First published as a special issue of the journal Medieval Encounters (vol. 23, 2017), this volume, edited by Josefina Rodríguez-Arribas, Charles Burnett, Silke Ackermann, and Ryan Szpiech, brings together fifteen studies on various aspects of the astrolabe in medieval cultures. The astrolabe, developed in antiquity and elaborated throughout the Middle Ages, was used for calculation, teaching, and observation, and also served astrological and medical purposes. It was the most popular and prestigious of the mathematical instruments, and was found equally among practitioners of various sciences and arts as among princes in royal courts. By considering sources and instruments from Muslim, Christian, and Jewish contexts, this volume provides state-of-the-art research on the history and use of the astrolabe throughout the Middle Ages. Contributors are Silke Ackermann, Emilia Calvo, John Davis, Laura Fernández Fernández, Miquel Forcada, Azucena Hernández, David A. King, Taro Mimura, Günther Oestmann, Josefina Rodríguez-Arribas, Sreeramula Rajeswara Sarma, Petra G. Schmidl, Giorgio Strano, Flora Vafea, and Johannes Thomann.

Astrolabes in Medieval Cultures brings together fifteen studies on the astrolabe in the Middle Ages. By considering sources and instruments from Muslim, Christian, and Jewish contexts, this volume provides state-of-the-art research on the history and use of the astrolabe.

This is the fourth set of studies in the Variorum series by David King, a leading authority on the history of astronomy in Islamic civilization and on medieval astronomical instruments, European as well as Islamic. The first of the eleven studies collected here deals with medieval instruments in general, as precious historical sources. The following papers focus on individual astrolabes from the European Middle Ages and early Renaissance that are of singular historical importance. Two look at the origins of the simple universal horary quadrant and the complicated universal horary dial (navicula). The collection concludes with a list of all known medieval European astrolabes, ordered chronologically by region. Three "landmark" astrolabes are discussed: (1) the earliest known European astrolabe from 10th-century Catalonia, that milieu in which the astrolabe first became known to Europeans; (2) an astrolabe from 14th-century Picardy bearing numerals written in monastic ciphers as well as a later dedication mentioning two friends of Erasmus; (3) the splendid astrolabe presented in 1462 by the German astronomer Regiomontanus to his patron Cardinal Bessarion, with its enigmatic angel and Latin dedication, here presented in the context of other astrolabes of similar design from 15th-century Vienna.

This is the fourth set of studies in the Variorum series by David King, a leading authority on the history of Islamic astronomy and on medieval astronomical instruments. The first of the studies collected here deals with medieval instruments as historical sources. The following papers focus on individual astrolabes from the European Middle Ages and early Renaissance that are of singular historical importance and look at the origins of the simple universal horary quadrant and the complicated universal horary dial (navicula). The collection concludes with a list of all known medieval European astrolabes.

This book provides an overview of the astronomical practices that continued through the so-called "Dark Ages." Like the astronomies of traditional societies, early medieval astronomies established a religious framework of sacred time and ritual calender; here Christian feasts tied to a pre-Christian ritual solar calender, the date of Easter tied to the Hebrew lunar calender; and the timing of monastic prayers in terms of the course of the stars. Coupled with the remnants of ancient geometrical astronomy, these provided the framework for the rebirth of astronomy with the rise of the medieval universities.

This is the first comprehensive study of an ingenious number-notation from the Middle Ages that was devised by monks and mainly used in monasteries. A simple notation for representing any number up to 99 by a single cipher, somehow related to an ancient Greek shorthand, first appeared in early-13th-century England, brought from Athens by an English monk. A second, more useful version, due to Cistercian monks, is first attested in the late 13th century in what is today the border country between Belgium and France: with this any number up to 9999 can be represented by a single cipher. The ciphers were used in scriptoria - for the foliation of manuscripts, for writing year-numbers, preparing indexes and concordances, numbering sermons and the like, and outside the scriptoria - for marking the scales on an astronomical instrument, writing year-numbers in astronomical tables, and for incising volumes on wine-barrels. Related notations were used in medieval and Renaissance shorthands and coded scripts. This richly-illustrated book surveys the medieval manuscripts and Renaissance books in which the ciphers occur, and takes a close look at an intriguing astrolabe from 14th-century Picardy marked with ciphers. With Indices. "Mit Kings luzider Beschreibung und Bewertung der einzelnen Funde und ihrer Beziehungen wird zugleich die Forschungsgeschichte - die bis dato durch Widerspruechlichkeit und Diskontinuit�t gepr�gt ist - umfassend aufgearbeitet." Zeitschrift fuer Germanistik.

This book analyses the artistic and cultural legacy of Western Islamic societies and their interactions with Islamic, Christian and Jewish societies in the framework of the late medieval Mediterranean, from a range of multi-disciplinary perspectives. The book, organised in four parts, addresses the Andalusi legacy from its presence in the East and the West; analyses the relations and transfers between Al-Andalus and the artistic productions of the Christian kingdoms of the Iberian Peninsula; explores other manifestations of the Andalusi legacy in the fields of knowledge, construction, identity and religious studies; and reconsiders ornamental transfers and exchanges in artistic manifestations between East and West across the Mediterranean basin. Chapter 2 is open access under a CC BY 4.0 license.

Named a Best Book of 2020 by The Telegraph, The Times, and BBC History Magazine An illuminating guide to the scientific and technological achievements of the Middle Ages through the life of a crusading astronomer-monk. "Falk’s bubbling curiosity and strong sense of storytelling always swept me along. By the end, The Light Ages didn’t just broaden my conception of science; even as I scrolled away on my Kindle, it felt like I was sitting alongside Westwyk at St. Albans abbey, leafing through dusty manuscripts by candlelight." —Alex Orlando, Discover Soaring Gothic cathedrals, violent crusades, the Black Death: these are the dramatic forces that shaped the medieval era. But the so-called Dark Ages also gave us the first universities, eyeglasses, and mechanical clocks. As medieval thinkers sought to understand the world around them, from the passing of the seasons to the stars in the sky, they came to develop a vibrant scientific culture. In The Light Ages, Cambridge science historian Seb Falk takes us on a tour of medieval science through the eyes of one fourteenth-century monk, John of Westwyk. Born in a rural manor, educated in England’s grandest monastery, and then exiled to a clifftop priory, Westwyk was an intrepid crusader, inventor, and astrologer. From multiplying Roman numerals to navigating by the stars, curing disease, and telling time with an ancient astrolabe, we learn emerging science alongside Westwyk and travel with him through the length and breadth of England and beyond its shores. On our way, we encounter a remarkable cast of characters: the clock-building English abbot with leprosy, the French craftsman-turned-spy, and the Persian polymath who founded the world’s most advanced observatory. The Light Ages offers a gripping story of the struggles and successes of an ordinary man in a precarious world and conjures a vivid picture of medieval life as we have never seen it before. An enlightening history that argues that these times weren’t so dark after all, The Light Ages shows how medieval ideas continue to color how we see the world today.

This sixth volume in the AVISTA series considers medieval travel from a variety of interdisciplinary perspectives, placing the physical practice of transportation in the larger context of medieval thought about the world and its meaning. The papers included cover vehicle design and logistical management, the practicalities of how travellers oriented themselves, and the symbolism of the landscapes and maps created in the Middle Ages.

In On Both Sides of the Strait of Gibraltar Julio Samsó shows that astronomical sources, written in al-Andalus, the Maghrib and the Iberian Peninsula, belong to the same tradition and emphasizes the role of al-Andalus and the Iberian Peninsula in the transmission of Islamic astronomy to medieval Europe.