that led him to enter the political arena as a crusader for democracy and a free-market economy.

This delightful farce opens as the prim and proper Captain Pantoja learns he is to be sent to Peru's Amazon frontier on a secret mission for the army—to provide females for the amorous recruits. Side-splitting complications arise as world of Captain Pantoja's remarkable achievements start to spread.

WINNER OF THE NOBEL PRIZE IN LITERATURE Internationally acclaimed novelist Mario Vargas Llosa has contributed a biweekly column to Spain's major newspaper, El País, since 1977. In this collection of columns from the 1990s, Vargas Llosa weighs in on the burning questions of the last decade, including the travails of Latin American democracy, the role of religion in civic life, and the future of globalization. But Vargas Llosa's influence is hardly limited to politics. In some of the liveliest critical writing of his career, he makes a pilgrimage to Bob Marley's shrine in Jamaica, celebrates the sexual abandon of Carnaval in Rio, and examines the legacies of Vermeer, Bertolt Brecht, Frida Kahlo, and Octavio Paz, among others.

The Nobel Prize–winning author’s classic on the craft of novel writing “distills [the great works] brilliantly, revealing an architecture to their greatness” (The Washington Post Book World). In Letters to a Young Novelist, Mario Vargas Llosa condenses a lifetime of writing, reading, and thought into an essential manual for aspiring writers. Drawing on the stories and novels of writers from around the globe—including Borges, Bierce, Céline, Cortázar, Faulkner, Kafka, Robbe-Grillet and others—he lays bare the inner workings of fiction, all the while urging young novelists not to lose touch with the elemental urge to create. Conversational, eloquent, and effortlessly erudite, this little book is destined to be read and re-read by young writers, old writers, would-be writers, and all those with a stake in the world of letters.

The Cubs and Other Stories is Mario Vargas Llosa's only volume of short fiction available in English. Vargas Llosa's domain is the Peru of male youth and machismo, where life's dramas play themselves out on the soccer field, the dance floor, and on street corners. The title story, "The Cubs," tells the story of the carefree boyhood of P.P. Cuellar and his friends, and of P.P.'s bizarre accident and tragic coming of age. Innovative in style and technique, it is a work of both physical and psychic loss. In a candid and perceptive forward to this collection of early writing, Vargas llosa provides background to the volume and a unique glimpse into the mind of the Nobel Prize-winning artist.

At a small gallery in Florence, a Peruvian writer happens upon a photograph of a tribal storyteller deep in the jungles of the Amazon. He is overcome with the eerie sense that he knows this man...that the storyteller is not an Indian at all but an old school friend, Saul Zuratas. As recollections of Zuratas flow through his mind, the writer begins to imagine Zuratas's transformation from a modern to a central member of the unacculturated Machiguenga tribe. Weaving the mysteries of identity, storytelling, and truth, Vargas Llosa has created a spellbinding tale of one man's journey from the modern world to our origins, abandoning one in order to find meaning in both.

Agastya Sen, known to friends by the English name August, is a child of the Indian elite. His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.