The Atlas of Early Modern Britain presents a unique visual survey of British history from the end of the Wars of the Roses through to the accession of George I in 1715. Featuring 117 maps, accompanied throughout by straightforward commentary and analysis, the atlas begins with a geographical section embracing England, Scotland, Ireland and Wales and providing clear orientation for the reader. It then focuses separately on the sixteenth and seventeenth centuries, dividing its coverage of each into four key themes: Geography and Counties - Outlining in detail how Britain's geography was shaped during the period; Politics and War - the main campaigns, rebellions and political changes in each century; Religion - including denominational concentrations, diocesan boundaries and witch trials; Economy and Culture -charting Britain's wealthiest towns, the locations of Britain's houses of aristocracy and the effects of The Great Fire of London; The broad scope of the atlas combines essential longer-term political, social, cultural and economic developments as well as key events such as the Spanish Armada, the Dissolution of the Monasteries, the Civil War and the Glorious Revolution. Its blend of clear visual aids and concise analysis represents an indispensable background and reference resource for all students of the early modern period.

Politics and War - the main campaigns, rebellions and political changes in each century;

What was the state of wildlife in Britain and Ireland before modern records began? The Atlas of Early Modern Wildlife looks at the era before climate change, before the intensification of agriculture, before even the Industrial Revolution. In the sixteenth to eighteenth centuries, beavers still swim in the River Ness. Isolated populations of wolves and lynxes linger in the uplands. Sea eagles are widespread around the coasts. Wildcats and pine martens remain common in the Lake District. In this ground-breaking volume, the observations of early modern amateur naturalists, travellers and local historians are gathered together for the very first time. Drawing on more than 10,000 records from across Britain and Ireland, the book presents maps and notes on the former distribution of over 160 species, providing a new baseline against which to discuss subsequent declines and extinctions, expansions and introductions. A guide to identification describes the reliable and unreliable names of each species, including the pre-Linnaean scientific nomenclature, as well as local names in early modern English and, where used in the sources, Irish, Scots, Scottish Gaelic, Welsh, Cornish and Norn. Raising a good number of questions at the same time as it answers many others, this remarkable resource will be of great value to conservationists, archaeologists, historians and anyone with an interest in the natural heritage of Britain and Ireland.

Mapping and Charting for the Lion and the Lily: Map and Atlas Production in Early Modern England and France is a comparative study of the production and role of maps, charts, and atlases in early modern England and France, with a particular focus on Paris, the cartographic center of production from the late seventeenth century to the late eighteenth century, and London, which began to emerge (in the late eighteenth century) to eclipse the once favored Bourbon center. The themes that carry through the work address the role of government in map and chart making. In France, in particular, it is the importance of the centralized government and its support for geographic works and their makers through a broad and deep institutional infrastructure. Prior to the late eighteenth century in England, there was no central controlling agency or institution for map, chart, or atlas production, and any official power was imposed through the market rather than through the establishment of institutions. There was no centralized support for the cartographic enterprise and any effort by the crown was often challenged by the power of Parliament which saw little value in fostering or supporting scholar-geographers or a national survey. This book begins with an investigation of the imagery of power on map and atlas frontispieces from the late sixteenth century to the seventeenth century. In the succeeding chapters the focus moves from county and regional mapping efforts in England and France to the “paper wars” over encroachment in their respective colonial interests. The final study looks at charting efforts and highlights the role of government support and the commercial trade in the development of maritime charts not only for the home waters of the English Channel, but the distant and dangerous seas of the East Indies.

Maps make the world visible, but they also obscure, distort, idealize. This wide-ranging study traces the impact of cartography on the changing cultural meanings of space, offering a fresh analysis of the mental and material mapping of early modern England and Ireland. Combining cartographic history with critical cultural studies and literary analysis, it examines the construction of social and political space in maps, in cosmography and geography, in historical and political writing, and in the literary works of Marlowe, Shakespeare, Spenser and Drayton.

