Most of the "wonders" of our ancient past have come down to us unencumbered by written information. In particular, this is the case of the Great Pyramid of Giza and of many other ancient Egyptian monuments. However, there is no doubt as to the interest of their builders in the celestial cycles: the "cosmic order" was indeed the true basis of the pharaoh's power. This book takes the reader on a chronological journey through ancient Egypt to explore the relationship between astronomy, landscape, and power during the most flourishing periods of ancient Egyptian civilization. Using the lens of archaeoastronomy, Giulio Magli reexamines the key monuments and turning points of Egyptian architecture and history, such as the solar deification of King Khufu, builder of the Great Pyramid, the Hatshepsut reign, and the Amarna revolution.

In his first book ever, the father of string theory reinvents the world's concept of the known universe and man's unique place within it. Line drawings.

The proceedings of the 1998 Société Européenne pour l'Astronomie dans la Culture conference held in Dublin with 15 papers, all in English, covering various periods and parts of the world; Palaeolithic Europe, Minoan and Mycenaean Crete, pre-Hispanic Canary Islands, Greece and Rome and the Americas. Although the overall theme of the conference was landscape perception, many papers also addressed related issues of cosmology, symbolism, belief systems, mythology, studies of constellations, folklore and related ritual practices.

This book provides an overview of many of the dramatic recent developments in the fields of astronomy, cosmology and fundamental physics. Topics include observations of the structure in the cosmic background radiation, evidence for an accelerating Universe, the extraordinary concordance in the fundamental parameters of the Universe coming from these and other diverse observations, the search for dark matter candidates, evidence for neutrino oscillations, space experiments on fundamental physics, and discoveries of extrasolar planets. This book will be useful for researchers and graduate students who wish to have a broad overview of the current developments in these fields.

Eleven papers extend discussion of the role and importance of the landscape and the wider environment to past societies, and to the understanding and interpretation of their material remains, into consideration of the significance of the celestial environment: the skyscape. The role of the sky for past societies has been relegated to the fringes of archaeological discourse. Nevertheless archaeoastronomy has developed a new rigour in the last few decades and the evidence suggests that it can provide insights into the beliefs, practices and cosmologies of past societies. Skyscapes explores the current role of archaeoastronomical knowledge in archaeological discourse and how to integrate the two. It shows how it is not only possible but even desirable to look at the skyscape to shed further light on human societies. This is achieved by first exploring the historical relationship between archaeoastronomy and academia in general, and with archaeology in particular. The volume continues by presenting case-studies that either demonstrate how archaeoastronomical methodologies can add to our current understanding of past societies, their structures and beliefs, or how integrated approaches can raise new questions and even revolutionise current views of the past.

Landforms are a fast-developing art form that enjoy a wide following today, because of their multiple uses and their enveloping beauty. As formal landscapes that often arise from necessity - recycling a coal site for human use or making new use of excess earth - they are a pleasure to walk over and through. In this collection of his recent work, Charles Jencks explains his particular approach to the landform. Like the prehistoric earthworks of Britain that have been an inspiration, such as Stonehenge, his landforms contain cosmic symbolism, and they draw together sculpture, epigraphy, water, gardens, scrap metal and architecture. They address perennial themes - identity, patterns of nature, death and the power of life - but in a contemporary way, based on the insights of science. So Jencks portrays universal aspects of DNA, the spacetime warp of a black hole, the extraordinary way cells divide and unite and some basic forms of life. Other designs include sharp comments on recent events: a water garden of war in France critiques the 2003 invasion of Iraq using 'waterpults' and 'hose-guns' among other interactive features; a white garden made from birch trees, flying bones and computer graphics deals with some fatal consequences of modernity. Jencks addresses, with wit and irony, some of the strange possibilities that arise with extra-large landforms. Northumberlandia, perhaps the largest human figure ever made, presents the question of which body parts one can walk on safely, which are dangerous and which need to be suppressed. What became perhaps the heaviest work of art in the world, at 20 million tons, was also the opportunity to transform a large open-cast mine into a dynamic landscape of giant mounds and sculpted lakes. As in his The Garden of Cosmic Speculation, to which this book is a sequel, Jencks seeks to define a new landscape iconography based on forms and themes that may be eternal, in the sense that they crystallise nature's laws, some of which have been recently discovered. To see a world in a grain of sand was a poetic quest of William Blake and, in a different sense, to find the universe in a ritual landscape was a goal of prehistoric cultures. Jencks allies these spiritual affinities with the view of science that stresses the common patterns that underlie all parts of the cosmos, thus making them like our home planet, and the universe in a landscape.

Proceedings of the SEAC 27th annual meeting held in September 2019 in Bern in confluence with the EAA annual meeting.

The early medieval manuscripts of Ireland and Britain contain tantalizing clues about the cosmology, religion and mythology of native Celtic cultures, despite censorship and revision by Christian redactors. Focusing on the latest research and translations, the author provides fresh insight into the beliefs and practices of the Iron Age inhabitants of Ireland, Britain and Gaul. Chapters cover creation and cosmogony, the deities of the Gaels, feminine power in narrative sources, druidic belief, priestesses and magical rites.

This study of archaeoastronomy looks at more than 2,500 communal tombs and sanctuaries from around the Mediterranean. After a brief discussion of Hoskin's aims and the methodology for his fieldwork, individual chapters focus on evidence from particular regions: Malta, Gozo, the Balearics, Iberia, southern France, Corsica and Sardinia, Sicily and Pantelleria, Tunisia, Algeria and Morocco. The author concludes that in most of these regions the monuments faced sunrise, or more generally the sun when it was rising or climbing in the sky. Along the Mediterranean coast of France, however, there is a reverse sunset custom; in North Africa tombs faced downhill and in a Minoan cemetery on Crete all the tombs faced moonrise and look towards a mountain on whose peak was a sanctuary probably sacred to a lunar god. 264p, b/w figs and photos throughout, tables (Ocarina Books 2001) ` adorned with dozens of beautiful photographs, technical diagrams, and an extraordinary Corpus Mensurarum.....a living masterpiece in the field of archaeoastronomy ' - Juan Antonio Belmonte, Instituto de Astroficia de Canarias `