Fanuco's taking English lessons from the only American he knows. The thing is, she's the FBI's most wanted woman and he's a Cuban teenager desperate to live the American Dream. When will he realize his mentor is a former Black Panther, a convicted felon and has a million dollars on her head?

Black Panther and Cuban exile, Assata Shakur, has inspired multiple generations of radical protest, including our contemporary Black Lives Matter movement. Drawing its title from one of America's foremost revolutionaries, this collection of thought-provoking essays by award-winning Panther scholar Donna Murch explores how social protest is challenging our current system of state violence and mass incarceration. Murch exposes the devastating consequences of overlapping punishment campaigns against gangs, drugs, and crime on poor and working-class populations of color. Through largely hidden channels, it is these punishment campaigns, Murch says, that generate enormous revenues for the state. Under such difficult conditions, organized resistance to the advancing tide of state violence and incarceration has proved difficult. This timely and urgent book shows how a youth-led political movement has emerged since the killing of Trayvon Martin that challenges the bi-partisan consensus on punishment and looks to the future through a redistributive, queer, and feminist lens. Murch frames the contemporary Black Lives Matter movement in relation to earlier struggles for Black Liberation, while excavating the origins of mass incarceration and the political economy that drives it. Assata Taught Me offers a fresh and much-needed historical perspective on the fifty years since the founding of the Black Panther Party, in which the world's largest police state has emerged.

In this nuanced and groundbreaking history, Donna Murch argues that the Black Panther Party (BPP) started with a study group. Drawing on oral history and untapped archival sources, she explains how a relatively small city with a recent history of African

“Twilight in Hazard paints a more nuanced portrait of Appalachia than Vance did...[Maimon] eviscerates Vance's bestseller with stiletto precision.” —Associated Press From investigative reporter and Pulitzer Prize finalist Alan Maimon comes the story of how a perfect storm of events has had a devastating impact on life in small town Appalachia, and on the soul of a shaken nation . . . When Alan Maimon got the assignment in 2000 to report on life in rural Eastern Kentucky, his editor at the Louisville Courier-Journal told him to cover the region “like a foreign correspondent would.” And indeed, when Maimon arrived in Hazard, Kentucky fresh off a reporting stint for the New York Times’s Berlin bureau, he felt every bit the outsider. He had landed in a place in the vice grip of ecological devastation and a corporate-made opioid epidemic—a place where vote-buying and drug-motivated political assassinations were the order of the day. While reporting on the intense religious allegiances, the bitter, bareknuckled political rivalries, and the faltering attempts to emerge from a century-long coal-based economy, Maimon learns that everything—and nothing—you have heard about the region is true. And far from being a foreign place, it is a region whose generations-long struggles are driven by quintessentially American forces. Resisting the easy cliches, Maimon’s Twilight in Hazard gives us a profound understanding of the region from his years of careful reporting. It is both a powerful chronicle of a young reporter’s immersion in a place, and of his return years later—this time as the husband of a Harlan County coal miner’s daughter—to find the area struggling with its identity and in the thrall of Trumpism as a political ideology. Twilight in Hazard refuses to mythologize Central Appalachia. It is a plea to move past the fixation on coal, and a reminder of the true costs to democracy when the media retreats from places of rural distress. It is an intimate portrait of a people staring down some of the most pernicious forces at work in America today while simultaneously being asked: How could you let this happen to yourselves? Twilight in Hazard instead tells the more riveting, noirish, and sometimes bitingly humorous story of how we all let this happen.

The Pulitzer Prize–winning poet delivers a sharp wake-up call with his fourteenth collection. A “howdie-skelp” is the slap in the face a midwife gives a newborn. It’s a wake-up call. A call to action. The poems in Howdie-Skelp, Paul Muldoon’s new collection, include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a heroic crown of sonnets that responds to the early days of the COVID-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an “affront” to good taste. Muldoon is a poet who continues not only to capture but to command our attention.

This new South End Press edition makes available the full text of this out-of-print classic--along with a new foreword by Manning Marable, interviews with participants in DRUM, and reflections on political developments over the past threee decades by Georgakas and Surkin.

