Auctus…Augment: A portal protector and her baby gargoyle, a guardian daemon, a hellhound, and a witch. Together, they must survive in a strange land filled with unknown monsters. Combined they must be strong enough to defy an elite group of magical terrorists. They are Auctus, augmenting the magic flowing through her world…but will they be enough? I’m Glynn Forester. I’m Magis. More. Recently, in an attempt to save my friends and home from the Body, a group of elite magical terrorists, I accidentally dragged them all through the portal I’m charged with protecting. We ended up in a place where monsters thrive and nothing is familiar. Survival is our first order of business. I need to figure out how to provide food, clothing, and shelter to the people I brought with me. Though the power of this new place sings through my veins, filling me with magical purpose, I’m in way over my head. I don’t know how to take care of so many people. I was barely scraping by just taking care of myself and Boyle, my baby gargoyle. How am I going to keep my people safe? How will I save my friends who we were forced to leave behind? What will I do about the Body? And the portal? And Grams? And…so much more? One thing is clear. My relatively safe, slightly boring little world is gone, gone, gone. And I am up to my eyeballs in challenges I have no idea how to meet. This should be interesting.

The Servian commentaries on Vergil are doubly distinguished: they are among the very few ancient commentaries on classical Latin texts to survive essentially intact; and they exist in two radically different forms-the original commentary created by the grammarian Servius early in the fifth century, emphasizing grammar and syntax, and an augmented version produced in the seventh century when a reader blended his Servius with much other recherché ancient lore. In the 1920s, the medievalist Edward Kennard Rand undertook to produce a truly modern edition that would fully reveal for the first time the character of the commentaries' two versions. All did not go smoothly, however: a volume devoted to Aeneid 1-2 appeared in 1946, and another, with the commentaries on Aeneid 3-5, in 1965; this edition of the commentaries on Aeneid 9-12 is the first new contribution to the series to appear in more than fifty years. On his death in 2013, Charles E. Murgia left publishable versions of the text, upper and lower critical apparatuses, and large parts of the introduction, and he had gathered most of the data for a testimonial apparatus. Robert A. Kaster completed the work on the testimonia and introduction (using some of Murgia's other writings to supplement the latter), added some subsidiary elements, and prepared the whole for publication. Thanks primarily to Murgia's work, this edition is superior to its predecessors in the series, and to all other editions of Servius, in every respect.

Columbarium tombs are among the most recognizable forms of Roman architecture and also among the most enigmatic. The subterranean collective burial chambers have repeatedly sparked the imagination of modern commentators, but their origins and function remain obscure. Columbarium Tombs and Collective Identity in Augustan Rome situates columbaria within the development of Roman funerary architecture and the historical context of the early Imperial period. Contrary to earlier scholarship that often interprets columbaria primarily as economic burial solutions, Dorian Borbonus shows that they defined a community of people who were buried and commemorated collectively. Many of the tomb occupants were slaves and freed slaves, for whom collective burial was one strategy of community building that counterbalanced their exclusion in Roman society. Columbarium tombs were thus sites of social interaction that provided their occupants with a group identity that, this book shows, was especially relevant during the social and cultural transformation of the Augustan era.

A Prosopography to Martial’s Epigrams is the first dictionary of all the characters and personal names found in the work of Marcus Valerius Martialis, containing nearly 1,000 comprehensive entries. Each of them compiles and analyses all the relevant information regarding the characters themselves, as well as the literary implications of their presence in Martial’s poems. Unlike other works of this kind, the book encompasses not only real people, whose positive existence is beyond doubt, but also fictional characters invented by the poet or inherited from the cultural and literary tradition. Its entries provide the passages of the epigrams where the respective characters appear; the general category to which they belong; the full name (in the case of historical characters); onomastic information, especially about frequency, meaning, and etymology; other literary or epigraphical sources; a prosopographical sketch; a discussion of relevant manuscript variants; and a bibliography. Much attention is paid to the literary portrayal of each character and the poetic usages of their names. This reference work is a much needed tool and is intended as a stimulus for further research.

272 AD The Roman Emperor Aurelian has defeated Queen Zenobia and crushed the Palmyran revolt. Faridun's Banner, hallowed battle standard of the Persian Empire, has fallen into Roman hands and is to be returned to the Persians as part of a historic peace treaty. But on the eve of the signing the banner goes missing. Recalled to Syria, imperial agent Cassius Corbulo is charged with recovering the flag. Accompanied by his faithful servant Simo and ex-gladiator bodyguard Indavara, Cassius must journey across the dangerous wastes of Syria to the equally perilous streets of Antioch. He and his companions face ruthless brigands, mysterious cults, merciless assassins and intrigue at every turn.