This volume is the first book-length presentation of the grammatical category of Associated Motion. It provides a framework for understanding a grammatical phenomenon which, though present in many languages, has gone unrecognized until recently. Previously known primarily from languages of Australia and South America, grammatical AM marking has now been identified in languages from most parts of the world (except Europe) and is becoming an important topic in linguistic typology. The chapters provide a thorough introduction to the subject, discussion of the relation between AM and related grammatical concepts, detailed descriptions of AM in a wide range of the world’s languages, and surveys of AM in particular language families and areas.

This volume is the first book-length presentation of the grammatical category of Associated Motion. It provides a framework for understanding a grammatical phenomenon which, though present in many languages, has gone unrecognized until recently. Previously known primarily from languages of Australia and South America, grammatical AM marking has now been identified in languages from most parts of the world (except Europe) and is becoming an important topic in linguistic typology. The chapters provide a thorough introduction to the subject, discussion of the relation between AM and related grammatical concepts, detailed descriptions of AM in a wide range of the world’s languages, and surveys of AM in particular language families and areas.

Typologies are critical tools for linguists, but typologies, like grammars, are known to leak. This book addresses the question of typological overlap from the perspective of a single language. In Lowland Chontal of Oaxaca, a language of southern Mexico, change events are expressed with three types of predicates, and each predicate type corresponds to a different language type in the well-known typology of lexicalization patterns established by Talmy and elaborated by others. O’Connor evaluates the predictive powers of the typology by examining the consequences of each predicate type in a variety of contexts, using data from narrative discourse, stimulus response, and elicitation. This is the first de­tailed look at the lexical and grammatical resources of the verbal system in Chontal and their relation to semantics of change. The analysis of how and why Chontal speakers choose among these verbal resources to achieve particular communicative and social goals serves both as a documentation of an endangered language and a theoretical contribution towards a typology of language use.

Cross-linguistically, motion verbs are frequently involved in language change and feature a wide array of motion-related constructions. The aim of this volume is to grasp more completely the typological characteristics and the developmental potential of motion verbs and to acknowledge the formal and functional diversity of motion-related constructions in Romance languages. To this end, the contributions in this collection provide synchronic and diachronic as well as typologically oriented studies that focus on motion verbs and single- and multi-verb constructions that have received scant attention to date. These include verbal periphrases, (pseudo-/semi-)copula and pseudo-coordinated constructions in Spanish, Italian, Romanian, French and French-based Creoles. In comparison to previous research on Romance languages, the present volume also adopts a broader perspective on language change, taking into account not only grammaticalization processes but also discursive, lexical and pragmatic phenomena such as the development of discursive, quotative or mirative functions. The studies build on functional, usage-based and constructionist models of language change and rely on corpus-based as well as experimental empirical approaches.

When actors transform themselves on stage, they must escape the confines of their controlled behaviors and become “connected” and emotionally engaged in their movement. When connected, movement becomes an uncensored expression of internal creative impulses. David Barker brings 45 years of acting and teaching experience to Connected Motion with one clear goal: training actors to move better. His process-oriented, improvisation-based approach has proven successful both on the stage and in the studio working with students. He presents concrete exercises and improvisations rather than theory and complex concepts. Instructors will find his ideas easy to apply no matter what movement system they use.

The idea of this book on "Neglected Aspects of Motion-Event Description" comes from the observation that, over the last 30 years, much attention has been devoted to the manner/path divide in relation to the distinction between Verb-Framed and Satellite-Framed languages. This mainstream focus has left aside other aspects of motion event descriptions. The chapters of this volume take an in-depth look at three less-studied aspects of motion expression. The first part of the book focuses on directional deixis, especially in relation to associated motion and visual motion. The second part explores variations in Source-Goal asymmetries. The third part investigates different types of motion event constructions, e.g., with various types of co-events. Many languages are taken into consideration throughout the 11 chapters, which gives the volume a clear typological dimension. This book is intended for students and academics interested in motion, spatial semantics, typological variation and cognitive linguistics.

This volume investigates the linguistic expression of directed caused accompanied motion events, including verbal concepts like BRING and TAKE. Contributions explore how speakers conceptualise and describe these events across areally, genetically, and typologically diverse languages of the Americas, Austronesia and Papua. The chapters investigate such events on the basis of spoken language corpora of endangered, underdescribed languages and in this way the volume showcases the importance of documentary linguistics for linguistic typology. The semantic domain of directed caused accompanied motion shows considerable crosslinguistic variation in how meaning components are conflated within single lexemes or distributed across morphemes or clauses. The volume presents a typology of common patterns and constraints in the linguistic expression of these events. The study of crosslinguistic event encoding provided in this volume contributes to our understanding of the nature, extent and limits of linguistic and cognitive diversity.

How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers working with dancers. They may be roboticists programming robots. They may be artists designing cartoons in computer animation. In all such fields the purpose is to express an intention about a dance, a specific motion or an action to perform, in terms of intelligible sequences of elementary movements, as a music score that would be devoted to motion representation. Unfortunately there is no universal language to write a motion. Motion languages live together in a Babel tower populated by biomechanists, dance notators, neuroscientists, computer scientists, choreographers, roboticists. Each community handles its own concepts and speaks its own language. The book accounts for this diversity. Its origin is a unique workshop held at LAAS-CNRS in Toulouse in 2014. Worldwide representatives of various communities met there. Their challenge was to reach a mutual understanding allowing a choreographer to access robotics concepts, or a computer scientist to understand the subtleties of dance notation. The liveliness of this multidisciplinary meeting is reflected by the book thank to the willingness of authors to share their own experiences with others.

A substantial proportion of what is discoverable about the structure of many Aboriginal languages spoken on the vast Australian continent before their decimation through colonial invasion is contained in nineteenth-century grammars. Many were written by fervent young missionaries who traversed the globe intent on describing the languages spoken by “heathens”, whom they hoped to convert to Christianity. Some of these documents, written before Australian or international academic institutions expressed any interest in Aboriginal languages, are the sole record of some of the hundreds of languages spoken by the first Australians, and many are the most comprehensive. These grammars resulted from prolonged engagement and exchange across a cultural and linguistic divide that is atypical of other early encounters between colonised and colonisers in Australia. Although the Aboriginal contributors to the grammars are frequently unacknowledged and unnamed, their agency is incontrovertible. This history of the early description of Australian Aboriginal languages traces a developing understanding and ability to describe Australian morphosyntax. Focus on grammatical structures that challenged the classically trained missionary-grammarians – the description of the case systems, ergativity, bound pronouns, and processes of clause subordination – identifies the provenance of analyses, development of descriptive techniques, and paths of intellectual descent. The corpus of early grammatical description written between 1834 and 1910 is identified in Chapter 1. Chapter 2 discusses the philological methodology of retrieving data from these grammars. Chapters 3–10 consider the grammars in an order determined both by chronology and by the region in which the languages were spoken, since colonial borders regulated the development of the three schools of descriptive practice that are found to have developed in the pre-academic era of Australian linguistic description.