In much of modern fiction, it is the clothes that make the character. Garments embody personal and national histories. They convey wealth, status, aspiration, and morality (or a lack thereof). They suggest where characters have been and where they might be headed, as well as whether or not they are aware of their fate. At the Mercy of Their Clothes explores the agency of fashion in modern literature, its reflection of new relations between people and things, and its embodiment of a rapidly changing society confronted by war and cultural and economic upheaval. In some cases, people need garments to realize themselves. In other cases, the clothes control the person who wears them. Celia Marshik's study combines close readings of modernist and middlebrow works, a history of Britain in the early twentieth century, and the insights of thing theory. She focuses on four distinct categories of modern clothing: the evening gown, the mackintosh, the fancy dress costume, and secondhand attire. In their use of these clothes, we see authors negotiate shifting gender roles, weigh the value of individuality during national conflict, work through mortality, and depict changing class structures. Marshik's dynamic comparisons put Ulysses in conversation with Rebecca, Punch cartoons, articles in Vogue, and letters from consumers, illuminating opinions about specific garments and a widespread anxiety that people were no more than what they wore. Throughout her readings, Marshik emphasizes the persistent animation of clothing—and objectification of individuals—in early-twentieth-century literature and society. She argues that while artists and intellectuals celebrated the ability of modern individuals to remake themselves, a range of literary works and popular publications points to a lingering anxiety about how political, social, and economic conditions continued to constrain the individual.

When Jesus asked us to feed the hungry, give drink to the thirsty, and visit the imprisoned, he didn’t mean it literally, right? Kerry Weber, a modern, young, single woman in New York City sets out to see if she can practice the Corporal Works of Mercy in an authentic, personal, meaningful manner while maintaining a full, robust, regular life. Weber, a lay Catholic, explores the Works of Mercy in the real world, with a gut-level honesty and transparency that people of urban, country, and suburban locales alike can relate to. Mercy in the City is for anyone who is struggling to live in a meaningful, merciful way amid the pressures of “real life.” For those who feel they are already overscheduled and too busy, for those who assume that they are not “religious enough” to practice the Works of Mercy, for those who worry that they are alone in their efforts to live an authentic life, Mercy in the City proves that by living as people for others, we learn to connect as people of faith.

NATIONAL BESTSELLER “Ms. Haigh is an expertly nuanced storyteller long overdue for major attention. Her work is gripping, real, and totally immersive, akin to that of writers as different as Richard Price, Richard Ford, and Richard Russo.”—Janet Maslin, New York Times The highly praised, “extraordinary” (New York Times Book Review) novel about the disparate lives that intersect at a women’s clinic in Boston, by New York Times bestselling author Jennifer Haigh For almost a decade, Claudia has counseled patients at Mercy Street, a clinic in the heart of the city. The work is consuming, the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance. But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door. As the protests intensify, fear creeps into Claudia’s days, a humming anxiety she manages with frequent visits to Timmy, an affable pot dealer in the midst of his own existential crisis. At Timmy’s, she encounters a random assortment of customers, including Anthony, a lost soul who spends most of his life online, chatting with the mysterious Excelsior11—the screenname of Victor Prine, an anti-abortion crusader who has set his sights on Mercy Street and is ready to risk it all for his beliefs. Mercy Street is a novel for right now, a story of the polarized American present. Jennifer Haigh, “an expert natural storyteller with a keen sense of her characters’ humanity” (New York Times), has written a groundbreaking novel, a fearless examination of one of the most divisive issues of our time.

2015: After the sudden death of her troubled mother, struggling Harvard grad student Kate Drayton walks out on her lecture-- and her entire New England life. She flees to Charleston, South Carolina, the place where her parents met, convinced it holds the key to understanding her fractured family and saving her career in academia. Her mother was researching a failed 1822 slave revolt-- and Kate will continue her work. 1822: Tom Russell, a gifted blacksmith and slave, grappled with a terrible choice: arm the uprising spearheaded by members of the fiercely independent African Methodist Episcopal Church or keep his own neck out of the noose and protect the woman he loves.