“An activist. An author. A scholar. An abolitionist. A legend.” —Ibram X. Kendi This beautiful new edition of Angela Davis’s classic Autobiography features an expansive new introduction by the author. “I am excited to be publishing this new edition of my autobiography with Haymarket Books at a time when so many are making collective demands for radical change and are seeking a deeper understanding of the social movements of the past.” —Angela Y. Davis Angela Davis has been a political activist at the cutting edge of the Black Liberation, feminist, queer, and prison abolitionist movements for more than 50 years. First published and edited by Toni Morrison in 1974, An Autobiography is a powerful and commanding account of her early years in struggle. Davis describes her journey from a childhood on Dynamite Hill in Birmingham, Alabama, to one of the most significant political trials of the century: from her political activity in a New York high school to her work with the U.S. Communist Party, the Black Panther Party, and the Soledad Brothers; and from the faculty of the Philosophy Department at UCLA to the FBI's list of the Ten Most Wanted Fugitives. Told with warmth, brilliance, humor and conviction, Angela Davis’s autobiography is a classic account of a life in struggle with echoes in our own time.

'Deftly written...a spellbinding tale.' The New York Times In 2013 Assata Shakur, founding member of the Black Liberation Army, former Black Panther and godmother of Tupac Shakur, became the first ever woman to make the FBI's most wanted terrorist list. Assata Shakur's trial and conviction for the murder of a white state trooper in the spring of 1973 divided America. Her case quickly became emblematic of race relations and police brutality in the USA. While Assata's detractors continue to label her a ruthless killer, her defenders cite her as the victim of a systematic, racist campaign to criminalize and suppress black nationalist organizations. This intensely personal and political autobiography reveals a sensitive and gifted woman. With wit and candour Assata recounts the formative experiences that led her to embrace a life of activism. With pained awareness she portrays the strengths, weaknesses and eventual demise of black and white revolutionary groups at the hands of the state. A major contribution to the history of black liberation, destined to take its place alongside The Autobiography of Malcolm X and the works of Maya Angelou.

“Many days I believe menopause is the new (if long overdue) frontier for the most compelling and necessary philosophy; Darcey Steinke is already there, blazing the way. This elegant, wise, fascinating, deeply moving book is an instant classic. I’m about to buy it for everyone I know.” —Maggie Nelson, author of The Argonauts A brave, brilliant, and unprecedented examination of menopause Menopause hit Darcey Steinke hard. First came hot flashes. Then insomnia. Then depression. As she struggled to express what was happening to her, she came up against a culture of silence. Throughout history, the natural physical transition of menopause has been viewed as something to deny, fear, and eradicate. Menstruation signals fertility and life, and childbirth is revered as the ultimate expression of womanhood. Menopause is seen as a harbinger of death. Some books Steinke found promoted hormone replacement therapy. Others encouraged acceptance. But Steinke longed to understand menopause in a more complex, spiritual, and intellectually engaged way. In Flash Count Diary, Steinke writes frankly about aspects of Menopause that have rarely been written about before. She explores the changing gender landscape that comes with reduced hormone levels, and lays bare the transformation of female desire and the realities of prejudice against older women. Weaving together her personal story with philosophy, science, art, and literature, Steinke reveals that in the seventeenth century, women who had hot flashes in front of others could be accused of being witches; that the model for Duchamp's famous Étant donnés was a post-reproductive woman; and that killer whales—one of the only other species on earth to undergo menopause—live long post-reproductive lives. Flash Count Diary, with its deep research, open play of ideas, and reverence for the female body, will change the way you think about menopause. It's a deeply feminist book—honest about the intimations of mortality that menopause brings while also arguing for the ascendancy, beauty, and power of the post-reproductive years.

Winner of the Working-Class Studies Association C.L.R. James Award Seen as a pioneering figure in the critical study of whiteness, US historian David Roediger has sometimes received criticism, and praise, alleging that he left Marxism behind in order to work on questions of identity. This volume collects his recent and new work implicitly and explicitly challenging such a view. In his historical studies of the intersections of race, settler colonialism, and slavery, in his major essay (with Elizabeth Esch) on race and the management of labor, in his detailing of the origins of critical studies of whiteness within Marxism, and in his reflections on the history of solidarity, Roediger argues that racial division is part of not only of the history of capitalism but also of the logic of capital.