At the Crossroads of Infinities is a story about the struggle of ideas out of which the modern physical picture of the world was born. Can anything move faster than light? Is the universe finite or infinite? Is time reversible? What lies at the basis of the realities which we perceive as space, time or matter? These are the questions taken up in this book. And more, for it also tells of the roads of knowledge, of the way man has probed the mysteries of the infinitely large and infinitely small, yet at root integral world.

In 1913, Russian imperial marines stormed an Orthodox monastery at Mt. Athos, Greece, to haul off monks engaged in a dangerously heretical practice known as Name Worshipping. Exiled to remote Russian outposts, the monks and their mystical movement went underground. Ultimately, they came across Russian intellectuals who embraced Name Worshipping—and who would achieve one of the biggest mathematical breakthroughs of the twentieth century, going beyond recent French achievements. Loren Graham and Jean-Michel Kantor take us on an exciting mathematical mystery tour as they unravel a bizarre tale of political struggles, psychological crises, sexual complexities, and ethical dilemmas. At the core of this book is the contest between French and Russian mathematicians who sought new answers to one of the oldest puzzles in math: the nature of infinity. The French school chased rationalist solutions. The Russian mathematicians, notably Dmitri Egorov and Nikolai Luzin—who founded the famous Moscow School of Mathematics—were inspired by mystical insights attained during Name Worshipping. Their religious practice appears to have opened to them visions into the infinite—and led to the founding of descriptive set theory. The men and women of the leading French and Russian mathematical schools are central characters in this absorbing tale that could not be told until now. Naming Infinity is a poignant human interest story that raises provocative questions about science and religion, intuition and creativity.

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

Concept and Form is a two-volume monument to the work of the philosophy journal the Cahiers pour l’Analyse (1966–69), the most ambitious and radical collective project to emerge from French structuralism. Inspired by their teachers Louis Althusser and Jacques Lacan, the editors of the Cahiers sought to sever philosophy from the interpretation of given meanings or experiences, focusing instead on the mechanisms that structure specific configurations of discourse, from the psychological and ideological to the literary, scientific, and political. Adequate analysis of the operations at work in these configurations, they argue, helps prepare the way for their revolutionary transformation. The first volume comprises English translations of some of the most important theoretical texts published in the journal, written by thinkers who would soon be counted among the most inventive and influential of their generation. The second volume collects newly commissioned essays on the journal, together with recent interviews with people who were either members of its editorial board or associated with its broader theoretical project. Contributors include Alain Badiou, Étienne Balibar, Edward Baring, Jacques Bouveresse, Yves Duroux, Alain Grosrichard, Peter Hallward, Adrian Johnston, Serge Leclaire, Patrice Maniglier, Tracy McNulty, Jacques-Alain Miller, Jean-Claude Milner, Knox Peden, Jacques Rancière, François Regnault, and Slavoj Žižek.

Concept and Form is a two-volume monument to the work of the philosophy journal the Cahiers pour l’Analyse (1966–69), the most ambitious and radical collective project to emerge from French structuralism. Inspired by their teachers Louis Althusser and Jacques Lacan, the editors of the Cahiers sought to sever philosophy from the interpretation of given meanings or experiences, focusing instead on the mechanisms that structure specific configurations of discourse, from the psychological and ideological to the literary, scientific, and political. Adequate analysis of the operations at work in these configurations, they argue, helps prepare the way for their revolutionary transformation. This first volume comprises English translations of some of the most important theoretical texts published in the journal, written by thinkers who would soon be counted among the most inventive and influential of their generation: Alain Badiou, Yves Duroux, Alain Grosrichard, Serge Leclaire, Jacques-Alain Miller, Jean-Claude Milner, and François Regnault.The book is complemented by a second volume, consisting of essays and interviews that assess the significance and legacy of the journal, and by an online edition of the full set of original Cahiers texts, produced by the Centre for Research in Modern European Philosophy at Kingston University, London and accessible at cahiers.kingston.ac.uk.

