Vitriolic and incisive, Douglas Glover's newest essays defend literature against the assaults of a post-literate age.

Who among us is brave enough to challenge the mind of Alice Munro? To duel with Leon Rooke's dreams? Or--more daunting yet--to joust with sloppy student grammar? Douglas Glover is the knight-in-arms of contemporary fiction, and Attack of the Copula Spiders a stalwart defense of the literary arts--in an age where too few care for its craft.

In the tradition of E.M. Forster, John Gardner, and James Wood, Douglas Glover has produced a book on writing at once erudite, anecdotal, instructive, and amusing. Attack of the Copula Spiders represents the accumulated wisdom of a remarkable literary career: novelist, short story writer, essayist, teacher and mentor, Glover has for decades been asking the vital questions. How does the way we read influence the way we write? What do craft books fail to teach aspiring writers about theme, about plot and subplot, about constructing point of view? How can we maintain drama on the level of the sentence'and explain drama in the sentences of others? What is the relationship of form and art? How do you make words live? Whether his subject is Alice Munro, Cervantes, or the creative writing classroom, Glover's take is frank and fresh, demonstrating again and again that graceful writers must first be strong readers. This collection is a call-to-arms for all lovers of English, and Attack of the Copula Spiders our best defense against the assaults of a post-literate age.

Why do we read? What do we cherish in a book? What is the nature of a masterpiece? What do Alice Munro, Albert Camus, and the great Polish experimentalist Witold Gombrowicz have in common? In the tradition of Nabokov, Calvino, and Kundera, Douglas Glover’s new essay collection fuses his long experience as an author with his love of philosophy and his passion for form. Call it a new kind of criticism or an operator’s manual for readers and writers, The Erotics of Restraint extends Glover’s long and deeply personal conversation with great books and their authors. With the same dazzling mix of emotion and idea that characterizes his fiction, he dissects narrative and shows us how and why it works, why we love it, and how that makes us human. Erudite and obsessively detailed, inventive, confessional, and cheeky, these essays offer a brilliant clarity, a respite in an age of doubt. They raise the bar.

"Savage Love marks the long-awaited return of one of Canada's most lauded and stylistically brilliant authors. Glover skewers every conventional notion we've ever held about that cultural-emotional institution of love we are instructed to hold dear. Peopled with forensic archaeologists, horoscope writers, dental hygienists, and even butchers, Glover's stories are of our time yet timeless; spectacular fables that stand in any era, any civilization. Whether writing about sexually ambiguous librarians or desperadoes most despicable, Glover exposes the humanity lurking behind our masks, the perversities that underlie our actions. Savage Love heralds the return of a master, with laugh-out-loud stories of the best kind, often completely unexpected, rife with moments of tragedy or horror. This is Douglas Glover country, and we are all willing visitors."--publisher's description.

A seeing-eye dog leads a blind man into a frozen river, a southern Baptist loses his memory and finds true love in Bel Air, an obese dot.com executive has "anorgasmic" latex sex with her CEO, and a homeless man in New York creates an intellectual universe based on Post-it notes stuck to the inside of his cardboard box shelter--Douglas Glover's stories are wildly inventive, deadpan comedies of our universal human catastrophe. They are sly, demanding and wise--stories about language, desire and love (in a very dark place). The humor veers from the wry and sardonic to the salacious, mordant and playful. And always there are moments of such stark emotional intimacy that the reader slides, almost without noticing, from laughter to lament.

Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other-- the obsessive, witty, and self-mocking narrator-- has retreated into obscurity. Written as a monologue in one remarkable unbroken paragraph, The Loser is a brilliant meditation on success, failure, genius, and fame.

Butterfly Stories follows a dizzying cradle-to-grave hunt for love that takes the narrator from the comfortable confines of suburban America to the killing fields of Cambodia, where he falls in love with Vanna, a prostitute from Phnom Penh. Here, Vollmann's gritty style perfectly serves his examination of sex, violence, and corruption.

Winner, Governor General's Award for Fiction Shortlisted, IMPAC Dublin Literary Award and Commonwealth Writers' Prize A 16th-century belle turned Robinson Crusoe, a female Don Quixote with an Inuit Sancho Panza -- this is the heroine of the novel that won the 2003 Governor General's Award. Elle is a lusty, subversive riff on the discovery of the New World, the moment of first contact. Based on what might be a true story, the novel chronicles the ordeals and adventures of a young French woman marooned on the desolate Isle of Demons during Jacques Cartier's ill-fated third and last attempt to colonize Canada. In this new readers' guide edition, Douglas Glover's carnal whirlwind of myth and story, of beauty and hilarity brings the past violently and unexpectedly into the present. His well-known scatological realism, exuberant violence, and dark, unsettling humour give his unique version of history a thoroughly modern chill.