Originally published: Oxford: Clarendon Press, 1969.

The word Atrahasis means extra wise and refers to the earliest known name of Noah, who built an ark and saved mankind from destruction. This is that story, from ancient Sumeria, which many scholars believe was the original from which all known flood stories came from. This was the most popular story in the ancient world and has survived for over five thousand years. It is the only one that all cultures, worldwide, seem to share. Why? Was there really a great flood? And why do we not explore the oldest known version carefully for clues? That is the purpose of this book, which also includes a number of other interesting flood story fragments and documents.

The Atrahasis Epic is one of the oldest creation and flood narratives, originally written in ancient cuneiform text and told over three tablets. This book takes the commonalities between the most well known translations and presents them in story form, as opposed to the verse format they were was originally translated into. The Epic is offered as an easy- to- read representation of both the ancient creation and flood stories synonymous with the Genesis accounts. For further understanding of the ancient Epic, the story is segmented into easily digestible sections with the addition of the author's explanations, comments and observations expressed in detailed footnotes that follow and blend with the Atrahasis story.

The stories translated here all of ancient Mesopotamia, and include not only myths about the Creation and stories of the Flood, but also the longest and greatest literary composition, the Epic of Gilgamesh. This is the story of a heroic quest for fame and immortality, pursued by a man of great strength who loses a unique opportunity through a moment's weakness. So much has been discovered in recent years both by way of new tablets and points of grammar and lexicography that these new translations by Stephanie Dalley supersede all previous versions. -- from back cover.

This myth from ancient Mesopotamia reveals a battle between good and evil, humans and gods. Who shall be victorious? Be prepared for destruction, heroism, survival, and so much more!

The recent translation of a Babylonian tablet launches a groundbreaking investigation into one of the most famous stories in the world, challenging the way we look at ancient history. Since the Victorian period, it has been understood that the story of Noah, iconic in the Book of Genesis, and a central motif in Judaism, Christianity and Islam, derives from a much older story that existed centuries before in ancient Babylon. But the relationship between the Babylonian and biblical traditions was shrouded in mystery. Then, in 2009, Irving Finkel, a curator at the British Museum and a world authority on ancient Mesopotamia, found himself playing detective when a member of the public arrived at the museum with an intriguing cuneiform tablet from a family collection. Not only did the tablet reveal a new version of the Babylonian Flood Story; the ancient poet described the size and completely unexpected shape of the ark, and gave detailed boat building specifications. Decoding this ancient message wedge by cuneiform wedge, Dr. Finkel discovered where the Babylonians believed the ark came to rest and developed a new explanation of how the old story ultimately found its way into the Bible. In The Ark Before Noah, Dr. Finkel takes us on an adventurous voyage of discovery, opening the door to an enthralling world of ancient voices and new meanings.

This myth-based reader's theater script builds fluency through oral reading. The creative script captures students' interest, so they will want to practice and perform. Included is a fluency lesson and approximate reading levels for the script roles.

For these volumes, the author has selected 50 articles and papers, ten of them not previously published, from his work as an Old Testament scholar over the last 30 years. Some of the papers, like 'The Evidence for an Autumnal New Year in Pre-exilic Israel Reconsidered', are far from postmodern in their outlook. But there is ample evidence here that the postmodern is indeed the direction in which his mind has been moving. The essays are organized in eight sections (Method, Literature, History, Theology, Language, Psalms, Job-and, for entertainment, Divertimenti). They include 'Reading Esther from Left to Right', 'Beyond Synchronic Diachronic', 'Story and Poem: The Old Testament as Literature and as Scripture', 'In Search of the Indian Job', and 'Philology and Power'-as well as 'The Postmodern Adventure in Biblical Studies'.

In recent years there has been a lively debate about the early Enoch literature and its place in Judaism. This volume is intended to represent that debate, by juxtaposing pairs of articles on several key issues: the textual evidence, the relationship to the Torah, the calendar, the relation to wisdom, the relation to the temple, the sociological setting and the relation to the Dead Sea Scrolls. It is not the intention of the editors to impose a consensus, but rather to stimulate discussion by bringing together divergent viewpoints. The book should be a useful textbook not only on the Enoch literature and apocalypticism, but more generally on Second Temple Judaism.