A visual history of the many peoples who’ve inhabited and shaped Britain, from hunter-gatherers to Celts, Vikings, Normans, and modern immigrants. This atlas covers the history of the British Isles from earliest times to the present day. The first hunter-gatherers, who crossed into what would become the United Kingdom by the land-bridge, and later followed by more familiar peoples the Celts, Angles, Saxons, Vikings, and Normans, who together would create Britain’s unique history. Each of these groups contributed ideas that shaped the lands, languages, and thoughts at the core of British identity. This story is illustrated with 150 full-color maps and plans that range across many topics, such as agricultural, political, and industrial revolutions. The expansion of the islands’ peoples across the oceans left a lasting legacy on the world, and on Britain itself. The book shows the fluctuating fortunes of the states by which Britain currently identifies itself, from an Anglo-Scottish imperium to devolved power, independence, and the often-painful process by which the modern map evolved. The forces of history and religion have often divided the islands’ peoples, but DNA unites them much more than most would realize as they continue to embrace new cultures arriving in search of refuge, opportunity, and equality.

The Cartographic Revolution in the Renaissance made maps newly precise, newly affordable, and newly ubiquitous. In sixteenth-century Britain, cartographic materials went from rarity to household décor within a single lifetime, and they delighted, inspired, and fascinated people across the socioeconomic spectrum. At the same time, they also unsettled, upset, disturbed, and sometimes angered their early modern readers. Early Modern English Literature and the Poetics of Cartographic Anxiety is the first monograph dedicated to recovering the shadow history of the many anxieties provoked by early modern maps and mapping in the sixteenth and seventeenth centuries. A product of a military arms race, often deployed for security and surveillance purposes, and fundamentally distortive of their subjects, maps provoked suspicion, unease, and even hostility in early modern Britain (in ways not dissimilar from the anxieties provoked by global positioning-enabled digital mapping in the twenty-first century). At the same time, writers saw in the resistance to cartographic logics and strategies the opportunity to rethink the way literature represents space—and everything else. This volume explores three major poems of the period—Edmund Spenser's The Faerie Queene (1590, 1596), Michael Drayton's Poly-Olbion (1612, 1622), and John Milton's Paradise Lost (1667, 1674)—in terms of their vexed and vexing relationships with cartographic materials, and shows how the productive protest staged by these texts redefined concepts of allegory, description, personification, bibliographic materiality, narrative, temporality, analogy, and other elemental components of literary representations.

Grade level: 5, 6, 7, 8, 9, 10, 11, 12, e, i, s, t.

In a late 1590s atlas proof from cartographer John Speed, Queen Elizabeth appears, crowned and brandishing a ruler as the map's scale-of-miles. Not just a map key, the queen's depiction here presents her as a powerful arbiter of measurement in her kingdom. For Speed, the queen was a formidable female presence, authoritative, ready to measure any place or person. The atlas, finished during James' reign, later omitted her picture. But this disappearance did not mean Elizabeth vanished entirely; her image and her connection to geography appear in multiple plays and maps. Elizabeth becomes, like the ruler she holds, an instrument applied and adapted. Women and Geography on the Early Modern English Stage explores the ways in which mapmakers, playwrights, and audiences in early modern England could, following their queen's example, use the ideas of geography, or 'world-writing', to reshape the symbolic import of the female body and territory to create new identities. The book demonstrates how early modern mapmakers and dramatists -- men and women -- conceived of and constructed identities within a discourse of fluid ideas about space and gender.

In this timely collection, an international team of Renaissance scholars analyzes the material practice behind the concept of mapping, a particular cognitive mode of gaining control over the world. Ranging widely across visual and textual artifacts implicated in the culture of mapping, from the literature of Shakespeare, Spenser, Marlowe and Jonson, to representations of body, city, nation and empire, Literature, Mapping, and the Politics of Space in Early Modern Britian argues for a thorough reevaluation of the impact of cartography on the shaping of social and political identities in early modern Britain.