“Never underestimate the power of a group of women. Fierce, thoughtful and dramatic—this is a story of true courage." —Susan Wiggs, New York Times bestselling author She would stop at nothing to protect the women under her care. Inside a century-old row house in Brooklyn, renegade Sister Evelyn and her fellow nuns preside over a safe haven for the abused and abandoned. Gruff and indomitable on the surface, warm and wry underneath, little daunts Evelyn, until she receives word that Mercy House will be investigated by Bishop Hawkins, a man with whom she shares a dark history. In order to protect everything they’ve built, the nuns must conceal many of their methods, which are forbidden by the Catholic Church. Evelyn will go to great lengths to defend all that she loves. She confronts a gang member, defies the church, challenges her own beliefs, and faces her past. She is bolstered by the other nuns and the vibrant, diverse residents of the shelter—Lucia, Mei-Li, Desiree, Esther, and Katrina—whose differences are outweighed by what unites them: they’ve all been broken by men but are determined to rebuild. Amidst her fight, Evelyn discovers the extraordinary power of mercy and the grace it grants, not just to those who receive it, but to those strong enough to bestow it.

A sweeping tale of sexual seduction and intrigue at the court of Henry VIII, At the Mercy of the Queen is a rich and dramatic debut historical about Madge Shelton, cousin and lady-in-waiting to Anne Boleyn. At the innocent age of fifteen, Lady Margaret Shelton arrives at the court of Henry VIII and quickly becomes the confidante of her cousin, Queen Anne Boleyn. But she soon finds herself drawn into the perilous web of Anne's ambition. Desperate to hold onto the king's waning affection, Anne schemes to have him take her guileless young cousin as mistress, ensuring her husband's new paramour will owe her loyalty to the queen. But Margaret has fallen deeply in love with a handsome young courtier. She is faced with a terrible dilemma: give herself to the king and betray the love of her life or refuse to become his mistress and jeopardize the life of the her cousin, Queen Anne. "A stunningly engrossing and fast read; historical fiction readers will snatch it up and shout, ‘Thank you!'"—Library Journal (starred review)

Welcome to Patricia Briggs’s world, a place where “witches, vampires, werewolves, and shape-shifters live beside ordinary people” (Booklist). It takes a very unusual woman to call it home—and there’s no one quite like Mercy Thompson. By day, Mercy Thompson is a car mechanic in the sprawling Tri-Cities of Eastern Washington. By night, she explores her preternatural side. As a shape-shifter with some unusual talents, Mercy’s found herself maintaining a tenuous harmony between the human and the not-so-human on more than one occasion. This time she may get more than she bargained for. Marsilia, the local vampire queen, has learned that Mercy crossed her by slaying a member of her clan—and she’s out for blood. But since Mercy is protected from direct reprisal by the werewolf pack (and her close relationship with its sexy Alpha), it won’t be Mercy’s blood Marsilia is after. It’ll be her friends’.

In the sixth novel in the #1 New York Times bestselling series, coyote shifter Mercy Thompson and Alpha werewolf Adam finally reach the alter. But when they make the Columbia River their honeymoon destination, their newlywed bliss turns into a fight for survival... Being a different breed of shapeshifter—a walker—Mercy can see ghosts, but the spirit of her long-gone father has never visited her. Until now. An evil is stirring in the depths of the Columbia River—and innocent people are dying. As other walkers make their presence known to Mercy, she must reconnect with her heritage to exorcise the world of the legend known as the river devil.

Virginia Woolf (January 25, 1882 - March 28, 1941) was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century.During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927), and Orlando (1928), and the book-length essay A Room of One's Own (1929) with its famous dictum, "a woman must have money and a room of her own if she is to write fiction".