This beautifully designed volume presents twenty-four Vineyard homes, built in the past twenty years, by internationally renowned architects, among them Robert A. M. Stern, Steven Holl, and the Polshek Partnership.

A portrait of the thriving African-American community on the island of Martha's Vineyard describes the various groups who settled in Oak Bluffs, including vacationing families, local domestics, and multi-generational professionals.

A rare glimpse into the outstanding private homes and gardens of Martha's Vineyard, this classic work is expanded with new pictures and commentary. Every kind of Vineyard home, from Edgartown mansions to Gay Head beach cottages, and every kind of garden, from perennial border to wildflower meadow is featured here. On the Vineyard, the natural world and the man-made exist side by side, as the Island's houses and gardens blend harmoniously into the landscape. It is that harmony, and the balance between old houses and new, that give the Vineyard much of its unique style. This world is captured in an illuminating text by long-time Vineyard resident Polly Burroughs and hundreds of stunning, full-color photographs by Lisl Dennis. Together they reveal the rich diversity and myriad charms of the houses and gardens of Martha's Vineyard.

"Just like the complex Pinot Noir crafted by Sokol Blosser, Susan's life story is layered and rich. Recounting her journey with passion and humor, we share in the professional challenges Susan faced as an Oregon wine industry pioneer, as well as the personal rewards of raising a family and finding self-fulfillment. Even if you're not a wine lover, you will love reading this touching memoir."—Leslie Sbrocco, author of Wine for Women: A Guide to Buying, Pairing, and Sharing Wine "At last, an intelligent, literate, first-hand observation of the beginnings of the Oregon wine industry. Susan Sokol Blosser was there when we were no more than a handful of families with naïve dreams and very dirty boots. Not only does At Home in the Vineyard capture those early experiences with exuberant detail and humor, but it also provides insight into her family's private challenges of managing vineyards and a successful winery."—David Adelsheim, President, Adelsheim Vineyard "This is a coming-of-age story of a wine region and of a woman. It is about finding and following your destiny, but also shaping it yourself. It is about using every success and setback to fuel your own energy, to do the right thing, and to feed your heart. How could this book be both deeply inspiring and funny? Well, that is Susan Sokol Blosser."—Andrea (Immer) Robinson, Master Sommelier and author, Andrea's Complete Wine Course for Everyone

Each year the pristine beaches, lush pine forests, and picturesque New England towns of Martha’s Vineyard draw tens of thousands of admirers to this beautiful island. Some of these visitors have become part-time residents, building contemporary homes alongside the traditional Victorian cottages, sea captains’ mansions, and colonial farmhouses that comprise the island’s cultural and architectural heritage. Rarely does one find such a concentration of outstanding contemporary design. Authors Keith Moskow and Robert Linn expand their 2005 survey of Vineyard residential design to present twenty-five new houses that extend the traditional Vineyard vernacular of shingled houses and cottages. Each of the architects has described the goals for the project and the source of the design. Some reference nautical themes, others environmental concerns, and still others appropriateness of materials and scale. A significant number rely on a plan strategy based on a series of pavilions to minimize intrusion in the landscape while still taking advantage of views and prevailing breezes. What links the houses is that they are all built to stand the test of time in the sometimes extreme marine environment and they respectfully break with tradition.

Home bird: A person who likes to stay at home.For Laura Wainwright that home is Martha's Vineyard. Her essays celebrate the simple but profound pleasures that can be found by listening carefully to the voices of the natural world and the rhythms of each season. Walk with her to find lady's slippers or painted turtles in springtime. Join her in the barn across the road on a cold afternoon. Follow her as she cuts watercress, gathers scallops, casts for striped bass — and then prepares some of her favorite recipes.With nuanced observations of everyday details, Wain- wright shows how connecting to the complexity and beauty of the natural world can ground us and help us uncover deeper meaning in our lives.— Includes Eight Recipes —

Martha's Vineyard is a well known summer vacation spot. In this collection of columns, former Martha's Vineyard Times editor Nelson Sigelman describes an island preoccupation, less notorious than tourism but more obsessive, rooted in fishing, hunting and waterfowling traditions that shaped the island's character well before a mechanical shark named Bruce and presidents Bill Clinton and Barack Obama attracted slavish media attention to a 100-square mile speck off the coast of Massachusetts. Martha's Vineyard Outdoors casts a wide net. "The pleasures of Nelson Sigelman's distinctive voice held this non-fishing, non-hunting, feminist, tree-hugging pinko spellbound from the first column to the very last," said Island resident and Pulitzer Prize winning author Geraldine Brooks. The setting is Martha's Vineyard but the stories are rooted in the humor and love of the outdoors found in small communities across the country.

Enchanting watercolors complement a wealth of recipes and homespun wisdom emphasizing the use of fresh foods and and simple preparation to yield taste treats for all seasons

Trapped in an isolated old house on Martha's Vineyard in winter, Diana Barlow is either seeing ghosts or losing her mind ... After an estrangement from her parents, Diana came to Martha's Vineyard to start a new life with her husband Ford and young daughter Samantha. The beautiful Victorian house that Ford inherited seemed the perfect home for a fresh beginning. But in the winter, when the tourists go home and the island is deserted, Diana is afraid she's going crazy. Specters of people long dead flicker in and out of her vision. The antique dolls in her house never stay where they're put. Samantha suddenly has a whole group of imaginary friends who live in the house and tell her terrible things. And Ford is becoming increasingly moody, unpredictable, and violent. While Diana investigates the horrifying history of the house, the past, the present, the living and the dead fatally intertwine, and Diana realizes she and her daughter must escape -- if Ford and the house will let her.