Sixteen stories, mostly set on the West Coast. In My Gun, a woman meditates on the pros and cons of a gun for her protection, in The Leper a woman on the telephone attempts to dissuade a friend from suicide, and Mr. Woodruff's Neckties is on the last days of a man dying from cancer.

Tess Gallagher is one of America's leading poets. In Midnight Lantern she collects her indispensable work from forty years of writing poetry, along with an ample new section written in the west of Ireland. Included in this generous book are Gallagher's signature nocturnes - for the changing Pacific Northwest, for her tough childhood, and for her late husband, Raymond Carver, and others. Her challenging new work confronts a tumultuous century's worth of art, warfare, and illness, while certifying the stubborn resilience of poetry and love. Astonishing, insightful, mischievous, an inimitable 'seeing-into experience', Midnight Lantern is the essential book by a poet in the prime of her power. 'Gallagher's poems resound with exquisite beauty and remind me once more how it is not subject but its rendering that redeems and uplifts' - Boston Globe 'Tess Gallagher's is perhaps the most deeply moving and spiritual and intensely intelligent poetry being written in America today' - William Heyen 'It is impossible to read Tess Gallagher's poems without being drawn into their mesmerising rhythms and convinced of the rightness of her intense yet unforced images' - Joyce Carol Oates 'She is outstanding among her contemporaries in the naturalness of her inflection, the fine excess of her spirit, and the energy of her dramatic imagination' - Stanley Kunitz

Through a series of critical and biographical essays, this work offers a feminist literary history of twentieth-century Irish America.

A collection of short stories by Josie Gray and Tess Gallagher.

Fourteen unforgettable short stories provoke, illuminate, and startle as they explore our perception of nature and the conflict between wildness and civilization within each of us. As we are recognizing the consequences of the destruction of forests and wetlands, the pillaging of the seas, and the toxicity of industry, we are experiencing profound uncertainty about our relationship with the earth. These stellar short stories by writers such as Barry Lopez, Rick Bass, Margaret Atwood, E. L. Doctorow, Chris Offutt, and others plumb the mystery--as only fiction can--of nature within us and the world of nature that surrounds us. We are nature, in spite of our machines, our plastics, and our artificial ingredients. Yet what do we make of our own nature? Our own wildness? And how do we explain the paradox of our urge to both exploit and protect wilderness? From E. L. Doctorow's shattering tale, "Willi," in which a young boy witnesses adults transformed into animals by the frenzy of sexual lust, to Rick Bass's "Swamp Boy," whose young hero is hounded by a pack of boys incensed by his solitary communion with the wild, to Margaret Atwood's wickedly funny story, "My Life as a Bat," or Kent Meyers's soulful ballad of love regained, "The Heart of the Sky," these memorable stories articulate our deep need for wilderness and the indelible role nature plays in our psychological and spiritual well-being.

Celebrates Pacific Northwest literature through interviews in which 22 authors discuss their work and the region's influence on it. Authors include Ursula Le Guin, Raymond Carver, Tess Gallagher, Tom Robbins, Gary Snyder, and Denise Levertov. Two interviews have been added since the publication of

Tess Gallagher's sixth book, a descent into the world of the dead, a remembrance of her recently deceased beloved.

"Deeply I sat, fixed to the slap, slap, slap of her trot, and the counterpoint thud-plod, thud-plod of her heart, enchanted by a soft percussion I felt part of, floating above the syncopated rhythm like a melody." --Diane Ackerman, recalling her beloved Appaloosa mare Horses have inspired devotion, awe, and love in their human companions for millennia; in Horse People more than forty acclaimed writers and artists share their own passion for these magical, mythical animals. Horse People includes deeply moving reminiscences and stories as varied as Jane Smiley's memories of her return to riding and Rita Mae Brown's straight-from-the-horse's-mouth tale "told" by her horse, Peggy Sue Brown. A wide range of artistic mediums are represented as well: Painter Jamie Wyeth evokes dreamlike memories of a rural past; photographer John Derryberry captures the untamed beauty of wild stallions in Kashmir. Read this moving anthology and "you too will yearn to connect--or reconnect--with horses" (Town & Country).

1885 Tucson, in the United States Arizona Territory, was the up and coming town in the American Southwest. In the Owl's Eye is about the abduction from Tucson, and brutal murder of a man and a woman whose bodies are dumped on the Barking Saguaros Ranch. Sam Patlock, the owner of the ranch, and his ranch foreman become embroiled in finding thesolution to the murder. The identity of the murdered woman sets the Tucson community up in arms, putting pressure on law enforcement to find a quick solution to the murder. The political implications of the murder set the prosecutor off on the goal of advancing his career. With the wrong man accused of the murder, and both Sam Patlock and the sheriff realizing his innocence, Sam and the Sheriff must find the killer and prove the wrongly accused man's innocence.