"I'm not telling you where I am. Don't try to find me." Remember Go Ask Alice? Augusta, Gone is the memoir Alice's mother never wrote. A single parent, Martha Tod Dudman is sure she is giving her two children the perfect life, sheltering them from the wild tumult of her own youth. But when Augusta turns fifteen, things start to happen: first the cigarette, then the blue pipe and the little bag Augusta says is aspirin. Just talking to her is like sticking your hand in the garbage disposal. Martha doesn't know if she's confronting adolescent behavior, craziness, her own failures as a parent -- or all three. Augusta, Gone is the story of a girl who is doing everything to hurt herself and a mother who would try anything to save her. It is a sorrowful tale, but not a tragic one. Though the book charts a harrowing course through the troubled waters of adolescence, hope -- that mother and daughter will be reunited and will learn to love one another again -- steers them toward a shore of forgiveness and redemption. Written with darkly seductive grace, Augusta, Gone conjures the dangerous thrill of being drawn into the heart of a whirling vortex. This daring book will be admired for its lyricism, applauded for its courage, and remembered for its power. It demands to be read from start to finish, in one breathless sitting.

The story of a girl who is doing everything to hurt herself and a mother who would try anything to try to save her. True, she had stopped coming down for breakfast. Stayed up in her room, ran out the door late for school, missed the bus and had to have a ride. But you think, well, that's how they are, aren't they, teenagers? And you try to remember how you were, but you were different and the times were different and it was so long ago. And she's suddenly so angry at you, but then, another time, she's just the same. She's just your little girl. You sit with her and you talk about something, or you go shopping for school clothes and everything seems all right. And you forget how you stood in her room and how the center of your stomach felt so cold. When you found the cigarette. When you found the blue pipe. When you found the little bag she said was aspirin.

On February 24, 1827, the legislative act making Augusta Maine's state capital was signed. Since that time, politics and government have played a central role in the development of Augusta. In this fascinating pictorial history Frank H. Sleeper uses Augusta's political heritage as a springboard in the exploration of the many faces of this dynamic city.

I turn my head and stare up at the roof of the truck cab. He has no idea I'm here, and I don't know where he's going. Upon a chance sighting of her ex-boyfriend, Virginia does something most of us have only dreamed of. Unseen, she jumps into the back of his Jeep, and remains hidden all day, observing the man she once loved. She's compelled to complete her unfinished portrait of their breakup, and relive the magical thinking of their romance. I knew him by heart for ten years and he me, Vir-ginia reflects. And now, only nine months later, I know nothing at all. The novel unfolds over the course of one day, ping-ponging between Virginia's fear of discovery and the illicit thrill of "breaking and entering" into the life of her former lover. Will she finally confront him, as she's longed to do since they parted? Will she slink away in defeat? Any woman who has ever lived and loved will find herself swept up in Virginia's mesmerizing journey.

A dead woman returns to life as guardian angel for Mary Murphy in order to sort her life. Mary is in a state, her fiancé dropped her for another woman, she lost her job, and her adoptive mother died in mysterious circumstances.

The Haunting of Hill House meets Locke & Key in THE PLOT, a supernatural horror tale where death forces Chase Blaine back to his ancestral home, built on a vast, ancient bog where family secrets just won’t stay drowned. IN ORDER TO RECEIVE, FIRST YOU MUST GIVE. Chase Blaine tried to run from his family, but when his estranged brother and sister-in-law are murdered, he becomes guardian to MacKenzie and Zach, the niece and nephew he hardly knows. Seeking stability for the children, Chase moves his newly formed family to his ancestral home in Cape Augusta, Maine -- which overlooks a deep, black bogland teeming with family secrets that just won’t stay drowned. THE PLOT VOL. 1 collects issues #1 to #4 of the eight issue series. From writers Tim Daniel (End After End, Fissure, Denizen, and more!) and Michael Moreci (Barbaric, Wasted Space, Spree, and Revealer) and artist Joshua Hixson (Shanghai Red, The Black Woods, and Batman) For fans of The Haunting of Hill House (Shirley Jackson), Locke & Key (Joe Hill and Gabriel Rodriguez), The Drowning Kind (Jennifer McMahon), We Have Always Lived In the Castle (Shirley Jackson), Burnt Offerings (Robert Marasco), Wytches (Scott Snyder and Jock), Home Before Dark (Riley Sager), Mapping the Interior (Stephen Graham Jones), and A Head Full of Ghosts (Paul Tremblay). “There is a great balance between realistic dialogue and unspeakable horror and a cliffhanger that practically demands the reading of the next issue.” –The New York Times "THE PLOT jars, upsets, shocks, and disorients—this comic is out to get you." – Daniel Kraus (New York Times bestselling author of The Shape of Water, Whalefall, Trollhunters, The Living Dead, and The Autumnal graphic novel from Vault Comics) "THE PLOT is GREAT! CREEPY as hell, but great. Another winner from Vault Comics." – Brian Michael Bendis (bestselling writer of Spider-man, Miles Morales, Jessica Jones, Avengers, and more!)

"Janis Reams Hudson has given us a story so lyrical and yet so earthy, description and action that literally have the reader white-knuckled, and characters so vivid they seem to speak in the reader's ear. "—Affaire de Coeur From the day of his birth, Pace Colton, also known as Fire Seeker, has been something of a troublemaker. Over the years he has grown into a stubborn, angry man who has managed to alienate himself from the very people he loves most. Now a telegram has come from his family asking for his help. He has been asked to go to Mexico and find Joanna, his stepbrother's daughter, captured by the evil, ruthless man known as El Carnicero—the Butcher. In an attempt to swallow his pride and tear down the wall between him and his family, Pace agrees, unaware of the perils that await him. But it's more than danger he finds in the arms of high-spirited and strong willed Joanna, and soon he finds himself fighting not only for their lives, but also for their blossoming love.

What was the world like, and what was going on in it, around the time of Jesus’ death? This study examines this very question, and also seeks to place Jesus in his larger historical context, as a non-citizen resident of the Roman Empire living in Judaea and Galilee in the 20s and 30s AD. The book explores the larger background and context to some of the major power-brokers of the Roman Empire in Jesus’ day, including the emperor Tiberius, his ambitious Praetorian Prefect Sejanus, Judaea’s governor Pontius Pilate, and the client king who governed Galilee, Herod Antipas. It further explores some of the larger historical and cultural context and background of some of the characters who parade through the gospel accounts, including the treacherous informant Judas Iscariot, the tax collector turned apostle, Matthew, and the gruff centurion whose servant Jesus was said to have healed. The study also considers the nature of Jesus’ radical resistance to the Roman Empire, and seeks to contextualize it through comparison with other resistance movements. Attempts to recover the historical Jesus have sought to put him in his immediate context of ancient Galilee, Judaea, and the Jewish community to which he belonged. Instead this book gives the Roman historical background to the time and place of his ministry and death. Cast into relief against the much larger picture of the greater Roman world of which he was a part, the ministry of Jesus is quite radical indeed.