Bradby's efforts as an activist and "race leaderby examining the role the minister played in high-profile events, such as the organizing of Detroit's NAACP chapter, the Ossian Sweet trial of the mid-1920s, the Scottsboro Boys trials in the 1930s, and the controversial rise of the United Auto Workers in Detroit in the 1940s.

The debate over women's roles in the Southern Baptist Convention's conservative ascendance is often seen as secondary to theological and biblical concerns. Elizabeth Flowers argues, however, that for both moderate and conservative Baptist women--all of whom had much at stake--disagreements that touched on their familial roles and ecclesial authority have always been primary. And, in the turbulent postwar era, debate over their roles caused fierce internal controversy. While the legacy of race and civil rights lingered well into the 1990s, views on women's submission to male authority provided the most salient test by which moderates were identified and expelled in a process that led to significant splits in the Church. In Flowers's expansive history of Southern Baptist women, the "woman question" is integral to almost every area of Southern Baptist concern: hermeneutics, ecclesial polity, missionary work, church-state relations, and denominational history. Flowers's analysis, part of the expanding survey of America's religious and cultural landscape after World War II, points to the South's changing identity and connects religious and regional issues to the complicated relationship between race and gender during and after the civil rights movement. She also shows how feminism and shifting women's roles, behaviors, and practices played a significant part in debates that simmer among Baptists and evangelicals throughout the nation today.

A down-to-earth, practical introduction to the ins and outs of preaching for lay preachers, bivocational pastors, and others newly arrived in the pulpit. Recent years have seen a considerable increase in the amount of financial resources required to support a full-time pastor in the local congregation. In addition, large numbers of full-time, seminary trained clergy are retiring, without commensurate numbers of new clergy able to take their place. As a result of these trends, a large number of lay preachers and bivocational pastors have assumed the principal responsibility for filling the pulpit week by week in local churches. Most of these individuals, observes Clifton Guthrie, can draw on a wealth of life experiences, as well as strong intuitive skills in knowing what makes a good sermon, having listened to them much of their lives. What they often don't bring to the pulpit, however, is specific, detailed instruction in the how-tos of preaching. That is precisely what this brief, practical guide to preaching has to offer. Written with the needs of those for whom preaching is not their sole or primary occupation in mind, it begins by emphasizing what every preacher brings to the pulpit: an idea of what makes a sermon particularly moving or memorable to them. From there the book moves into short chapters on choosing an appropriate biblical text or sermon topic, learning how to listen to one's first impressions of what a text means, moving from text or topic to the sermon itself while keeping the listeners needs firmly in mind, making thorough and engaging use of stories in the sermon, and delivering with passion and conviction. The book concludes with helpful suggestions for resources, including Bibles, commentaries, other print resources and websites.

Filmmaker David Lynch's work is viewed here as patriotic and Puritanical. This Lynch is an idealistic conservative on a reformer's mission. Lynch promotes a return to the values inherent in a mythological America, but he indulges in a voyeuristic pleasure which he simultaneously condemns. Like Jeffrey peeking through the slats of Dorothy's closet in Blue Velvet, the viewer of Lynch's work is a rationalist plagued by his dreams; intrigued and repulsed, fascinated and judgmental, he both craves and resists cultural assimilation. Works presented include all features from Eraserhead to Mulholland Drive, shorts such as The Amputee and The Grandmother, and contributions to television such as Hotel Room and, of course, Twin Peaks. This study develops an idea of Lynch's politics, analyzes his work, and explores Lynch's paradox of condemning an immoral world through disturbing images and concepts, and touches on such points as the identifiable figure of evil in his works as well as the archetypes of the nymphet, well-meaning traditionalist, and struggling ethicist. Also included are a history of moralistic criticism in American literature and a review of existing Lynch criticism within this context.

What is it like to be a preacher or rabbi who no longer believes in God? In this expanded and updated edition of their groundbreaking study, Daniel C. Dennett and Linda LaScola comprehensively and sensitively expose an inconvenient truth that religious institutions face in the new transparency of the information age—the phenomenon of clergy who no longer believe what they publicly preach. In confidential interviews, clergy from across the ministerial spectrum—from liberal to literal—reveal how their lives of religious service and study have led them to a truth inimical to their professed beliefs and profession. Although their personal stories are as varied as the denominations they once represented, or continue to represent—whether Catholic, Baptist, Episcopalian, Methodist, Mormon, Pentecostal, or any of numerous others—they give voice not only to their own struggles but also to those who similarly suffer in tender and lonely silence. As this study poignantly and vividly reveals, their common journey has far-reaching implications not only for their families, their congregations, and their communities—but also for the very future of religion.

In this companion and sequel to the best-selling Power in the Pulpit (2002), which has sold over 11,000 copies, more of America's best-known and most influential African American preachers describe how they go about preparing their sermons. Each preacher also presents a sermon that highlights his or her particular method of sermon preparation. This book is an excellent how-to manual for pastors and students, presenting sage advice and wisdom on the art of preaching and an inspirational look at the work of some of the most prominent figures in the life of the black church.

How can preachers ensure that their sermons continue to engage listeners in a world defined by visual media and the short, segmented delivery of information? Alyce McKenzie harnesses the element of drama and the human fascination with scenes to offer ministers a modern means of sermon development and delivery. McKenzie's core strategy is to invite listeners into scenes—whether from Scripture or contemporary life—and, once they are there, to point them toward the larger story of God's relationship with humankind. Creating such scenes unifies the whole process of preaching, she says, from the preacher's daily life observations to interpretation of scenes from Scripture, to sermon shaping, sequencing, and delivery. The process culminates in a specific understanding of the purpose of the sermon: to send listeners out into the scenes they'll play in their lives for the next week, equipped to act out their parts in ways that are kinder, more just, and more courageous than last week.