First systematic presentation and assessment of the groundbreaking journal Cahiers pour l’Analyse. Concept and Form is a two-volume monument to the work of the philosophy journal the Cahiers pour l’Analyse (1966–69), the most ambitious and radical collective project to emerge from French structuralism. Inspired by their teachers Louis Althusser and Jacques Lacan, the editors of the Cahiers sought to sever philosophy from the interpretation of given meanings or experiences, focusing instead on the mechanisms that structure specific configurations of discourse, from the psychological and ideological to the literary, scientific, and political. Adequate analysis of the operations at work in these configurations, they argue, helps prepare the way for their revolutionary transformation. The first volume comprises English translations of some of the most important theoretical texts published in the journal, written by thinkers who would soon be counted among the most inventive and influential of their generation. The second volume collects newly commissioned essays on the journal, together with recent interviews with people who were either members of its editorial board or associated with its broader theoretical project. Contributors include Alain Badiou, Étienne Balibar, Edward Baring, Jacques Bouveresse, Yves Duroux, Alain Grosrichard, Peter Hallward, Adrian Johnston, Serge Leclaire, Patrice Maniglier, Tracy McNulty, Jacques-Alain Miller, Jean-Claude Milner, Knox Peden, Jacques Rancière, François Regnault, and Slavoj Zizek.

The Clockwork Oracle In this captivating tale, time itself becomes a precious commodity, and prophecies are woven into the fabric of technology. The story follows Zara, a young chronomancer from an Amazonian tribe, as she embarks on a perilous journey to prevent a looming temporal catastrophe. When her village's ancient timepiece malfunctions, predicting global disaster, Zara must navigate a world where magic and science have become inextricably intertwined. From the lush, verdant rainforests to the pulsing neon arteries of sprawling megacities, Zara's quest unfolds in a vivid tapestry of contrasts. She encounters a cast of intriguing characters, including a jaded AI engineer and a time-displaced Victorian explorer, each adding depth to the narrative's exploration of cultural identity and the nature of time itself. As Zara races against the clock, she discovers that the key to averting disaster may lie in embracing her ancestral roots, challenging readers to reconsider their own relationship with heritage in an increasingly digital world.

In contemporary psychoanalysis, a key concept and aim of clinical practice is to distinguish the boundaries of any mental state. Without this boundary-setting, the patient has nothing but the 'formless infinite' of primitive mental states. Formless Infinity: Clinical Explorations of Matte Blanco and Bion draws on the work of these two authors to explore how analysts can work with patients to reveal, understand and ultimately contain their primitive mental states. Riccardo Lombardi discusses the core concepts of the unconscious, the role of the body in analysis, time and death. He displays the clinical implications of Matte Blanco’s theoretical extension of Freud’s theory of the unconscious, presenting numerous clinical examples of working with psychosis and other severe pathologies. Formless Infinity, a stimulating teaching text for students, trainers and seasoned mental health practitioners, is essential reading for psychoanalysts and psychoanalytic psychotherapists. It is particularly recommended to analysts interested in widening the scope of the analytic practice by exploring the functioning of the deep unconscious, primitive mental states, psychosomatic pathologies and psychotic conditions.

In The Infinity Sessions, T. R. Hummer achieves a radical act of translation, creating poems that project the narrative of twentieth-century America implicit in the syncopated rhythms of jazz and blues. Hummer boldly stands up as a poet and rides with some of the obscure greats with whom he feels a deep kinship -- Jimmie Lunceford, Adrian Rollini, Big Maybelle Smith, and Sun Ra -- in a dazzling poetic cycle as melodic, surprising, and improvisational as the finest of jazz music.Showing readers that the musician's character is tested and formed in the merciless crucible of improvisation, Hummer forces forth his own unique character as a poet, testing himself to the limit within the mystery, sadness, and beauty of jazz. His vaultingly ambitious collection is a work of grace and nuance, its conveyance of music in words incisively original in achieving this "impossible" translation.In the darkness, without a sound, The relays close; the tape slides by. What will it be this time? Shuffle for the lovers foundDead in an alley? Ballad for the boy Who slipped over the edge? Nobody wants to call The song. But this is fate. No mercyIn this business, the musicians know. They all Lived and died for it, common names forgotten. But note by note, take by take, their lyricalStumbling fattens the vault of heaven. Omniscience has a lot to answer for. The seraphic reels spin, Blues etched wave by wave on the shell of one electron.And then the great remastering: variations in the key of pain. -- from "The Infinity Sessions"

A dynamic exploration of infinity In Infinity and the Mind, Rudy Rucker leads an excursion to that stretch of the universe he calls the “Mindscape,” where he explores infinity in all its forms: potential and actual, mathematical and physical, theological and mundane. Using cartoons, puzzles, and quotations to enliven his text, Rucker acquaints us with staggeringly advanced levels of infinity, delves into the depths beneath daily awareness, and explains Kurt Gödel’s belief in the possibility of robot consciousness. In the realm of infinity, mathematics, science, and logic merge with the fantastic. By closely examining the paradoxes that arise, we gain profound insights into the human mind, its powers, and its limitations. This Princeton Science Library edition includes a new preface by the author.