A dazzling, phosphorescent collection, featuring short stories and poetry linked by themes of hopelessness, sexual obession and heartbreak.

John Updike’s first collection of nonfiction pieces, published in 1965 when the author was thirty-three, is a diverting and illuminating gambol through midcentury America and the writer’s youth. It opens with a choice selection of parodies, casuals, and “Talk of the Town” reports, the fruits of Updike’s boyish ambition to follow in the footsteps of Thurber and White. These jeux d’esprit are followed by “Hub Fans Bid Kid Adieu,” an immortal account of Ted Williams’s last at-bat in Fenway Park; “The Dogwood Tree,” a Wordsworthian evocation of one Pennsylvania childhood; and five autobiographical essays and stories. Rounding out the volume are classic considerations of Nabokov, Salinger, Spark, Beckett, and others, the earliest efforts of the book reviewer who would go on to become, in The New York Times’s estimation, “the pre-eminent critic of his generation.” Updike called this collection “motley but not unshapely.” Some would call it a classic of its kind.

'Utterly charming and uplifting' The Good Book Guide Voted Britain's favourite poem, 'Warning', written in 1961, is known and loved the world over for its message of old age as a time for indulgence and fun. In the poem's respectable middle-aged woman, as she imagines herself in old age as a cheeky rebel with outrageous clothes and dotty behaviour, poet Jenny Joseph has created a character whose thoughts have been quoted at conferences and funerals, used to cheer up sick friends and remembered with pleasure by children and adults alike around the world. Here, 'Warning' appears as a beautiful updated edition with new illustrations; the perfect gift for a friend or relative who wants to grow older free from expectations, with a joyful and rebellious spirit.

What is a Californigonian? What was waiting by the door that night? What possessed us to adopt two puppies at once? How is playing the piano like ice skating? Why stay in Oregon when it rains all the time and the family is still back in California? Find the answers to these and other questions in these posts selected from ten years of the Unleashed in Oregon blog. Chapters will look at the glamorous life of a writer and the equally glamorous life of a musician, true stories from a whiny traveler, being the sole human occupant of a house in the woods, and dogs, so much about dogs.

From Tottel's Miscellany (1557) to the last twentieth-century Oxford Book of English Verse (1999), anthologies have been a prime institution for the preservation and mediation of poetry. The importance of anthologies for creating and re-creating the canon of English poetry, for introducing ‘new' programmes of poetry, as a record of changing poetic fashions, audience tastes and reading practices, or as a profitable literary commodity has often been asserted. Despite its impact, however, the poetry anthology in itself has attracted surprisingly little critical interest in Britain or elsewhere in the English-speaking world. This volume is the first publication to explore the largely unmapped field of poetry anthologies in Britain. Essays written from a wide range of perspectives in literary and cultural studies, and the point of view of poets, editors, publishers and cultural institutions, aim to do justice to the typological, functional and historical variety with which this form of publication has manifested itself - from early modern print culture to the postmodern age of the world wide web.

The Advent season is filled with rich themes that have fascinated poets. In Run, Shepherds, Run, Bill Countryman presents a poem a day for devotional reading during Advent and the twelve days of Christmas. Readers will find classic poets they know and love, including George Herbert, John Donne, Christina Rossetti, Emily Dickinson, and Alfred, Lord Tennyson, as well as contemporary poets, known and unknown. Run, Shepherds, Run includes helpful hints for reading poetry, for those who have less experience reading it than others, as well as useful annotations to help readers with older language that may not have easily apparent meanings for today's readers.

This book argues that a basic grasp of philosophy and logic can produce written and spoken material that is both grammatically correct and powerful. The author analyses errors in grammar, word choice, phrasing and sentences that even the finest writers can fail to notice; concentrating on subtle missteps and errors that can make the difference between good and excellent prose. Each chapter addresses how common words and long-established grammatical rules are often misused or ignored altogether – including such common words as ‘interesting’, ‘possible’, and ‘apparent’. By tackling language in this way, the author provides an illuminating and practical stylistic guide that will interest students and scholars of grammar and philosophy, as well as readers looking to improve their technical writing skills.

At the dawn of the twenty-first century Adam Kellas finds himself hurled on a journey between continents and cultures. In his quest from the war-torn mountains of Afghanistan to the elegant dinner tables of north London and then the marshlands of the American South, only the memory of the beautiful, elusive Astrid offers the possibility of hope. With all the explosive drama of The People's Act of Love, this is a spellbinding tale of folly and the pursuit of love from one of today's most talented and visionary writers.